peteb Posted January 31, 2019 Share Posted January 31, 2019 Interesting video from Stewart Copeland (in conversation with Terry Bozzio and Chad Smith), saying that there are two types of musicians; musicians of the eye and musicians of the ear. I'm not saying that I agree 100% with this view (there are guys who are both), but I think that he is more on the money than not... Quote Link to comment Share on other sites More sharing options...
Guest subaudio Posted February 1, 2019 Share Posted February 1, 2019 I caught this too, interesting chat, I've noticed as I studied drums for a while that theres a really healthy attitude in a lot of drums media, some great books on the mental aspects of drums that transfer very well to bass too. I don't think humans are quite so polarized as one or the other, though as I started out as a classical musician, I totally get what he's saying about those who only read struggle to improvise. It took years for me to totally get it. I think its more like a ven diagram with multiple cross over points and intersections than one of two options. I consider myself a visual musician but not in the reading sense, I sort of see music. It has architecture, colours, depth, clarity, cloudy etc but I'm also totally working from my ear, my intuition etc, its a mix. Quote Link to comment Share on other sites More sharing options...
TheGreek Posted February 1, 2019 Share Posted February 1, 2019 51 minutes ago, subaudio said: I consider myself a visual musician but not in the reading sense, I sort of see music. It has architecture, colours, depth, clarity, cloudy etc but I'm also totally working from my ear, my intuition etc, its a mix. Interesting...🤔🤔 Quote Link to comment Share on other sites More sharing options...
Monkey Steve Posted February 1, 2019 Share Posted February 1, 2019 1 hour ago, subaudio said: I caught this too, interesting chat, I've noticed as I studied drums for a while that theres a really healthy attitude in a lot of drums media, some great books on the mental aspects of drums that transfer very well to bass too. I don't think humans are quite so polarized as one or the other, though as I started out as a classical musician, I totally get what he's saying about those who only read struggle to improvise. It took years for me to totally get it. I think its more like a ven diagram with multiple cross over points and intersections than one of two options. I consider myself a visual musician but not in the reading sense, I sort of see music. It has architecture, colours, depth, clarity, cloudy etc but I'm also totally working from my ear, my intuition etc, its a mix. In the terms that Copeland is explaining it, I'm definitely a musician of the ear - can't read music to begin with (or not well...actually i could at school because they made us do it, but I didn't play an instrument and dropped music it at 13) so for me it's all about listening and feel, learning the song and rehearsing it until I can play it. However, on your last point, I do have something of a visual memory. Whenever I'm listening to a recording of either something I've played on or to a song that I need to learn, I can picture the frets that I am/should be playing, and I can "hear" when I am picturing myself playing the wrong note (and need to work out what I should be playing) Quote Link to comment Share on other sites More sharing options...
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