Chrisbassboy5 Posted March 2, 2019 Posted March 2, 2019 Â hi folks I'm after some flat wound strings for my tanglewood 5K bass what do you recommend? Quote
Skinnyman Posted March 2, 2019 Posted March 2, 2019 I love dâaddario chromes. They feel just right, have a good tension and sound just like a good flat wound should. But all of the above is a very subjective opinion.... 2 Quote
chris_b Posted March 2, 2019 Posted March 2, 2019 I've got a set of TI flats on my P bass. I know they are an expensive initial outlay, but you won't need another set in 20 years, so they get cheaper over time. 2 Quote
Grangur Posted March 2, 2019 Posted March 2, 2019 I think it would help here if @Chrisbassboy5Â actually said what he's looking for. What sound are you after, Chris? Flats can give a "normal" bass note, but without any rasp/grit sound, or a smooth deep tone, or a double bass sound and more. What is it? I use Chromes. They give a ringing "normal" note with no rasp. Yet that also varies depending on the bass it's on. So, really you need to try strings out for yourself to know for sure. Quote
spongebob Posted March 2, 2019 Posted March 2, 2019 Only flats I've ever really loved are the Fender 9050's. I've used the light ones loads of times. Great thump, and enough brightness to cut through. Highly recommended. 1 Quote
SH73 Posted March 2, 2019 Posted March 2, 2019 I use Steve Harris signature flats on Steve Harris signature model p bass. I've tried these on other basses but there was too much tension in the neck. I am very impressed with Fender flats 9050s. Quality sound playability and price. Quote
Reggaebass Posted March 2, 2019 Posted March 2, 2019 +1 for the fender 9050âs nice deep lows and a clean sound.   ive got 5 different types of flats  and various tapewounds on 8 basses, and one with a set of worn in half rounds that I really like,   what sound are you looking for Chris đ Quote
ianrendall Posted March 2, 2019 Posted March 2, 2019 Another vote for TIâs. Some people say they are floppy, but Iâve not noticed any difference in tension from the Dâaddario rounds I had on before. I had no need to adjust the truss rod either but YMMV. Quote
PawelG Posted March 2, 2019 Posted March 2, 2019 TIâs and Labella 760FL are my favourites for a P bass. TIâs for jazz bass too. Chromes are also great, but I didnât like the 50-110 version. So yeah, Thomastik đ 1 Quote
Steve_M Posted March 2, 2019 Posted March 2, 2019 After trying Pyramids, LaBellas, Thomastiks & Chromes IÂ finally settled for D'Addario Nylon Tapes on my P Bass! I think they sound awesome, they thud like flats but they have a real clear fundamental that still cuts through the mix. I say give 'em a try! đ 1 Quote
Reggaebass Posted March 2, 2019 Posted March 2, 2019 4 minutes ago, Steve_M said: I finallyï»żï»ż settled for D'Addarioï»ż Nylon Tapes on mï»żyï»żï»ż P ï»żBaï»żsï»żsï»ż!ï»ż ï»żï»żï»żï»ż For reggae you Canât beat them, my favourite string đ 1 Quote
machinehead Posted March 2, 2019 Posted March 2, 2019 A great review here and general information here: https://www.bassplayer.com/gear/flat-world-a-roundup-of-flatwound-strings Frank. Quote
Soledad Posted March 2, 2019 Posted March 2, 2019 11 hours ago, Grangur said: I use Chromes. They give a ringing "normal" note with no rasp. Absolutely, start with the sound and work back - I have the same question but it may be chromes is my answer. I have just put half-rounds on my fretless (D'Addario nickel 45-100) and I'm not really getting the point so far. I mean they aren't smooth rounds (sonically). I'd like the mid and some top, won't get the rasp on fretless anyway. I suppose what I want is max brightness out of flats. Would that be chromes then? Â Quote
xgsjx Posted March 2, 2019 Posted March 2, 2019 I had TI jazz on my bass for 3 years & then the D string popped at the bridge. I was gutted, as you canât buy single strings & they were just starting to wear in nicely. After a similar thread to this one, I opted for Chromes & considering theyâre @ ÂŁ20 cheaper than TIs, they sound fantastic.  Theyâre brighter, but if thatâs an issue, the tone knob resolves it. Quote
Chrisbassboy5 Posted March 3, 2019 Author Posted March 3, 2019 16 hours ago, Grangur said: I think it would help here if @Chrisbassboy5 actually said what he's looking for. What sound are you after, Chris? Flats can give a "normal" bass note, but without any rasp/grit sound, or a smooth deep tone, or a double bass sound and more. What is it? I use Chromes. They give a ringing "normal" note with no rasp. Yet that also varies depending on the bass it's on. So, really you need to try strings out for yourself to know for sure. Am after a string bass sound for my bass guitar.. There are also stories on here about strings unwinding with flats.. how do you properly string them. Ta Quote
Chrisbassboy5 Posted March 3, 2019 Author Posted March 3, 2019 15 hours ago, Reggaebass said: +1 for the fender 9050âs nice deep lows and a clean sound.   ive got 5 different types of flats  and various tapewounds on 8 basses, and one with a set of worn in half rounds that I really like,   what sound are you looking for Chris đ Smooth rich string bass sound. Mostly play in a wind band... Quote
Soledad Posted March 3, 2019 Posted March 3, 2019 7 hours ago, Chrisbassboy5 said: Smooth rich string bass sound. Mostly play in a wind band... Not tried them myself yet, but been told several times that the nylon wraps will do just what you have in mind. Anyone using? nylon wraps I mean  1 Quote
Skinnyman Posted March 3, 2019 Posted March 3, 2019 (edited) 2 hours ago, Soledad said: Not tried them myself yet, but been told several times that the nylon wraps will do just what you have in mind. Anyone using? nylon wraps I mean  +1 to this. Not tried them myself but I've heard someone playing them and it did sound very string bass-like. All the flats I've tried (la Bella, TI and chrome's) reduce finger noise and are pretty deep and full. Some are maybe a bit brighter than others but there's a 'family' sound to them all - which, to me, sounds like deeper, richer flats. Tape wounds sounded even more so - more like an upright. But that could have also been the player, the guitar, the amp and eq and the general vibe (light jazz). How much part the strings actually played i don't know - but it was clearly a sound the guy was aiming for and he'd chosen nylon tapewounds to help him get it Edited March 3, 2019 by Skinnyman 1 Quote
Reggaebass Posted March 3, 2019 Posted March 3, 2019 I got quite ocd about my strings at one stage, trawling the marketplace and eBay buying all different types , looking for the ones that had the right sound and feel and tension that I wanted with minimal finger noise. Dâaddario black nylon tapes did exactly this  , Iâve had them on for about 3 years on a us jazz I play every day, and they still have a clean warm deep tone .  Imo itâs worth experimenting with different ones and if you donât like them just sell them on đ 1 Quote
Woodinblack Posted March 3, 2019 Posted March 3, 2019 I just put some rotosounds on my G&L. Never used rotosounds before but I needed a set of 5s and the chromes (that I have on my freless) are expensive. First impressions quite good. Not a huge amount different from other strings so far. Quote
MartinB Posted March 3, 2019 Posted March 3, 2019 I absolutely adore my GHS Precision Flats, but they are the only flatwounds I've tried. Quote
Dan Dare Posted March 3, 2019 Posted March 3, 2019 (edited) I like La Bella on my P bass and Chromes on my Jazz. Tomastik flats are lovely sounding with one caveat. The A string is too thin (.070). It was too slack and I ran out of adjustment on the bridge saddle to get the intonation right. I changed it to a Chrome .075 and it was much better. Edited March 3, 2019 by Dan Dare Quote
TheGreek Posted March 3, 2019 Posted March 3, 2019 I have Status Black Tapewounds on my Silk Bass (built by Andyjr1515). I believe there's a video (courtesy of our own Bluejay) of Nick Smith playing the Bass at one of the Herts Bashes...I'll have a look. Quote
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