gary mac Posted December 10, 2008 Share Posted December 10, 2008 Could do with a bit of help in understanding sus chords. For example: E sus2. What would be the choice of notes other than the obvious root note. Thanks, Gary. Quote Link to comment Share on other sites More sharing options...
The Funk Posted December 10, 2008 Share Posted December 10, 2008 Nothing to add to that. Also, I was not aware of that older meaning. Thanks for that. Very interesting! Quote Link to comment Share on other sites More sharing options...
Stylon Pilson Posted December 10, 2008 Share Posted December 10, 2008 (edited) [quote name='gary mac' post='350550' date='Dec 10 2008, 11:55 AM']For example: E sus2. What would be the choice of notes other than the obvious root note.[/quote] For your specific example, to turn an E (E G# B) into an Esus2 you replace the G# with an F#. To turn an E into an Esus4 you replace the G# with an A. S.P. Edited December 10, 2008 by Stylon Pilson Quote Link to comment Share on other sites More sharing options...
Kiwi Posted December 10, 2008 Share Posted December 10, 2008 in writing its often used like a short 1 chord turnaround Quote Link to comment Share on other sites More sharing options...
gary mac Posted December 10, 2008 Author Share Posted December 10, 2008 Thanks. Cleared it up for me in the usual clear and and easily understood way that is such a joy on this forum. Much appreciated, Gary. Quote Link to comment Share on other sites More sharing options...
chris_b Posted December 10, 2008 Share Posted December 10, 2008 (edited) Pete Townsend used a lot of sus4 chords. The acoustic guitar playing on the start of Tommy is an easy one to hear but they are all over the place. Edit: Sorry, not Tommy but Pinball Wizard. Edited December 10, 2008 by chris_b Quote Link to comment Share on other sites More sharing options...
YouMa Posted December 10, 2008 Share Posted December 10, 2008 The starting epic chords of the song remains the same by zep are a good example. Quote Link to comment Share on other sites More sharing options...
velvetkevorkian Posted December 22, 2008 Share Posted December 22, 2008 In classical harmony analysis you will still hear people talk about suspensions, and not necessarily just 4ths and 2nds. Quote Link to comment Share on other sites More sharing options...
thepurpleblob Posted December 23, 2008 Share Posted December 23, 2008 Just to add that you sometimes see just (something like) Esus. It's a mistake really but it seems to usually mean sus4. I can't remember seeing a sus2 in rock music but I'm bound to get corrected in buckets Quote Link to comment Share on other sites More sharing options...
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