Guest MoJo Posted December 22, 2008 Share Posted December 22, 2008 I took one of my recent acquisitions, my Yamaha BB1500A to a gig recently and played the first half of the set with it. During a break, I switched to my BB415 and all of a sudden there was a huge hole in my sound which I put down to the bass. I struggled through the number and quickly changed back. Having time to reflect on the event, I realise that I'd set the amp up for the active BB1500A and the huge difference in the dynamics between the two basses caused the hole in the sound. How does one get around this problem when playing live? I haven't really got time to rearrange all the settings on the amp when changing basses. Quote Link to comment Share on other sites More sharing options...
Adrenochrome Posted December 22, 2008 Share Posted December 22, 2008 I use 2 basses for all my normal gigs. I use different patches on my multi FX to match the gain going into the amp. Quote Link to comment Share on other sites More sharing options...
ashevans09 Posted December 22, 2008 Share Posted December 22, 2008 (edited) The active/passive switch usually covers this for me, but a quick master vol tweak or volume on the bass tweak seems to sort it. Luckily my current settings seem to bring out the tone I want from all the basses I use live so I guess I'm lucky in that respect. Other than that all I can suggest is maybe using pedals or multi FX to try and fill the void (as previously suggested). Or if you can afford it maybe get a splitter and run the signal into a different amp that's set up accordingly? Actually you don't really need a splitter at all for that but there you go. Edited December 22, 2008 by ashevans09 Quote Link to comment Share on other sites More sharing options...
Delberthot Posted December 22, 2008 Share Posted December 22, 2008 How about an EQ pedal? Set your amp up for one of the basses then switch basses, put the pedal on and then adjust the settings on the pedal to suit that bass Quote Link to comment Share on other sites More sharing options...
Kiwi Posted December 22, 2008 Share Posted December 22, 2008 I've been using a couple of basses for a while now. In a previous band, I used a fretted and fretless, so I got matching instruments to reduce the eq faffage needed when I swapped instruments. Then I left that band and joined another (made up of people from the old band) and there was no need for a fretless but I still needed two basses because for the Chic songs we played, a jazz bass or smith/spector just didn't work. So for a while I was using a rack mounted 1u mixer and then a couple of weeks ago I picked up an EBS Microbass II off MXM and plug both the Spector (which runs hot) and the Stingray (which doesn't) into both channels and switch between them. Because the Shuttle 6 is so small, I don't really need a rack and the Microbass seems to do the job reasonably well, although it would be nice to have the same eq on both channels. At the moment I put the Spector on Ch B because it already has a sweep eq, and save Ch A for the Stingray. The pedal has a faint colouring that reminds me of a sonic maximiser. Nothing that gets in the way of the basses midrange though. Quote Link to comment Share on other sites More sharing options...
Dr.Dave Posted December 22, 2008 Share Posted December 22, 2008 I never use my active/ passive switch. Instead I know from experience where the gain should be to achieve the same volume from each of my basses - so I just move that , though to be honest half the time I don't bother!! I never tweak the eq much anyway - my dictum is to use an amp that sounds good to me when set flat. I also enjoy the different sounds each of my basses make - why would I try to make them sound the same?? I'm not going to tell anyone else what to do - but the deal is making music to me , not knob twiddling. If you get kit that has a simple to find , pleasing 'core' sound - you're sorted. Quote Link to comment Share on other sites More sharing options...
OldGit Posted December 22, 2008 Share Posted December 22, 2008 I use one of these [url="http://www.guitarampkeyboard.com/en/behringer-ab-100/69058"]http://www.guitarampkeyboard.com/en/behringer-ab-100/69058[/url] Behringer a-b switcher with different levels for each channel It's terrible design, changing the battery is very awkward, the mains lead falls out and the jacks have to be very well seated to work consistantly... but it was cheap. The two channels on my MB LMK head can be set up for two different basses too, though I use them in a different way. A slightly more expensive option Quote Link to comment Share on other sites More sharing options...
BigRedX Posted December 22, 2008 Share Posted December 22, 2008 I use fretted and fretless basses live, and a Pod to sort out the (slight) volume differences. I have a couple of patches I use for each bass depending on the song, but the different sounds the actual basses make is part of the reason for using different basses! Quote Link to comment Share on other sites More sharing options...
budget bassist Posted December 22, 2008 Share Posted December 22, 2008 I just turn the gain knob up or down depending which bass i'm using when i play live, couldn't be simpler I have my amp EQ set near enough flat and do all the EQing on my bass, simple. Quote Link to comment Share on other sites More sharing options...
thepurpleblob Posted December 22, 2008 Share Posted December 22, 2008 (edited) I use my Fender Precision Fretless and my G&L Tribby (or my Stingray) for most gigs. Set the amp flat and plug 'em in - adjust volume to taste The Ashdown rig I use always sounds boomy and dreadfull to me stood right in front of it but I get complements from the audience all the time (for the sound, not my playing) - so that's how I leave it. Edited December 22, 2008 by thepurpleblob Quote Link to comment Share on other sites More sharing options...
Guest MoJo Posted December 22, 2008 Share Posted December 22, 2008 [quote name='OldGit' post='361391' date='Dec 22 2008, 08:53 PM']I use one of these [url="http://www.guitarampkeyboard.com/en/behringer-ab-100/69058"]http://www.guitarampkeyboard.com/en/behringer-ab-100/69058[/url] Behringer a-b switcher with different levels for each channel It's terrible design, changing the battery is very awkward, the mains lead falls out and the jacks have to be very well seated to work consistantly... but it was cheap. The two channels on my MB LMK head can be set up for two different basses too, though I use them in a different way. A slightly more expensive option [/quote] I have one of those but it's not really a volume/gain issue as the BB1500A's output isn't that hot for an active bass and I always have to plug it into the 'passive' input of my amp (and yes, it has a brand new battery...it's just the way some Yamahas are). It's the difference in tone between the basses that's difficult to compensate for. Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted December 22, 2008 Share Posted December 22, 2008 [quote name='bassman2790' post='361457' date='Dec 22 2008, 09:47 PM']I have one of those but it's not really a volume/gain issue as the BB1500A's output isn't that hot for an active bass and I always have to plug it into the 'passive' input of my amp (and yes, it has a brand new battery...it's just the way some Yamahas are). [b]It's the difference in tone between the basses that's difficult to compensate for.[/b][/quote] EBS Microbass or Radial Bassbone could maybe solve that. Or preset EQ pedal that you put one bass through and not the other. Quote Link to comment Share on other sites More sharing options...
bass_ferret Posted December 22, 2008 Share Posted December 22, 2008 (edited) For once I am in agreement with kiwi - EBS MBII into Shuttle 6.0. I always plug into A and add the second channel on the MBII when I want to boost the quiet bass but there are loads of different ways of doing it with just the EBS. There are lots of other options. When I want to get really radical I adjust the volume on the basses so they are all the same Edit having read the incoming post. There are two approaches to using an active bass. The first is to set the active EQ flat and then add or cut B(M)T as required. The other approach is to just turn the B(M)T up to 11. One will have a big affect on the tone. Edited December 22, 2008 by bass_ferret Quote Link to comment Share on other sites More sharing options...
wateroftyne Posted December 22, 2008 Share Posted December 22, 2008 [quote name='budget bassist' post='361423' date='Dec 22 2008, 09:25 PM']I just turn the gain knob up or down depending which bass i'm using when i play live, couldn't be simpler [/quote] That's what ah'm talkin' about, Willises. Quote Link to comment Share on other sites More sharing options...
Maxcat Posted December 23, 2008 Share Posted December 23, 2008 Its not the cheapest option in the world, but I use this [url="http://www.tonebone.com/tb-bassbone.htm"]http://www.tonebone.com/tb-bassbone.htm[/url] to balance and swap between my Bongo/Ric and a Stagg EUB. I run the BG through channel 1 which has a couple of pre set shapes (dont use em) and put the EUB through channel 2 with the full EQ. Its easy to balance the output with the level selectors, then adjust overall volume on your amp. It lso has a neat Boost /Effects Loop which can be set for Boost only, Loop only or Both. Has a seperate tuner out and a DI. Works perfectly for me but as I say is not cheap. Quote Link to comment Share on other sites More sharing options...
bass_ferret Posted December 23, 2008 Share Posted December 23, 2008 The radial is an interesting alternative to the others. I think Mark at Bass Direct is selling them. The 15v DC power is a pain though. Quote Link to comment Share on other sites More sharing options...
Maxcat Posted December 23, 2008 Share Posted December 23, 2008 [quote name='bass_ferret' post='361790' date='Dec 23 2008, 10:56 AM']The radial is an interesting alternative to the others. I think Mark at Bass Direct is selling them. The 15v DC power is a pain though.[/quote] True. Its a bit more cumbersome, but I use a 4 gang splitter anyway so it doesnt cause me too much hassle. Quote Link to comment Share on other sites More sharing options...
TKenrick Posted December 23, 2008 Share Posted December 23, 2008 I've got a radial bassbone, not cheap but does the job rather well, plus has a good DI. I bought mine from Thomann and it came with a euro plug, but it all seems to work fine with a travel adapter from boots! Quote Link to comment Share on other sites More sharing options...
CPBass Posted December 23, 2008 Share Posted December 23, 2008 I use an Active Warwick and Passive Fender Jazz. I get over the gap in output by using an EBS Microbass with the Active -10db drop. Works a treat without taking the tone out of the Jazz. Best pedal I bought, it does loads of stuff very well. Not cheap though. Quote Link to comment Share on other sites More sharing options...
thisnameistaken Posted December 23, 2008 Share Posted December 23, 2008 [quote name='bassman2790' post='361457' date='Dec 22 2008, 09:47 PM']I have one of those but it's not really a volume/gain issue ... It's the difference in tone between the basses that's difficult to compensate for.[/quote] Just use one bass. It's a lot easier than trying to make two different basses sound the same. Or, if you really want to use two basses for some reason and there's a particular glaring deficiency in the sound of one of them, get rid of it and buy a better one, or experiment with new electronics. I wonder if you're trying too hard to get a particular sound out of a bass that doesn't really have that sound available. Do you use a lot of EQ? Or maybe you were too quick to judge the sound of the second bass - try swapping basses in rehearsals and ask the band if one sounds better than the other, and what they think is missing from the "bad" one (if either). Quote Link to comment Share on other sites More sharing options...
tauzero Posted December 23, 2008 Share Posted December 23, 2008 [quote name='OldGit' post='361391' date='Dec 22 2008, 08:53 PM']Behringer a-b switcher with different levels for each channel It's terrible design, changing the battery is very awkward, the mains lead falls out and the jacks have to be very well seated to work consistantly... but it was cheap.[/quote] It actually doesn't have different levels for each channel if you're going two As to one B - the level control 1 does the level exactly the same to both channels. If you're going one A to two Bs then the level controls affect each channel separately. Mine has started getting hissy when using it with a mains adaptor so has been retired. Will be using a homebrew one when I've found my hookup wire and soldered it all up. Quote Link to comment Share on other sites More sharing options...
thisnameistaken Posted December 23, 2008 Share Posted December 23, 2008 [quote name='tauzero' post='362024' date='Dec 23 2008, 02:35 PM']It actually doesn't have different levels for each channel if you're going two As to one B - the level control 1 does the level exactly the same to both channels. If you're going one A to two Bs then the level controls affect each channel separately.[/quote] Then maybe a Boss LS-2 would be a better solution (if matching two volume levels is the issue, which it clearly isn't in the case of the thread starter). Quote Link to comment Share on other sites More sharing options...
stingrayfan Posted December 23, 2008 Share Posted December 23, 2008 Back to the OP, I don't really feel the need to swap basses for gigs. I don't think the punters could care less as long as the overall sound is good! Quote Link to comment Share on other sites More sharing options...
Tengu Posted December 23, 2008 Share Posted December 23, 2008 I switch to my fretless for a few numbers. Never had a problem with a drop in volume or tone changes, other than what would actually be desirable for a change to fretless. Both basses are passive and have p/j pups so their output is roughly similar anyway. Don't think that helps you much. Quote Link to comment Share on other sites More sharing options...
bass_ferret Posted December 23, 2008 Share Posted December 23, 2008 There are lots of reasons for using more than one bass. Fretted and fretless, detuned, different sounds. Quote Link to comment Share on other sites More sharing options...
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