chris_b Posted December 6, 2019 Share Posted December 6, 2019 I have a Thunderfunk and while there are 17 knobs and buttons on the front of mine I only use Gain, Timbre , Volume and have the Tube button pressed in. The rest are at 12 o'clock. From posts on Talkbass this seems to be a fairly standard approach to using the amp. I have just bought a BB800 and am still a/b'ing it with my TH500, AG700 and T'funk. Jury's out at the moment. Quote Link to comment Share on other sites More sharing options...
Mudpup Posted December 6, 2019 Share Posted December 6, 2019 Just now, chris_b said: I have a Thunderfunk and while there are 17 knobs and buttons on the front of mine I only use Gain, Timbre , Volume and have the Tube button pressed in. The rest are at 12 o'clock. From posts on Talkbass this seems to be a fairly standard approach to using the amp. I have just bought a BB800 and am still a/b'ing it with my TH500, AG700 and T'funk. Jury's out at the moment. It's the temptation to fiddle that's my problem...... Less knobs = less temptation 😊😂 1 Quote Link to comment Share on other sites More sharing options...
51m0n Posted December 6, 2019 Share Posted December 6, 2019 5 hours ago, Mudpup said: It's the temptation to fiddle that's my problem...... Less knobs = less temptation 😊😂 Said the actress to the bishop Quote Link to comment Share on other sites More sharing options...
AlphaK Posted December 6, 2019 Share Posted December 6, 2019 1 minute ago, 51m0n said: Said the actress to the bishop Surely you're mistaken? It was definitely the other way around. 1 Quote Link to comment Share on other sites More sharing options...
AlphaK Posted December 6, 2019 Share Posted December 6, 2019 5 hours ago, chris_b said: I have just bought a BB800 and am still a/b'ing it with my TH500, AG700 and T'funk. Jury's out at the moment. Super refreshing to get someone not immediately shouting that their latest shiny thing isn't the best thing since sliced bread, before moving it on 6 weeks later... The TH500 is a bit rarer from what I can tell, but I'd be very interested to get your candid thoughts on how well it stacks up against the AG700, being a more mainstream D class. Quote Link to comment Share on other sites More sharing options...
machinehead Posted December 6, 2019 Share Posted December 6, 2019 3 hours ago, AlphaK said: Super refreshing to get someone not immediately shouting that their latest shiny thing isn't the best thing since sliced bread, before moving it on 6 weeks later... I've had my Quilter BB800 for at least a couple of years. My opinion of it has only got better. Frank. Quote Link to comment Share on other sites More sharing options...
AlphaK Posted December 6, 2019 Share Posted December 6, 2019 1 hour ago, machinehead said: I've had my Quilter BB800 for at least a couple of years. My opinion of it has only got better. Frank. And even more excellent when folk spend time and really get to know their gear and how to get the best out of it! Quote Link to comment Share on other sites More sharing options...
potato bass Posted December 9, 2019 Share Posted December 9, 2019 (edited) The BB800 is maybe not for slapping all day on your passive Bass, but still it has the best Sound I’ve ewer heard on a “micro amp” werry meaty & cuts thru the mix Reggae, Blues, Rock Music. if you wanna do somthing hardcore you might need án active Bass / or some pedal Mine is a Keeper! The Sound is Really Good! Edited December 9, 2019 by potato bass Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted December 10, 2019 Author Share Posted December 10, 2019 (edited) First rehearsal with my new Fender rumble head. Same room ive been using for months. It was like night and day compared to the BB800. The band noticed it straight away. A lot more authoritative and with a nice low end kick. Filled the room with low end much better than the BB800, and the upper notes had the punch i was told the BB800 would give me, but didn't. Its more coloured, but i think this is what i needed to get the F112 sounding bigger. Still clear, but with a depth to it i hadn't had since my GK. A lot more tone options as well. Horses for courses i guess. I sometimes think playing with a pick brings its own problems that finger style doesn't suffer from. Edited December 10, 2019 by dave_bass5 Quote Link to comment Share on other sites More sharing options...
Paul S Posted December 10, 2019 Share Posted December 10, 2019 26 minutes ago, dave_bass5 said: First rehearsal with my new Fender rumble head. Same room ive been using for months. It was like night and day compared to the BB800. The band noticed it straight away. A lot more authoritative and with a nice low end kick. Filled the room with low end much better than the BB800, and the upper notes had the punch i was told the BB800 would give me, but didn't. Its more coloured, but i think this is what i needed to get the F112 sounding bigger. Still clear, but with a depth to it i hadn't had since my GK. A lot more tone options as well. Horses for courses i guess. I sometimes think playing with a pick brings its own problems that finger style doesn't suffer from. By contrast I bought a Fender Rumble combo and couldn't get a sound I liked out of it. Quilter bass block, for me, out of the box, 5 mins fiddling and I was as happy as Larry. Also a pick player. Horses very definitely for courses - optimum tone is one of those things that is just so subjective Quote Link to comment Share on other sites More sharing options...
Al Krow Posted December 10, 2019 Share Posted December 10, 2019 3 minutes ago, Paul S said: By contrast I bought a Fender Rumble combo and couldn't get a sound I liked out of it. Quilter bass block, for me, out of the box, 5 mins fiddling and I was as happy as Larry. Also a pick player. Interesting - I think it maybe the combination with the cab (and bass). The Fearless F112 is an awesome cab. It's better than my BF SC (which is no slouch by any means!) no question, in terms of overall quality of sound and articulation at every range of the spectrum i.e. lows, mids and highs, but the F112 happily drinks power and needs pushing to get the best out of it. 6 minutes ago, Paul S said: ...optimum tone is one of those things that is just so subjective Now you're being far too reasonable (again). Surely there is only one right bass tone? 😂 Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted December 10, 2019 Author Share Posted December 10, 2019 9 minutes ago, Paul S said: By contrast I bought a Fender Rumble combo and couldn't get a sound I liked out of it. Quilter bass block, for me, out of the box, 5 mins fiddling and I was as happy as Larry. Also a pick player. Horses very definitely for courses - optimum tone is one of those things that is just so subjective Mine is just the 800watt head, going in to a Fearless F112, not the combo. Agree, we all like different things, lucky my band also hated me using the BB800 😉 Quote Link to comment Share on other sites More sharing options...
Paul S Posted December 10, 2019 Share Posted December 10, 2019 Could be my ears, of course. 😂 Quote Link to comment Share on other sites More sharing options...
la bam Posted December 10, 2019 Share Posted December 10, 2019 Like you say, its horses for courses. What suits someone wont suit someone else. Theres no perfect one size fits all amp, or we'd all own one and nothing else. 2 Quote Link to comment Share on other sites More sharing options...
CamdenRob Posted December 11, 2019 Share Posted December 11, 2019 Is the 802 enough better to make up for the ridiculously named EQ bands... I just couldn’t get past that however good it sounded 😕 1 Quote Link to comment Share on other sites More sharing options...
potato bass Posted December 11, 2019 Share Posted December 11, 2019 (edited) There is some “few” people that have expresed that they have a hard time fidling a good sound out of the bb800, for me & I gues most other users it has been like the most easy thing to do,. Dave5Bass it sounds a bit strange to me, you coment how good it sounds & wauw stof, & then not mutch more than a month later you sell it(not for you) and later you say the band hate it? what kind of music did you play at that time? & what Bass were you playing at the time? Edited December 11, 2019 by potato bass Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted December 11, 2019 Author Share Posted December 11, 2019 (edited) New gear is always 'the best ever', when you first get it, but once its been tired and tested in the right context, you get a proper understanding of it. If you read my posts in this thread, i said i was really happy with it and couldn't wait to gig it. I then sold it after the gig, so no, not strange at all. I never said it was great or any thing like that as far as i can see, I just said i was happy with it so far, and i dont think i even mentioned the sound or tone, other than i commented it was clearer than my GK, and definitely not as being great. You ned to read a bit more carefully so you dont get the wrong idea. Still, its that last bit that didnt work for me, and the band noticed this as well. It was not a tone i cared for or felt worked well. Various Fender type passive basses were used, playing general covers. I record all my rehearsal and gigs, and it definitely sounds lacking something in all of them compared to with other heads. Should also add, ive had private chats along the way with other members, so although i didnt post any of these concerns ion this thread, it wasn't an instant decision. In fact i started a returns action with Thomanns a week after i got it, but held off as i was still trying to give it a chance. Edited December 11, 2019 by dave_bass5 1 Quote Link to comment Share on other sites More sharing options...
potato bass Posted December 11, 2019 Share Posted December 11, 2019 (edited) 7 minutes ago, dave_bass5 said: used Ok Dave sorry if sounded á bit negative I gues i did. just thougt it was á short period you hat it to get familiar with it my mistake cheers Edited December 11, 2019 by potato bass Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted December 11, 2019 Author Share Posted December 11, 2019 8 minutes ago, potato bass said: Ok Dave sorry if sounded á bit negative I gues i did. just thougt it was á short period you hat it to get familiar with it my mistake cheers No problem, i didnt mean to sound rude, just wanted to clear things up and not come across as anti-Quilter. Quote Link to comment Share on other sites More sharing options...
potato bass Posted December 11, 2019 Share Posted December 11, 2019 (edited) It sounds like you are testing a’lot of gear Dave sorry if it’s of topic? Were is this going? you shut try the 2DI4 from Sonic Farm, the sound of it is just Insane! It’s the best thing I ewer heard, I belive it’s The Holy Grael((Werry Pure!)) 2DI4 has taken my playing to á new Lewel (You Band wil Love it-*_*) Edited December 11, 2019 by potato bass Quote Link to comment Share on other sites More sharing options...
LukeFRC Posted December 11, 2019 Share Posted December 11, 2019 basically don't listen to any of @dave_bass5's recomendations until unless he's had the thing for at least six months? Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted December 11, 2019 Author Share Posted December 11, 2019 27 minutes ago, LukeFRC said: basically don't listen to any of @dave_bass5's recomendations until unless he's had the thing for at least six months? At least.....and even then don't listen to me lol My issue is i don’t gig much, or at least haven't been, and rehearsals aren't too regular. Ill get something but might have to wait a few weeks to try it out with the band. As we know, most, if not everything sounds great at home. Then it depends on the room we rehearse in. These are the only times i get to tinker with things in a band environment. Could be by the time i gig i have realised its not for me (as in the case of the BB800). I went through two heads over the past 12 months that never even made it to gigs. For me being comfortable at gigs with my tone is the top priority. It might not be a great tone by other people's standards, but if I'm constantly thinking i need to adjust this or that, i feel its not the right thing to own. The other night with the Fender was the first time in months i just plugged in, left most of the EQ on the amp at noon and just enjoyed the rehearsal. This to me says i have found the right combination......for now. Potato bass. Thanks of the recommendation, but i cant see me ever spending that sort of money on a box of 'magic dust' 🙂 Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted December 11, 2019 Share Posted December 11, 2019 I know what you mean Dave, being happy with onstage tone makes a difference to me too, even though all my gigs go FOH via my Para Driver, so I know the audience are getting what I want them to hear. At the end of the day I want to enjoy gigs as much as possible and having the onstage sound spot on really helps in that. 2 Quote Link to comment Share on other sites More sharing options...
potato bass Posted December 11, 2019 Share Posted December 11, 2019 (edited) 1 hour ago, dave_bass5 said: At least.....and even then don't listen to me lol My issue is i don’t gig much, or at least haven't been, and rehearsals aren't too regular. Ill get something but might have to wait a few weeks to try it out with the band. As we know, most, if not everything sounds great at home. Then it depends on the room we rehearse in. These are the only times i get to tinker with things in a band environment. Could be by the time i gig i have realised its not for me (as in the case of the BB800). I went through two heads over the past 12 months that never even made it to gigs. For me being comfortable at gigs with my tone is the top priority. It might not be a great tone by other people's standards, but if I'm constantly thinking i need to adjust this or that, i feel its not the right thing to own. The other night with the Fender was the first time in months i just plugged in, left most of the EQ on the amp at noon and just enjoyed the rehearsal. This to me says i have found the right combination......for now. Potato bass. Thanks of the recommendation, but i cant see me ever spending that sort of money on a box of 'magic dust' 🙂 Funny I feel the complete oposit than you- I allways think my amp whatewer it is sounds better with band, or on gig than at home(thoug 2DI4 does both perfect)I gues its the more wolume/heft wen im out) it’s unposibol to say how an amp will act live, wen you have had no Gig or Rehearsal with it some amps can be monster at gig/rehearsal but not at home & some great at home but thin at the gig & ewerything inbetween exsist for me the 2DI4 is perfect at home & at gig spending monny on Magic Dust? I rather spend á Good deal of monney on gear twice the price Witch is thougt thru and with good components,than spend the same amount of monney on twice as mutch gear.(from china?) It’s simple & more rewarding in the long run.-(you will love your gear) (just my opinon) Edited December 11, 2019 by potato bass Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted December 11, 2019 Author Share Posted December 11, 2019 To use an overused (in this thread) phrase, horses for courses. We are in a thread about an amp that can cost well under half of what a lot of high end heads cost, and yet most people here love it. Proof that you dont need to go over the top with spending. Quote Link to comment Share on other sites More sharing options...
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