AinsleyWalker Posted December 3, 2019 Share Posted December 3, 2019 Anyone have any experience with these? What do you think? I'd love an SVT but I'm also considering cheaper and smaller options. Quote Link to comment Share on other sites More sharing options...
Cat Burrito Posted December 3, 2019 Share Posted December 3, 2019 I've currently got both the PF500 and the PF50t heads, the later being especially great. I prefer Orange these days as a personal choice but I had a lot of fun for years with them. The 4x10 cab was especially great but I also used to own a 2x10 and 1x15 Portaflex cabs. Not quite SVT but certainly 100% Ampeg and I usually got favourable comments on my tone. I moved to Orange as it suited the bands I was in better but the Ampeg stuff was perfect for my old bands. Always reliable too. 1 Quote Link to comment Share on other sites More sharing options...
JapanAxe Posted December 3, 2019 Share Posted December 3, 2019 I have the PF50T. I got it for a bit of fun but it’s working really well with my Barefaced Midget as a gigging setup in my country band. It seems to work better with the Midget than with my Super Twin - punchier I’d say. I’ve never owned or tried the PF500 but I had the SVT3-Pro for a while and the PF50T is much more enjoyable to play through. It gets a bit ‘furry’ when pushed but never sounds strained. I have a One 10 on order so I’m looking forward to hearing how the PF50T pairs with it. If you’re gigging you’ll need something to carry it around in as there are no handles on it! @Cat Burrito put me onto a suitable carry bag. 1 Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted December 3, 2019 Share Posted December 3, 2019 I had a PF500 that was great, really nice recorded sound from the onboard DI as well as sounding great live. I believe the earlier issues with these are long gone now. 1 Quote Link to comment Share on other sites More sharing options...
ead Posted December 3, 2019 Share Posted December 3, 2019 I have a PF500 as my backup amp that every so often becomes my gigging amp. What can I say, a good little amp has proved solid and reliable for the 2 possibly 3 years that I have owned it (bought pre-loved) so had some use in its life. 1 Quote Link to comment Share on other sites More sharing options...
afterimage Posted December 3, 2019 Share Posted December 3, 2019 The Valve Ampeg Pf50 is a wonderful sounding amp a good di too 1 Quote Link to comment Share on other sites More sharing options...
Linus27 Posted December 3, 2019 Share Posted December 3, 2019 I have the PF500 as my main gigging head running through a Barefaced Two10 and it sounds fantastic. Really lovely tones. Bought it secondhand for £160 and it's been great. 1 Quote Link to comment Share on other sites More sharing options...
Gottastopbuyinggear Posted December 4, 2019 Share Posted December 4, 2019 PF500 here, bought new in 2015, run through either a PF115HE or a pair of DIY 12” cabs. It’s done about 50 gigs and numerous practices. No complaints at all. 1 Quote Link to comment Share on other sites More sharing options...
MichaelDean Posted December 4, 2019 Share Posted December 4, 2019 I ran a PF500 for about 8/9 years, so it was an early production model. It did loads of practices and gigs and never let me down. Really solid bit of kit and sounds great. Got loads of compliments on my tone with that head. Only moved it on because it had been 9 years and I wanted to see what else was out there. 1 Quote Link to comment Share on other sites More sharing options...
Beer of the Bass Posted December 5, 2019 Share Posted December 5, 2019 I saw pics of Jon Button, the current touring Who bassist, using his PF50T with them at the Hollywood Bowl. I'm enjoying mine for much more humble gigs, but it's cool to see that it can do the job in that kind of setting. 1 Quote Link to comment Share on other sites More sharing options...
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