Tullfan Posted January 3, 2020 Posted January 3, 2020 I love this bass players tone. I wonder if anyone can help identify what and how the bass player has achieved it. Equipment and settings if you can work it out would be great! ☺️🙏🏼 Thanks guys! 👍🏼 2 Quote
Mykesbass Posted January 3, 2020 Posted January 3, 2020 Here's the bass player - 62 P Bass, D'addario Chromes and Fender Bassman, but who knows what he used in the studio. http://www.richardstudholme.com/equipment.htm 2 1 Quote
wateroftyne Posted January 3, 2020 Posted January 3, 2020 On 03/01/2020 at 19:46, Sibob said: P bass, flats....done Si Expand ^^^ This 1 Quote
Reggaebass Posted January 3, 2020 Posted January 3, 2020 I’d say P with flats, Nice tune Tullfan 1 Quote
Dood Posted January 3, 2020 Posted January 3, 2020 You gotta check out some of @Sibob’s “P bass and flats” recording work. Sublime playing and that toooooone! 1 Quote
walshy Posted January 3, 2020 Posted January 3, 2020 On 03/01/2020 at 19:46, Sibob said: P bass, flats....done Si Expand Exactly what @Tullfan has waiting to pick up from me 😁 P Bass, CS'62 pups, la Bella Flats 🤘 2 Quote
drTStingray Posted January 3, 2020 Posted January 3, 2020 I don't think straightforward P Bass with flatwounds answers how the bass player gets that over driven sound on the fill before the start of the verse. I would suggest he's playing pretty hard and it almost sounds like playing with a pick but could be very hard with fingers. As for the bass, could be anything I would suggest but may be a Precision. 2 Quote
Tullfan Posted January 3, 2020 Author Posted January 3, 2020 On 03/01/2020 at 19:20, Mykesbass said: Here's the bass player - 62 P Bass, D'addario Chromes and Fender Bassman, but who knows what he used in the studio. http://www.richardstudholme.com/equipment.htm Expand Thanks Mykesbass for the link! I’ll chase up more of his work now! cheers! Quote
Tullfan Posted January 3, 2020 Author Posted January 3, 2020 On 03/01/2020 at 20:00, Dood said: You gotta check out some of @Sibob’s “P bass and flats” recording work. Sublime playing and that toooooone! Expand Ok, I’d like to, where’s best? 🙂 Quote
Tullfan Posted January 3, 2020 Author Posted January 3, 2020 On 03/01/2020 at 20:05, walshy said: Exactly what @Tullfan has waiting to pick up from me 😁 P Bass, CS'62 pups, la Bella Flats 🤘 Expand Guess who’s looking forward to picking it up even more now! 😄 soon ......, 🥰👍🏼 1 Quote
Tullfan Posted January 3, 2020 Author Posted January 3, 2020 On 03/01/2020 at 20:14, drTStingray said: I don't think straightforward P Bass with flatwounds answers how the bass player gets that over driven sound on the fill before the start of the verse. I would suggest he's playing pretty hard and it almost sounds like playing with a pick but could be very hard with fingers. As for the bass, could be anything I would suggest but may be a Precision. Expand Just the sort of extra help I was hoping for. Thanks drT ✔️ Quote
Dood Posted January 3, 2020 Posted January 3, 2020 On 03/01/2020 at 21:58, Tullfan said: Ok, I’d like to, where’s best? 🙂 Expand Over to you @Sibob.. Quote
4000 Posted January 4, 2020 Posted January 4, 2020 On 03/01/2020 at 20:14, drTStingray said: I don't think straightforward P Bass with flatwounds answers how the bass player gets that over driven sound on the fill before the start of the verse. I would suggest he's playing pretty hard and it almost sounds like playing with a pick but could be very hard with fingers. As for the bass, could be anything I would suggest but may be a Precision. Expand Sounds like hard with fingers to me. 1 Quote
Dan Dare Posted January 4, 2020 Posted January 4, 2020 Trying to re-create studio tones in a live context is a minefield. I agree with comments above that it was probably a vintage P (because that's what most blues players would have used), possibly with flats (you can get an over driven sound with any kind of strings depending on how you treat the recorded track), but the end product will depend on the processing used in the final mix. Could well have been recorded direct to the desk and if so, probably via a specialist pre-amp. Jamerson was recorded that way. Despite claims that his sound was achieved via the classic Ampeg rig, it was actually only used as a bass monitor in the studio so the band could hear him. 1 Quote
andytoad Posted January 4, 2020 Posted January 4, 2020 On 03/01/2020 at 19:07, Tullfan said: I love this bass players tone. I wonder if anyone can help identify what and how the bass player has achieved it. Equipment and settings if you can work it out would be great! ☺️🙏🏼 Thanks guys! 👍🏼 Expand Great tune, im gonna explore more of Hubert! 1 Quote
Tullfan Posted January 4, 2020 Author Posted January 4, 2020 On 04/01/2020 at 17:18, andytoad said: Great tune, im gonna explore more of Hubert! Expand Jimmy Page, the Stones, along with Clapton, were big fans. try ‘woodchopping blues’ for a ‘you shook me babe’ inspiration, IMHO. 👍🏼 1 Quote
borntohang Posted January 4, 2020 Posted January 4, 2020 That intro has vibes! Could actually pass for a Dark Side-era Floyd track if the guitar was a little more languid. Quote
Sibob Posted January 5, 2020 Posted January 5, 2020 On 03/01/2020 at 21:58, Tullfan said: Ok, I’d like to, where’s best? 🙂 Expand Thanks @Dood, that’s very kind 😊. Well, the whole of Jocee’s first album is my ‘71 P with La Bella 760FL’s: Then ‘Not Wrong’ & ‘Dancing In The Kitchen’ are my passive Lakland 44-94 P/J with the P solo’d and La Bella Gold Flats: Then ‘Illusive Love’ and ‘Counting’ were my Lakland 44-64 (60’s P) with a set of Labella 760FS: ‘Twenties’ from that EP is a Japanese Mustang bass with La Bella flats, so a similar vibe too. All recorded directly to a Focusrite interface into logic, the mixer then applied minimal compression and EQ’ing to suit each tracks mix, nothing that changed the character of the tone really. Cheers 🙂 Si 2 1 Quote
Sibob Posted January 5, 2020 Posted January 5, 2020 Sorry for the slight thread derail, was purely to add some ‘P-bass with flats’ example to the discussion when asked 🙂 Si 1 Quote
Dood Posted January 5, 2020 Posted January 5, 2020 On 05/01/2020 at 09:05, Sibob said: Sorry for the slight thread derail, was purely to add some ‘P-bass with flats’ example to the discussion when asked 🙂 Si Expand Thank you for posting - I think that being able to add examples of a particular sound to a thread, well, I find it really helpful - hopefully others do too! 1 Quote
Tullfan Posted January 5, 2020 Author Posted January 5, 2020 On 05/01/2020 at 09:05, Sibob said: Sorry for the slight thread derail, was purely to add some ‘P-bass with flats’ example to the discussion when asked 🙂 Si Expand Thanks for the examples, I appreciate your breakdown and specific examples for us to share. 🙏🏼 Quote
chris_b Posted January 5, 2020 Posted January 5, 2020 On 04/01/2020 at 17:18, andytoad said: Great tune, im gonna explore more of Hubert! Expand Start with Spoonful, Going Down Slow and Smokestack Lightening, by Howling Wolf. Sumlin played in HW's band for decades. Quote
Tullfan Posted January 5, 2020 Author Posted January 5, 2020 Sibob “Well, the whole of Jocee’s first album is my ‘71 P with La Bella 760FL’s:” I think what I like from the Hubert track is how clean and forward the bass has been brought in the mix, it leaves the sound distinct. Alittle more like “Mistress” in the first album you linked! 👍🏼 Happy for anyone else to link their track with a similar sound to the Hubert Sumlin sound posted above, if you can break down what you are using and how your sound has been achieved. Cheers! 👍🏼🍻 Quote
chris_b Posted January 5, 2020 Posted January 5, 2020 This tone is a P bass with flats. Volume full up, tone full up on the treble side. Lowish action to get that clank. Probably some foam to soften the edges. A bit like Wilton Felder in his sessions, particularly this one. 1 Quote
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