petebassist Posted March 4, 2020 Share Posted March 4, 2020 (edited) I grew up listening to Abba, and with two elder sisters, one blonde and one brunette, so psychically I was Bjorn - we were missing a Bennie though.... Incredible songs and vocals. Now I have to go & check out the isolated bass and vocal tracks on YT and obsess about that for the next couple of months. 😀 BTW Gearwise, you only need a blonde wig. No one will give a toss about the bass tone. Edited March 4, 2020 by petebassist 2 Quote Link to comment Share on other sites More sharing options...
EBS_freak Posted March 4, 2020 Share Posted March 4, 2020 12 minutes ago, petebassist said: No one will give a toss about the bass tone. No one will even notice if there is a bass or not! Quote Link to comment Share on other sites More sharing options...
chris_b Posted March 4, 2020 Share Posted March 4, 2020 Rutgar Gunnarsson was a classically trained musician. His great playing and bass lines didn't come by chance. He was that good because he knew his theory. 1 1 Quote Link to comment Share on other sites More sharing options...
DanOwens Posted March 4, 2020 Author Share Posted March 4, 2020 This thread is somewhat unexpected. I assumed you'd all start recommending hand-made boutique active basses that I can't afford, but no! "Just add chorus" is something I can get behind! 2 Quote Link to comment Share on other sites More sharing options...
wateroftyne Posted March 4, 2020 Share Posted March 4, 2020 4 minutes ago, chris_b said: Rutgar Gunnarsson was a classically trained musician. His great playing and bass lines didn't come by chance. He was that good because he knew his theory. ...also, he probably has a bloody good ear for a catchy bass part. Theory is no good if you don’t know how to use it. 5 Quote Link to comment Share on other sites More sharing options...
Geek99 Posted March 4, 2020 Share Posted March 4, 2020 Rutger is, alongside jamerson, a hero of mine. My last bass build was based on his white jazz 1 Quote Link to comment Share on other sites More sharing options...
EBS_freak Posted March 4, 2020 Share Posted March 4, 2020 Just now, wateroftyne said: ...also, he probably has a bloody good ear for a catchy bass part. Theory is no good if you don’t know how to use it. I can get with this. In a previous life I would have made a retort such as "spoken like a guy who doesn't know any music theory".... however... I move in some very heavy theory circles... and sometimes, I have to be the voice of reason. "FFS guitarist. The song requires a simple G, not a substitution, not an extension... a G." I think it's why I fail to get a lot of session musician's solo albums. They'll go out their way not to play the obvious, or a root... when in reality, things would make a lot more sense and sound better if they did. But then again, that's their art isn't it? Who am I to judge. 2 Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted March 4, 2020 Share Posted March 4, 2020 11 hours ago, E sharp said: My opinion , is that Benny and Bjorn are ahead of Lennon and McCartney , in crafting perfect pop songs . Some of them are perfect 11 hours ago, EBS_freak said: I've said that myself to many... (only to be scoffed at) I think that those who scoff at that are truly mad, ABBA were the perfect pop song band. 1 Quote Link to comment Share on other sites More sharing options...
No lust in Jazz Posted March 4, 2020 Share Posted March 4, 2020 For my ears Gunnarson always played lines that supported the melody and propelled the beat - much like Jamerson. I think he had the theory and the feel - listen to something his line on Dancing Queen, properly listen without a bass in hand - it is a work of joy. 3 Quote Link to comment Share on other sites More sharing options...
chris_b Posted March 4, 2020 Share Posted March 4, 2020 While so many have spent the last 60 years slagging off "Pop" music, the reality is the production values of this "throw away" music was actually very high, as was the musicianship. 1 Quote Link to comment Share on other sites More sharing options...
itu Posted March 4, 2020 Share Posted March 4, 2020 A side note: one of the best names of a tribute band is Björn again. Their keyboard was rebadged as YAHAYA, if I remember correctly. Quote Link to comment Share on other sites More sharing options...
4000 Posted March 4, 2020 Share Posted March 4, 2020 7 hours ago, EBS_freak said: I can get with this. In a previous life I would have made a retort such as "spoken like a guy who doesn't know any music theory".... however... I move in some very heavy theory circles... and sometimes, I have to be the voice of reason. "FFS guitarist. The song requires a simple G, not a substitution, not an extension... a G." I think it's why I fail to get a lot of session musician's solo albums. They'll go out their way not to play the obvious, or a root... when in reality, things would make a lot more sense and sound better if they did. But then again, that's their art isn't it? Who am I to judge. Music should come first. The theory is only a way of understanding and describing it. Quote Link to comment Share on other sites More sharing options...
chris_b Posted March 4, 2020 Share Posted March 4, 2020 1 minute ago, 4000 said: Music should come first. The theory is only a way of understanding and describing it. So what comes first, stories, spelling, grammar? You can be illiterate and erudite but you don't see that too often. Literacy enhances how we talk, what we say and is critical for what we write. Same with music. You can write and play tunes with no theory, but to do it better and consistently takes knowledge. That knowledge is the theory, that is so easily dismissed. Quote Link to comment Share on other sites More sharing options...
4000 Posted March 4, 2020 Share Posted March 4, 2020 (edited) 22 minutes ago, chris_b said: So what comes first, stories, spelling, grammar? You can be illiterate and erudite but you don't see that too often. Literacy enhances how we talk, what we say and is critical for what we write. Same with music. You can write and play tunes with no theory, but to do it better and consistently takes knowledge. That knowledge is the theory, that is so easily dismissed. I think you've misunderstood. The point I was making was that music is sounds first and foremost. Of course understanding theory can enhance your creativity, did I say it couldn't? But its also possible to have an innate understanding without knowing theory. It also depends upon your definition of knowledge and theory. You can know what notes or chords work together without knowing what those notes or chords are called. That is knowledge, but I wouldn't define it as theory in the more obvious sense. I take issue with the "better" though, as that is utterly subjective. Its art at the end of the day. Edited March 4, 2020 by 4000 2 Quote Link to comment Share on other sites More sharing options...
JJTee Posted March 4, 2020 Share Posted March 4, 2020 I’d heartily recommend Aiden Hampson’s ABBA Bass transcription book: http://aidanhampson.co.uk/ Rutger’s playing is stunning. Along with Dancing Queen and One Of Us, Knowing Me Knowing You is a work of art bass-wise. Amazing phrasing, really quirky note choices. Well worth exploring a full transcription. 3 Quote Link to comment Share on other sites More sharing options...
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