iconic Posted March 30, 2020 Share Posted March 30, 2020 (edited) Hi guys, hope ya doin OK, long time no see. OK, along with the bass that I play - some may argue that point - I've got a Fiddle coming on Friday, lockdown may as well learn something else....this time tuned in 5thsđ A fiddle on basschat, what next. But, it has brought up, for me, a WTF are these diads called, or if indeed two note chords indeed have a name? I guess they are chords, afterall guitarists play 2 note power chords? Why diads? Now, being a boring old git I'm sitting here trying figure out how those folk and 'blue-grass' (I hate that term along with streetfood) play some of the those double stop diads...think Bugs Bunny Hill Billy hare intro here So, now I know that these fiddles do a 'country' stylee great power chord and, also a umm err, power third?đ€ https://youtu.be/h4CenuFbGiA  So, with my poor grasp of music theory in that second video... 1/ G double stop:- G on the D string and, B on the A string gives a major third. 2/ C double stop:- E on the D string and, the C on the A string gives an inverted major third, C/E 3/ D double stop:- F# on the D string and, the D on the A string also gives an inverted major third, D/F#  .....if there is such a thing as a C/E to describe a E over a C? So, these are diads, or partial chords. Now a power chord is root and 5th G5 for example, so are these 'power' thirds called G3? All the best, stay safe guys.  PS if you drink fine wines it's a violin, if you prefer cider, it's a Fiddle I believe?    Edited March 30, 2020 by iconic Quote Link to comment Share on other sites More sharing options...
itu Posted March 30, 2020 Share Posted March 30, 2020 Power chord usually omits third. Works well over a major or a minor. As bass goes so low, third may not sound very good especially in the low end. Anything beyond 12th fret is another story. A fifth is usually the first functional double stop. If you write C/E, it means that your colleague is playing a C chord and your work is to play the note E under the chord. Quote Link to comment Share on other sites More sharing options...
Doddy Posted March 31, 2020 Share Posted March 31, 2020 You wouldn't call the chord something like a G3 because the third is the defining note as to whether the chord is major or minor.   For example, C and E is major, D and F is minor. You could play just those two notes together and it would imply the chord quality, whereas a power chord would really just emphasise the root motion without much tonality. So rather than write G3 you could just write G or Gmin, depending on which third you play. A slash chord like C/E is saying that you would play a C chord with an E in the bass. I would take a guess that if you were asked to play a C double stop on the violin you would play it in this inversion without thinking of it as a slash chord, in a similar way to how a barre chord on guitar puts the 3rd above the 5th. The notes might be inverted, but they are still portraying the chord quality.  I hope this makes sense, it's kind of long winded. Quote Link to comment Share on other sites More sharing options...
Guest Posted April 3, 2020 Share Posted April 3, 2020 The reason itâs called a power chord is due to the overtone series (harmonics). The way that a root and perfect 5th interact harmonically is very âconsonantâ so works well (ie is âpowerfulâ) when played on guitar/higher up on bass with heavy distortion as distortion amplifies the overtones. Other two-note chords (ie root and major 3rd) have quite dissonant overtones that clash when distorted heavily (although can be quite pleasant with a bit of crunch in the tone), so donât sound as âpowerâful  Quote Link to comment Share on other sites More sharing options...
iconic Posted April 3, 2020 Author Share Posted April 3, 2020 Thanks guysđ Quote Link to comment Share on other sites More sharing options...
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