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Converting active to passive


lownote
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I have a gorgeous little Vintage V940fl. It's active, with Wilkinson pups in a PJ configuration, with a mare's nest of old wiring and battery in the back.  Now, KiOgon has said he can en-loom me with new pots, jack, etc etc. for £60, taking it from an active to passive, with V and T controls on each pup and with a little extra money, a switchy thing that allows me to go series or parallel.  Although why the last I'm a little unclear still. Any road, if you are a grownup and have done this type of active to passive conversion, would you say it's worth doing or is it all just one bored fiddle too far? 

Edited by lownote12
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11 minutes ago, Chienmortbb said:

Why do you want to do it? You may find that the pickups are not ideal for "passifying" and it might cost you close to £200 in the end to get where you want to get to.

Well, good question. This is why I think it may just be an idle fancy and a fiddle too far.  OTOH, I have a passive Revelation fretless which is capable of many subtle tones.  Wile the active Vintage has many tones also, they're all a trifle artificial. Plus it gives me something to do. 

Edited by lownote12
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I had an active Hohner Jack.  I pulled the active circuit (a known weak link) and dropped a KiOgon loom in - night & day difference.

However - I already knew the pickups were good to go for passive applications.  If you can find that out for yours, you can crack on.  Might not be as night & day for your bass though, as the Hohner Jack circuit was old enough to have kids in big school.

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I spent ages researching a preamp for a MM thing I was building and put a John East in - it was a great sounding thing but I felt like I lost the character of the pickups a little and eventually took it out.

The cons for taking it out were that it's a lot less flexible in terms of oceans of bass, loss of sweepable mid etc, but I felt like the passive sounded clearer.  So much so that taking it out felt like the right choice rather than putting in a switch.

It's hard to describe but if you've ever struggled with eq-ing a recording it's that feeling of aiming for a sound and boosting frequencies that sound good on their own but in context of a track sound a little mushy or ill defined.  Recording engineers will generally recommend using EQ to cut not boost and that seems right to me (though I do love a baxandall tone stack!). 

I also feel like the best place for an active tone control is in an amp with a power supply rather than squeezed into the back cavity of a bass - but all of this its totally subjective!

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Honestly if you find it sounds better as a passive, save yourself a bit of money in and put a capacitor and resistor across the pickup to reduce the highs, and jobs a good one

16 hours ago, lownote12 said:

I have a gorgeous little Vintage V940fl. It's active, with Wilkinson pups in a PJ configuration, with a mare's nest of old wiring and battery in the back.  Now, KiOgon has said he can en-loom me with new pots, jack, etc etc. for £60, taking it from an active to passive, with V and T controls on each pup and with a little extra money, a switchy thing that allows me to go series or parallel.  Although why the last I'm a little unclear still. Any road, if you are a grownup and have done this type of active to passive conversion, would you say it's worth doing or is it all just one bored fiddle too far? 

Not something I would do, no, but obviously down to you if you want to do that, Although if you really like it it seems a bit odd to change.

The series parallel is worth having though, gives you a different sound thats just a bit beefier. I had that on my Jazz for those times when you just needed a bit 'more'. I have it my G&L too, but that already has too much!

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