skidder652003 Posted October 16, 2020 Share Posted October 16, 2020 Thanks to everyone on here for the overwhelming positive feedback and advice regarding the "basics" of achieving a half decent mix. I've learnt a lot in just a week of messages and help online and it just goes to show what a great community we have going here. This was from wednesdays rehearsal, into garageband, mixed on reaper, taking on board all the pointers coming from you guys. 1 Quote Link to comment Share on other sites More sharing options...
TwoTimesBass Posted October 16, 2020 Share Posted October 16, 2020 Good work Skidder, you're a fast learner! Love the sound of the bass licks in the dropouts at the end of the chorus. If i'm being picky (which I sadly can't help in life 😫) watch out for the kick drum hitting the mix buss/mastering compressor too hard. It sounds clipped and pulls the mix down flattening everything else when the vocal needs to stand out. It's already a very loud mix relatively speaking. A multiband compressor would help it you have one in your toolbox so the impact of the kick can be left alone without taking away the smoothing effect of a good mastering comp on the vocals. Alternatively, set up a separate buss to comp the drums & bass so the compressor settings don't effect the vocals if that makes sense? Either way, sterling work on the effort you're putting in to master the equipment and getting a good sound for the band 👍 1 Quote Link to comment Share on other sites More sharing options...
skidder652003 Posted October 17, 2020 Author Share Posted October 17, 2020 8 hours ago, TwoTimesBass said: Good work Skidder, you're a fast learner! Love the sound of the bass licks in the dropouts at the end of the chorus. If i'm being picky (which I sadly can't help in life 😫) watch out for the kick drum hitting the mix buss/mastering compressor too hard. It sounds clipped and pulls the mix down flattening everything else when the vocal needs to stand out. It's already a very loud mix relatively speaking. A multiband compressor would help it you have one in your toolbox so the impact of the kick can be left alone without taking away the smoothing effect of a good mastering comp on the vocals. Alternatively, set up a separate buss to comp the drums & bass so the compressor settings don't effect the vocals if that makes sense? Either way, sterling work on the effort you're putting in to master the equipment and getting a good sound for the band 👍 any idea of what (roughly) settings I should be looking at for the compression on the kick and bass? Thanks for the input. Quote Link to comment Share on other sites More sharing options...
TwoTimesBass Posted October 17, 2020 Share Posted October 17, 2020 Hi Skidder, For kick, I normally start with something like this: Attack: 0ms Release: Auto (if you have the option) or around 50ms Ratio: About 5:1 Hard Knee (if you have the option) Threshold: Adjust to give about -6 to -9 on the gain reduction meter (and to your ears) Make-up gain: Only if needed, be careful not to overload. If there is a Mix or Wet/Dry knob make sure it is set to 100% Wet The Threshold and Attack knobs have the most influence on your sound typically, increasing the attack lets more of the initial hit of the drum/bass before the compressor kicks in so add a bit more time if it sounds too 'flat'. Threshold acts like a more/less control. 1 Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.