hiram.k.hackenbacker Posted May 6, 2021 Share Posted May 6, 2021 This is not an attempt at further advertising my sale, but I put my Limelight on FB Marketplace this evening and it received these comments regarding the fact that it's a P bass with a J neck. Person #1 - "That's surely the wrong way around. Jazz body with a precision neck imho It's the neck that gives the thunder on a precision...." Person #2 - "I don't think a slightly wider nut width and string spacing "gives it thunder." Person #3 - "no it doesn't but a proper fat P bass neck has a lot more timber than a slim jazz neck. That extra timber does make a lot of difference. Far more than high mass bridges etc." Person #2 - "Well, let's face it, the totally different pickup configuration makes a bigger difference still." Person #3 - "well ok sure, but pick up a P bass & play without plugging it into anything, still sounds like a P bass, do the same with a jazz, still sounds like a jazz. I do it all the time. I have 2 of each." It struck me as a bit of an odd thing to say. What say you Basschat? 2 Quote Link to comment Share on other sites More sharing options...
Waddo Soqable Posted May 6, 2021 Share Posted May 6, 2021 Sounds like they're spouting a load of hogwash to me.... it's a P bass with a Jazz neck, that's what it is... end of ! 5 1 Quote Link to comment Share on other sites More sharing options...
Downunderwonder Posted May 6, 2021 Share Posted May 6, 2021 What does it sound like to you? I had a P Deluxe with the Jazz bridge pickup and active EQ. The neck was on the slim side for a P but it sounded pretty fat to me. No J to compare it to at the time. Curses to one in one out rules! 1 Quote Link to comment Share on other sites More sharing options...
ordep Posted May 7, 2021 Share Posted May 7, 2021 IMO if it have a P bass body and a Pbass pickup, then it is a P bass. 8 Quote Link to comment Share on other sites More sharing options...
Maude Posted May 7, 2021 Share Posted May 7, 2021 Whoa, now just hang on a minute! There's people talking crap on Facebook? I must go and investigate. 🤨 3 9 Quote Link to comment Share on other sites More sharing options...
Beedster Posted May 7, 2021 Share Posted May 7, 2021 I see both sides. Ive made s LOT of Fender-alike bitsas over the years, perhaps 30. The start point for me is to find a neck and body that resonate well together; some do, some don’t. In my experience some necks will make some P Basses sound more ‘like’ a Precision than other necks, and acknowledging my own bias here (I prefer Precision necks anyway), I’d say that this effect is more likely to happen with a fat Precision neck. So, a Precision neck will make a bass sound better (to my ear) than a thinner Jazz Bass neck more often than the other way around. But of course, ‘better’ is a difficult idea. I can’t argue with the idea that in many/most cases the above might be a function of the quality as opposed to the quantity of the wood, replacing a poor quality J-Bass neck with a high quality P-Bass neck is not a like for like after all. Also I doubt anyone listening even to the bass soloed let alone in the mix would hear much if any difference between the skinniest and the fattest neck. But if I want as much Precision tone as possible from a bass, my start point would be a Precision neck. 7 Quote Link to comment Share on other sites More sharing options...
Cato Posted May 7, 2021 Share Posted May 7, 2021 (edited) Sounds to me dangerously close to a 'tonewood' debate which will inevitably lead to endless arguments over claims which are more or less impossible to satisfactorily substantiate. Edited May 7, 2021 by Cato 2 3 Quote Link to comment Share on other sites More sharing options...
musicbassman Posted May 7, 2021 Share Posted May 7, 2021 1 3 Quote Link to comment Share on other sites More sharing options...
Munurmunuh Posted May 7, 2021 Share Posted May 7, 2021 The purpose of a neck is to keep the string taut. Is it unreasonable to think that the construction of the neck will make minute differences to how it does this? I can't see how it is. In this particular discussion, though, they're missing half of the factors. One dimension is consistent, the 34" scale, and they talking about the second dimension, the nut width. But there's no standardisation for the third dimension, the depth: the specs for both J and P necks vary enormously but are rarely given. Also, no account is being taken of how the neck is constructed, or what else is in it. It seems to be reasonable to say, the neck impacts the behaviour of the vibrating string, but to reduce that complex issue to just the width of the nut .... 3 Quote Link to comment Share on other sites More sharing options...
hiram.k.hackenbacker Posted May 7, 2021 Author Share Posted May 7, 2021 I probably should have added that I don’t give a stuff what they think, it sounds like a P bass to me. I’ve had a few decent Precisions in my time from standard to Custom Shop and I wouldn’t be able to tell the difference by sound alone. It’s just I don’t think I’ve ever seen or heard that comment before and wondered if I’d missed that it was generally accepted to be the case. It would appear not 😂. I certainly didn’t want to kick off another tonewood argument. No-one needs another one of those 🙄😂 2 Quote Link to comment Share on other sites More sharing options...
tegs07 Posted May 7, 2021 Share Posted May 7, 2021 (edited) They may as well say that no P basses are correct since 1957 as the neck profile has varied a lot since then. I am of the opinion that all factors, wood, nut, neck profile etc make a small difference but the pickups influence the sound above all else. Stick Precision pickups on a Jazz and the overwhelming sound is a P bass. That said I agree with @Beedster I love meddling with Bitsa builds and it is interesting how the various combinations of neck and body can make a subtle but important difference to how a bass sounds. I have been on the lookout for an early Duff Mckagan bass for years and there’s no issue with that J neck P body combo! Edited May 7, 2021 by tegs07 3 Quote Link to comment Share on other sites More sharing options...
Kevsy71 Posted May 7, 2021 Share Posted May 7, 2021 I'd be amazed if anyone could spot a P-J neck swap in a blind test - assuming you could do it quick enough! 1 Quote Link to comment Share on other sites More sharing options...
Steve Browning Posted May 7, 2021 Share Posted May 7, 2021 Sounds a bit like like some bizarre, irrational bargaining stance. 2 Quote Link to comment Share on other sites More sharing options...
Reggaebass Posted May 7, 2021 Share Posted May 7, 2021 A P bass body with a jazz neck is the perfect configuration for me, I’ve got 2 , the P bass special has a great jazz neck 🙂 3 Quote Link to comment Share on other sites More sharing options...
Reggaebass Posted May 7, 2021 Share Posted May 7, 2021 35 minutes ago, hiram.k.hackenbacker said: I’ve had a few decent Precisions in my time from standard to Custom Shop and I wouldn’t be able to tell the difference by sound alone. When I changed my precision neck for a jazz neck I personally couldn’t hear any difference, it was just more comfortable for me to play 2 Quote Link to comment Share on other sites More sharing options...
Delberthot Posted May 7, 2021 Share Posted May 7, 2021 To further complicate things I would say that these are Jazz basses And this is a Precision 1 Quote Link to comment Share on other sites More sharing options...
hiram.k.hackenbacker Posted May 7, 2021 Author Share Posted May 7, 2021 2 minutes ago, Delberthot said: To further complicate things I would say that these are Jazz basses I think you’ll find that’s a Stingray 😂 I’m joking, but this did occur to me when I read the FB comments. I’ve played a few SLO ‘Ray’s over the years and nobody ever says they are not a proper Stingray - or do they and I just haven’t noticed 🤷♂️ Quote Link to comment Share on other sites More sharing options...
Paul S Posted May 7, 2021 Share Posted May 7, 2021 I've got one of those cute little Harley Benton PB Shorty basses. Short scale, J width at the nut, sounds like a precision to me. I'd say the lack of timber doesn't affect the timbre, personally. 1 1 Quote Link to comment Share on other sites More sharing options...
hiram.k.hackenbacker Posted May 7, 2021 Author Share Posted May 7, 2021 1 minute ago, Paul S said: I've got one of those cute little Harley Benton PB Shorty basses. Short scale, J width at the nut, sounds like a precision to me. I'd say the lack of timber doesn't affect the timbre, personally. Ah yes, but how much ‘thunder’ does it have? 🤪 Quote Link to comment Share on other sites More sharing options...
Steve Browning Posted May 7, 2021 Share Posted May 7, 2021 Of course this means your 1968 Telecaster bass is now, in reality, a 1951 Precision. Quote Link to comment Share on other sites More sharing options...
joeystrange Posted May 7, 2021 Share Posted May 7, 2021 The original Mark Hoppus signature Precision was a J body with P neck and pickups. The updated Mark Hoppus signature Jazz was a J body with P neck and pickups. I don’t think it really matters. Quote Link to comment Share on other sites More sharing options...
Jus Lukin Posted May 7, 2021 Share Posted May 7, 2021 (edited) - Edited March 14, 2022 by Jus Lukin Quote Link to comment Share on other sites More sharing options...
tegs07 Posted May 7, 2021 Share Posted May 7, 2021 (edited) 1 hour ago, Ricky Rioli said: The purpose of a neck is to keep the string taut. Is it unreasonable to think that the construction of the neck will make minute differences to how it does this? I can't see how it is. In this particular discussion, though, they're missing half of the factors. One dimension is consistent, the 34" scale, and they talking about the second dimension, the nut width. But there's no standardisation for the third dimension, the depth: the specs for both J and P necks vary enormously but are rarely given. Also, no account is being taken of how the neck is constructed, or what else is in it. It seems to be reasonable to say, the neck impacts the behaviour of the vibrating string, but to reduce that complex issue to just the width of the nut .... I have a Vintera P which I bought used and cheap as I love those cheesy 50’s surf colours. I wanted a split screen VW bus but settled on the bass …. anyhow digressing, the point is it has a 50’s contour neck but with modern roasted maple. The neck is so light compared to the P neck on my US bitsa which has a 90’s Rosewood neck, but is so much denser (wood + whatever truss rod and frets are made of) So P necks with different profiles can vary dramatically depending on materials used. The Vintera has less “thunder” but suspect that is because it has pickups that aren’t as hot as the active ones in the Bitsa! Edited May 7, 2021 by tegs07 1 Quote Link to comment Share on other sites More sharing options...
Waddo Soqable Posted May 7, 2021 Share Posted May 7, 2021 Like the man alluded to, it's people talking bollocks on fizzbok...fk 'em, ignore them, no doubt your bass is a good 'un and is most certainly a P bass as described. I'm putting together a P bass with Jazz neck myself at the mo, tho it's a junk-parts-caster I'd 100% call that a P bass too. 1 Quote Link to comment Share on other sites More sharing options...
Happy Jack Posted May 7, 2021 Share Posted May 7, 2021 The amount of thunder a bass neck can have is determined by how many screws are used to hold it on, hence Ritter's use of 17 screws. An additional tweak is careful selection of the shim material ... traditionally the classic Precision makers of California favoured a piece of an Embassy fag packet, whereas the shiny surface of a B&H packet gave the tone more of a sheen and was considered a NYC sort of thing. Final sculpting of the tone used to be achieved by the positioning of the fag burn on the headstock, of course. Choosing to impale your Rothmans on the end of the G-string was a pure act of rebellion. 4 Quote Link to comment Share on other sites More sharing options...
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