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Do you use a bass mute and why ?


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Posted

Why and when do you use a bass mute ?

The kind that sits just in front of the nut 

I have one but I’m not sure why it would be an advantage to use it ? 
 

 

Posted

So would you see a benefit live or is it really a studio thing ?

I can see the open string advantage but have not considered it to be an issue live and not using one 

Posted

I occasionally stick a bit of quite squishy foam up against the bridge when I'm seeking to emulate the upright tone.

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Posted

I've never used the kind that sits by the nut, and probably never will as I don't go in for slap tap or similar party tricks.

I've never got on with foam at the bridge end as it either deadens too much or not enough for me. I tend to use palm muting where I can control the pressure on the string with more precision.

Posted

I only use a fret wrap when I’m playing John Davis style dub bass because it allows me to tweak effects and perform more without having to prioritise constant perfect muting that would mess up the octave pedal tracking.

Posted

I prefer not to use 'crutches' because I think muting should come from the player. The only time I think they come in handy is for tapping or slapping, but I don't go there.

Posted (edited)

Is it really a 'crutch'. They were factory fitted on the majority of basses from the 50s to the 70s. Removing them was making something different. They allowed you to play fingerstyle with that almost upright bass kind of sound. You can't palm mute and play with fingers at the same time. James Jamerson's sound was all about playing with fingers on flatwound strings muted by the factory foam glued to underside of bridge cover.

Whilst I confess that my own personal favourite muted style I play is with palm muting, playing with a pick, soloing the neck pickup, the foam mute is a iconic sound, not a crutch :)

If you're talking about the scrunchie type mute that people use at the nut end, that again is a godsend for players who like to tap at the dusty end, as it kills all those nasty overtones at the lower neck end, that even the best left hand muting can't always cure.

My take is that with bass playing, everything is valid. Different strokes for different folks.

😊

Edited by bassment73
  • Like 2
Posted
  On 11/05/2021 at 20:18, TheLowDown said:

I prefer not to use 'crutches' because I think muting should come from the player. The only time I think they come in handy is for tapping or slapping, but I don't go there.

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Do you prefer not to use 'frets' because intonation should come from the player?

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  • Haha 1
Posted
  On 11/05/2021 at 20:18, TheLowDown said:

I prefer not to use 'crutches' because I think muting should come from the player. The only time I think they come in handy is for tapping or slapping, but I don't go there.

Expand  

So they are a crutch, but they come in handy for tapping and slapping?  So, not a crutch then.

I don't use the hair tie/fretwrap thing often, although I have them on a couple of my basses. (A hair tie went straight on my bass after aayching Victor Wooten on the Bass Day 98 video). I mainly use them with certain monophonic synth pedals which are sensitive to sympathetic vibrations and tend to glitch at the slightest overtone.

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Posted
  On 12/05/2021 at 09:10, Doddy said:

So they are a crutch, but they come in handy for tapping and slapping?  So, not a crutch then.

I don't use the hair tie/fretwrap thing often, although I have them on a couple of my basses. (A hair tie went straight on my bass after aayching Victor Wooten on the Bass Day 98 video). I mainly use them with certain monophonic synth pedals which are sensitive to sympathetic vibrations and tend to glitch at the slightest overtone.

Expand  

So I would be better using a fretwrap rather than trying to become the best I can be at muting. Fair enough.

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