GreeneKing Posted August 12, 2021 Posted August 12, 2021 I’ve been working through the early chapters. One assumption that I’ve made for years has been dispelled. If I’m playing a fifth up I assumed that fifth down will do too. I suspect that is often the case but I didn’t realise that the intervals from the root are different. This applies to just about all intervals if you choose a different octave. I like the book. It’s thorough. I’ve got both her books and I’m learning while enjoying the process. Quote
Doddy Posted August 13, 2021 Posted August 13, 2021 Yes,but no,but... Yes, in that if you play C and go up to G it's a 5th, but if you go down to the lower G it's a 4th. No, because chords and scales are spelled and counted going up from the root. So in C, G is always classed as the 5th no matter which way you go. 1 Quote
GreeneKing Posted August 13, 2021 Author Posted August 13, 2021 5 hours ago, Doddy said: Yes,but no,but... Yes, in that if you play C and go up to G it's a 5th, but if you go down to the lower G it's a 4th. No, because chords and scales are spelled and counted going up from the root. So in C, G is always classed as the 5th no matter which way you go. Thank you 😊 Your last comment is the way I used to understand it. But, as you say the descending interval is a 4th and a 4th sounds slightly different to a fifth. So in terms of the interval being smaller does that alter the overall feel? Perhaps a 5th to a 4th isn’t the best example. A major 3rd interval ascending would become a minor 6th interval descending. Quote
Doddy Posted August 13, 2021 Posted August 13, 2021 It doesn't really make a difference, because even though the interval has changed, it's function within the chord or scale is the same. So if we're in C, an E is still functioning as the major 3rd even if you drop down the interval of a minor 6th and play the lower octave. 1 Quote
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