uk_lefty Posted September 2, 2021 Share Posted September 2, 2021 Help please! I'm going to audition with a band who play in drop C#. I've currently got a few 4 strings set up in either standard or 1 step down and a 5 string in standard. I have fairly light strings on all my basses so I'm guessing to go drop C# on a 4 I'd need to get a thicker gauge... Any guidance appreciated! Ideally I want a really bright zingy tone, I want to use my Stingray in its full Tim Commerford for the sound I think would suit band. I also can't get my head around what this means for playing my 5er because I'm tired... I'd like to have my 5er as an option because its fretless and some of their songs could do with some melodic fretless. Quote Link to comment Share on other sites More sharing options...
Bunion Posted September 2, 2021 Share Posted September 2, 2021 @E sharp Quote Link to comment Share on other sites More sharing options...
Skybone Posted September 2, 2021 Share Posted September 2, 2021 Maybe time to go shopping? Quote Link to comment Share on other sites More sharing options...
TheGreek Posted September 2, 2021 Share Posted September 2, 2021 Take a fiver (low B) and put a Capo on the 2nd fret? Quote Link to comment Share on other sites More sharing options...
E sharp Posted September 2, 2021 Share Posted September 2, 2021 I used to use these to drop down on certain songs - they are quite heavy though . D'Addario EXL160BT Nickel Wound Balanced Tension Bass Strings 50-120 (stringsdirect.co.uk) 1 Quote Link to comment Share on other sites More sharing options...
bagsieblue Posted September 2, 2021 Share Posted September 2, 2021 We play 90 per cent in drop C# in my band...... thoughts: 4 string bass will be better mostly better than a 5 as I'd expect a lot of open low string based riffs, chord changes based around the C#. Try different gauges but heavier gauges are not essential in my experience. If you are looking for a bright zingy sounds some rattle and clank from low tensioned strings might be desirable. The set up is more important that the string gauge to me. For the 5'er fretless option, I'd use that in its standard tuning with a low B. 1 1 Quote Link to comment Share on other sites More sharing options...
Kev Posted September 2, 2021 Share Posted September 2, 2021 Experiment with different 4 string gauges, basically! Standard super heavy sets with a 115 may be fine for you, I use a .120 for drop B but I prefer lighter strings. Its all personal preference really. Quote Link to comment Share on other sites More sharing options...
Wotcher Posted September 2, 2021 Share Posted September 2, 2021 Favourite example of drop C# tuning that comes to mind is on Outside Tokyo by the Stranglers. Bass comes in from his boot straps. Works on fairly standard gauge roundwounds on a P! 1 Quote Link to comment Share on other sites More sharing options...
Lfalex v1.1 Posted September 3, 2021 Share Posted September 3, 2021 3 hours ago, Kev said: Experiment with different 4 string gauges, basically! Standard super heavy sets with a 115 may be fine for you, I use a .120 for drop B but I prefer lighter strings. Its all personal preference really. Totally agree about the preference piece. I'm using 50-110 for D standard (DGCF) and that suits me fine. Feels like my usual 45-100 in E standard. Were I to tune down another step to C#, they'd be workable but a little too floppy for me. I'm using DR Lo- Riders. Have you considered their DDT set? They're supposedly designed for lower tunings. Quote Link to comment Share on other sites More sharing options...
Bunion Posted September 3, 2021 Share Posted September 3, 2021 You could also think about using a double stop hipshot Xtender to drop to D or C on the E string. I use a single stop for a few tunes with a D. This does depend on though on dropping one string or down tuning the whole set. 1 Quote Link to comment Share on other sites More sharing options...
uk_lefty Posted September 3, 2021 Author Share Posted September 3, 2021 11 hours ago, Skybone said: Maybe time to go shopping? They're all upside down... And I've already got enough basses (I am told!) 1 Quote Link to comment Share on other sites More sharing options...
uk_lefty Posted September 3, 2021 Author Share Posted September 3, 2021 1 hour ago, Bunion said: You could also think about using a double stop hipshot Xtender to drop to D or C on the E string. I use a single stop for a few tunes with a D. This does depend on though on dropping one string or down tuning the whole set. Thanks, already got a D tuner on my Ray, but the other strings need to be down tuned too! Quote Link to comment Share on other sites More sharing options...
uk_lefty Posted September 3, 2021 Author Share Posted September 3, 2021 6 hours ago, Lfalex v1.1 said: Have you considered their DDT set? They're supposedly designed for lower tunings Wasn't aware of them, will have a look, thank you! Quote Link to comment Share on other sites More sharing options...
andruca Posted September 3, 2021 Share Posted September 3, 2021 (edited) I usually go drop D on my Jazz with a .045"-.105" gauge set and beat the crap out of it. I know drive and compression maek it easier, but still .I'd confidently use a .050"-.110" set for drop C# tunning. Edited September 3, 2021 by andruca 1 Quote Link to comment Share on other sites More sharing options...
BaggyMan Posted September 3, 2021 Share Posted September 3, 2021 De-tuner would handle drop c tuning. I have hipshots on my main gigging 4 strings. Haven't touched my five strings since. Quote Link to comment Share on other sites More sharing options...
Graham Posted September 3, 2021 Share Posted September 3, 2021 If you're using light gauge strings anyway, could you not just tune the 5 string up a tone? Quote Link to comment Share on other sites More sharing options...
NancyJohnson Posted September 3, 2021 Share Posted September 3, 2021 There's this assumption that drop-C# is all about the lowest string in the set (be it dropping from E or tuning up from a B); assuming that you're in standard tunings (C#/F#/B/E), you're going to have all sorts of tension issues either way. My input here would be (as it's only an audition) buy a cheap five string set and stick the low strings on, tune to BEAD and play off the second fret; if nothing this will give you a bit of an extended range, much like a drop-D tuner on a regular bass tuned EADG or the following: Assuming you get the gig, it might be useful to investigate custom string gauges to suit. Assuming you're playing using a fairly lightish stock set of strings (so a 5-string set may be 40/60/80/100/120), it's safe to assume that tuning up or down five steps accounts for c.0.02" in string diameter - if you're looking at a tuning roughly halfway between a low B and an E, you might be able to get away with a balanced set of 50-110. As mentioned here DR Strings DDTs or even a cheapie set of D'Addarios of the same gauge (£18) would do and you will probably get away without having to tweak truss rods or anything else.. It's all trial and error, as with regular strings you might need to try a few options until you hit paydirt. 1 1 Quote Link to comment Share on other sites More sharing options...
cocco Posted September 3, 2021 Share Posted September 3, 2021 I've done drop C# on 45-105s. It was fine. 1 Quote Link to comment Share on other sites More sharing options...
Russ Posted September 3, 2021 Share Posted September 3, 2021 15 minutes ago, cocco said: I've done drop C# on 45-105s. It was fine. Yep, same here. My current band plays in C#, and I'm using a .105 E. It's fine as long as you're not thrashing the cr@p out of the bass. That's drop-C#, like drop-D down a half-step (C#, G#, C#, F#). Quote Link to comment Share on other sites More sharing options...
BigRedX Posted September 3, 2021 Share Posted September 3, 2021 Firstly what exactly is "drop C#"? On the guitar "drop D" is standard tuning with the low E string retuned down to D. So do you mean: 1. Standard tuning with just the E string down to C#? (C# A D G) 2. All strings tuned down a tone and the E string down to C#? (C# G C F) 3. Everything tuned down 3 semi-tones? (C# F# B E) Then what sort of a feel do you want for the strings? And what sort of sound are you after? A lot of the time with down-tuned bands that slack feel of loose strings is exactly what is needed to give the right sound. Other times you just want lower notes than standard tuning but still the standard feel to the strings. All these things will influence what is the right advice for the OP. 1 Quote Link to comment Share on other sites More sharing options...
Lfalex v1.1 Posted September 3, 2021 Share Posted September 3, 2021 My understanding is that drop C# would be C#,A,D,G Whereas C# Standard would be C#,F#,B,E BRX is right, though. Each intended solution requires different approaches. 2 Quote Link to comment Share on other sites More sharing options...
Cosmo Valdemar Posted September 3, 2021 Share Posted September 3, 2021 21 hours ago, TheGreek said: Take a fiver (low B) and put a Capo on the 2nd fret? That's going to give you C# standard, not drop C#. And it would look daft. 1 Quote Link to comment Share on other sites More sharing options...
uk_lefty Posted September 3, 2021 Author Share Posted September 3, 2021 42 minutes ago, BigRedX said: Firstly what exactly is "drop C#"? On the guitar "drop D" is standard tuning with the low E string retuned down to D. So do you mean: 1. Standard tuning with just the E string down to C#? (C# A D G) 2. All strings tuned down a tone and the E string down to C#? (C# G C F) 3. Everything tuned down 3 semi-tones? (C# F# B E) Then what sort of a feel do you want for the strings? And what sort of sound are you after? A lot of the time with down-tuned bands that slack feel of loose strings is exactly what is needed to give the right sound. Other times you just want lower notes than standard tuning but still the standard feel to the strings. All these things will influence what is the right advice for the OP. Good points. I had assumed all strings tuned down relative to E going down to C# but will double check. The ideal sound I would want would be the typical bright ballsy Stingray tone I get already with nice fresh stainless steel strings, so I expect I would want similar tension to what I have presently tuned all strings down half a step. I want to play "normally" for me which is fast fingers and sometimes pick, not "thrashing" the bass as that's not me. Lots in this thread to think about, thank you all for the input! Quote Link to comment Share on other sites More sharing options...
Cosmo Valdemar Posted September 3, 2021 Share Posted September 3, 2021 44 minutes ago, BigRedX said: Firstly what exactly is "drop C#"? On the guitar "drop D" is standard tuning with the low E string retuned down to D. So do you mean: 1. Standard tuning with just the E string down to C#? (C# A D G) 2. All strings tuned down a tone and the E string down to C#? (C# G C F) 3. Everything tuned down 3 semi-tones? (C# F# B E) Then what sort of a feel do you want for the strings? And what sort of sound are you after? A lot of the time with down-tuned bands that slack feel of loose strings is exactly what is needed to give the right sound. Other times you just want lower notes than standard tuning but still the standard feel to the strings. All these things will influence what is the right advice for the OP. Drop C# is Drop D but down a semitone, so C# G# C# F# 1 Quote Link to comment Share on other sites More sharing options...
Wotcher Posted September 3, 2021 Share Posted September 3, 2021 My take is c# a d g Quote Link to comment Share on other sites More sharing options...
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