EssentialTension Posted November 17, 2021 Posted November 17, 2021 While allowing for exceptions to my rule, I'd limit any instrumental section to an absolute MAXIMUM of eight bars. And I wouln't call it a solo. And I don't mean only bass. I don't need to be reminded of the 1970s, I was there. Quote
Nail Soup Posted November 17, 2021 Posted November 17, 2021 Bass solos generally aren't great. If I had to do one I'd like to have the following rules I'm not on my own. The drummer continues, maybe with a stripped down beat. Maybe the odd chord from someone else. It's short - maybe 8 bars as suggested by others. The bass keeps the main feel of the song going, playing a variation of the actual bassline - either stripping it back or adding embellishment as appropriate. 2 Quote
gjones Posted November 17, 2021 Posted November 17, 2021 My brother in law has a band and he insists on making his bass player perform a bass solo in almost every song. He's a sadistic b*stard! 2 Quote
toneknob Posted November 17, 2021 Posted November 17, 2021 play Seven Nation Army in whatever key you happen to be in, repeat until someone comes to the rescue 1 Quote
TimR Posted November 17, 2021 Author Posted November 17, 2021 16 minutes ago, Nail Soup said: Bass solos generally aren't great. If I had to do one I'd like to have the following rules I'm not on my own. The drummer continues, maybe with a stripped down beat. Maybe the odd chord from someone else. It's short - maybe 8 bars as suggested by others. The bass keeps the main feel of the song going, playing a variation of the actual bassline - either stripping it back or adding embellishment as appropriate. Yes. That's a pretty straightforward method that works well. Think having the guitar comping is useful otherwise there's often a danger of getting lost. 🤣 Depends how long the phrase is as to how many bars you keep it going for. 8 bars might be a bit short if it's a 2 bar phrase over 4 chord changes. Certainly 16 would be plenty to establish some repeated patterns. 1 Quote
ezbass Posted November 17, 2021 Posted November 17, 2021 (edited) I’m not a fan, but if called upon to do so (usually during the band introductions) I like to keep to a nice little groove (funky if appropriate) and that’s it. Nathan East shows how it should be done (from 0:30). Edited November 17, 2021 by ezbass 2 Quote
fretmeister Posted November 17, 2021 Posted November 17, 2021 1 hour ago, police squad said: I used to get a drill out too, Tubescreemer on full , octave pedal and chorus. Mental I've even done it in "Black horse and the cherry tree" The looks I got.... I have decided to interpret them as lust. Pure unbridled lust. 1 Quote
martin8708 Posted November 17, 2021 Posted November 17, 2021 27 minutes ago, toneknob said: play Seven Nation Army in whatever key you happen to be in, repeat until someone comes to the rescue Similar to me , with my limited abilities , they get a loose rendition of Beatles ( taxman ) blended with Jam ( Start ) until they get sick of it and move the song along . Quote
Jus Lukin Posted November 17, 2021 Posted November 17, 2021 (edited) - Edited March 15, 2022 by Jus Lukin 1 Quote
pbasspecial Posted November 17, 2021 Posted November 17, 2021 Just start with 3 on the E and see where it takes you! 1 Quote
Passinwind Posted November 17, 2021 Posted November 17, 2021 (edited) 6 hours ago, TimR said: What do you do? Join in the fun using your wealth of background theory knowledge and years of experience to instantly craft an interesting line that has groove and entertains resulting in whistles and cheering from the adoring crowd. Or something else? I used to get at least 20 solos per gig in my jazz bands and inevitably you come up with many different approaches. For me the key to keeping the audience engaged is to learn the melody to every song you play and jump off from there. That way it's still musical even if everyone drops out, as they often do in arguably less savvy bands. Real jazzbos won't tend to be impressed if you just quote the heads too often, so I always tried to mix it up with other approaches too. It got a lot easier after the first few thousand and even the bluegrass guys I play with these days like to bust my chops by calling bass solos on some very unlikely tunes. I often whip out my slide and play dobro parts when they do that, but it just seems to egg them on. Fine by me though. 😎 In my own duo band it's often been just bass and drums and I hardly ever take solos. The drummer takes dozens though, and people seem to like it just fine. Edited November 17, 2021 by Passinwind 1 Quote
Steve Browning Posted November 17, 2021 Posted November 17, 2021 2 hours ago, bassbiscuits said: Dear me! I thought live performance was supposed to be fun? I don’t often need to play bass solos, and have nothing prepared, but I’m pretty sure I could improvise my way thru a few bars of something without being too precious if the situation called for it…. Agreed. Fun. If you're not comfortable doing it (and this is known) then trying to make someone do something is hardly fun. Is that precious? If so, then so be it. This came up in the 'complaining' thread and the very first rule (to me) is never show a band mate up on stage. 4 Quote
wateroftyne Posted November 17, 2021 Posted November 17, 2021 I don't listen to bass solos 'cos I find them boring, so I'm sure as hell not going to inflict one on the punters. 5 Quote
steantval Posted November 17, 2021 Posted November 17, 2021 (edited) I don’t do any of my own improvised bass solos, not my bag. I played in a pretty well respected Free tribute band for a few years, Mr Big had to be in the set, I learnt Andy Frasers bass line including the solo, note perfect, that track always went down a storm and it was really nice to get some extra special personal applause when our vocalist said it featured me on bass. 👍 A very good local rock covers band used to have Mr Big in their set, if ever I was out and about watching them, Dave the bass player would drag me up on stage to replace him and play it with the band. Sometimes it’s nice for the bass player to be recognised. Edited November 17, 2021 by steantval 1 Quote
Jus Lukin Posted November 17, 2021 Posted November 17, 2021 (edited) - Edited March 15, 2022 by Jus Lukin 2 1 Quote
Bilbo Posted November 17, 2021 Posted November 17, 2021 3 hours ago, Newfoundfreedom said: Bass solos are just sad. You are listening to the wrong bass solos.... 4 1 Quote
bassbiscuits Posted November 17, 2021 Posted November 17, 2021 (edited) 4 hours ago, Steve Browning said: Agreed. Fun. If you're not comfortable doing it (and this is known) then trying to make someone do something is hardly fun. Is that precious? If so, then so be it. This came up in the 'complaining' thread and the very first rule (to me) is never show a band mate up on stage. That’s a fair point Steve - I can’t argue with that. Im not advocating humiliating other band members and I wouldn’t want to make anyone feel uncomfortable if I knew they didn’t want to do something. I was just surprised so many people felt so strongly about the proposition of taking a bass solo if called upon. All my gigs currently are dep jobs where I do my best to fit in with the vibe of what’s going on around me. If that included being called upon spontaneously to solo I wouldn’t dream of refusing - I’d just do something hopefully adequate and move on. Edited November 17, 2021 by bassbiscuits Edited for more info Quote
shoulderpet Posted November 17, 2021 Posted November 17, 2021 (edited) 4 hours ago, TimR said: What do you do? Join in the fun using your wealth of background theory knowledge and years of experience to instantly craft an interesting line that has groove and entertains resulting in whistles and cheering from the adoring crowd. Or something else? [Youtube] Edited November 17, 2021 by shoulderpet 1 2 Quote
Newfoundfreedom Posted November 17, 2021 Posted November 17, 2021 7 minutes ago, Bilbo said: You are listening to the wrong bass solos.... I've never yet heard a good one. The nearest thing was probably Anasthesia (Pulling Teeth) by Cliff Burton of Metallica. And the only reason that kind of worked was because the drums eventually kicked in and carried the second half of the song. All this noodly doodle honky jazz, ala Jaco shite is total noise pollution to my ear. Of course this is just my personal opinion totally based in my own taste (or arguably lack thereof) but apart from an intro, or a short (4 bars max) break mid song, which can be really effective and sound great in context, the bass should never be used as a solo instrument. YMMV 1 Quote
AndyTravis Posted November 17, 2021 Posted November 17, 2021 I don’t get the snobbery for or against bass solos. out of 12 songs, I reckon 5 of ours have “lead bass” parts. I sometimes follow the vocal melody, sometimes I go off on one - and smash a shed together…because, why not. our guitarist shoves solos in the others, there are songs where we both do it. i don’t really care for the sentiment that bass players have to just sit and hold down things, or plod along. In our band we all have a pop - it makes it different to other stuff. Anyhow, Kindergarten by Faith No More Please Do Not Go by Violent Femmes two examples of where the bass just does what the guitar would conventionally “solo”. Some guy on a stage leathering out slap bass solos without accompaniment gets a bit dull…but more power to them if they get paid to do it. each to their own. 2 Quote
wateroftyne Posted November 17, 2021 Posted November 17, 2021 (edited) 22 minutes ago, AndyTravis said: I don’t get the snobbery for or against bass solos. out of 12 songs, I reckon 5 of ours have “lead bass” parts. I sometimes follow the vocal melody, sometimes I go off on one - and smash a shed together…because, why not. our guitarist shoves solos in the others, there are songs where we both do it. i don’t really care for the sentiment that bass players have to just sit and hold down things, or plod along. In our band we all have a pop - it makes it different to other stuff. Anyhow, Kindergarten by Faith No More Please Do Not Go by Violent Femmes two examples of where the bass just does what the guitar would conventionally “solo”. Some guy on a stage leathering out slap bass solos without accompaniment gets a bit dull…but more power to them if they get paid to do it. each to their own. There’a solos and solos. I’d quite happily listen to Geddy tear into the middle bit of Freewill. But someone noodling around all on their own? Nah. Edited November 17, 2021 by wateroftyne 4 Quote
Cat Burrito Posted November 17, 2021 Posted November 17, 2021 Personally I'd play one that lasted for about 40 minutes. That way I'd increase the chances of not being asked again. 6 Quote
ezbass Posted November 17, 2021 Posted November 17, 2021 48 minutes ago, steantval said: I don’t do any of my own improvised bass solos, not my bag. I played in a pretty well respected Free tribute band for a few years, Mr Big had to be in the set, I learnt Andy Frasers bass line including the solo, note perfect, that track always went down a storm and it was really nice to get some extra special personal applause when our vocalist said it featured me on bass. 👍 A very good local rock covers band used to have Mr Big in their set, if ever I was out and about watching them, Dave the bass player would drag me up on stage to replace him and play it with the band. Sometimes it’s nice for the bass player to be recognised. There are bass solos and then there are BASS SOLOS, the above is the latter. I used to be in a band that covered Free for one of our sets and I tailored a solo together for this gem from the live versions. The beauty of Fraser’s work on this is that it is a well thought out, building composition, without any ‘look how fast I can play’ histrionics. 1 Quote
chris_b Posted November 17, 2021 Posted November 17, 2021 I like a good solo, if it's played by someone with an imagination. Solos can be fantastic, a tour de force, a technical and melodic masterpiece, but as mine dwell firmly at the embarrassingly inept end of the scale, I don't do them. 2 Quote
nekomatic Posted November 17, 2021 Posted November 17, 2021 1. Stay rhythmic 2. Avoid playing up and down the scale, it always sounds rubbish 3. Don’t be afraid of leaving some space 4. Avoid playing up and down the scale, it always sounds rubbish 5. Avoid playing up and down the scale, it always sounds rubbish 1 2 Quote
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