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D and G string


Guest subaudio
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Guest subaudio

Hi

I am working on my tone and have started to play with a more controled right hand presure, basicaly playing a little lighter, and have noticed a difference in the sound of the D and G strings when I do this.

They sound great when I dig in but sound unbalanced against the E and A when playing lighter, I know you have to play with a certain amount of presure to get a good sound but do know that a lot of players use different string types on the D and G, only trouble is I dont know which strings they use and exactly why, I use Spirocores and really like the E and A but want to try some D and G options.

Any advice please ?

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According to Chuck Traeger's "The Setup and Repair of the Double Bass for Optimum Sound", the positioning of the soundpost can affect exactly what you speak of;

[quote]"Moving the post closer to the G string side of the top - away from the center of the top - allows the E string side of the top to vibrate more easily producing an increase in volume of the E and A strings in relation to the other strings... without changing the quality of quantity of the sound of the bass overall. It will also decrease the volume of the G and D strings... Moving the post closer to the center of the bass (toward the E) will have the opposite effect of making the G and D strings louder, and the E and A less loud. At no time is it advisable to move the post beyond the outside or inside edges of the bridge foot."[/quote]

Experimenting with strings can be a time consuming and expensive business. When I have some spare time I'm definitely going to try moving the soundpost.

Jennifer

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Somewhere on the interweb I came across a retailer selling recommended mixed sets - something like E & A Spirocores with obligatos for the D & G. I'll dig around in my history and see if I can find a link.

[i]Edit[/i]
Found it:

[url="http://www.uptonbass.com/double-bass-upright-bass-blended-string-set/"]http://www.uptonbass.com/double-bass-uprig...ded-string-set/[/url]

They're in the US but even if you don't buy from them, their combined sets idea seems pretty well informed.

Dave

Edited by TheRev
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Guest subaudio

Many thanks Jennifer and Dave

Great ideas both, i will tweak the bridge tonight and see how it does, it may well have shifted a bit whilst being dragged around town :)

Does anyone have experience of synthetic gut core strings on the D and G?

Marti

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Be careful moving the soundpost - if you knock it over, it will be very tricky to put back in its proper place. You really need special tools for this, although I had a wee shot at it just now with a coat hanger and a heavy file. I detuned the strings by about a fourth before attempting to move the soundpost. It does seem to work as advertised.

Moving the bridge is a lot simpler, there are some guidelines here about this and other things;

[url="http://dennishavlena.com/bassetup.htm"]http://dennishavlena.com/bassetup.htm[/url]

I've had good results from adjusting the bridge position and adjusting the length of tailpiece wire so that the strings on the afterlength resonate 2 octaves and a fifth above the equivalent open string. It made the bass sound better and louder; I also know it worked objectively because the bass became far more prone to feedback when amplified, a sure sign that the bass was working more efficiently.

Jennifer

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Guest subaudio

[quote name='endorka' post='458476' date='Apr 9 2009, 02:53 PM']Be careful moving the soundpost - if you knock it over, it will be very tricky to put back in its proper place. You really need special tools for this, although I had a wee shot at it just now with a coat hanger and a heavy file. I detuned the strings by about a fourth before attempting to move the soundpost. It does seem to work as advertised.

Moving the bridge is a lot simpler, there are some guidelines here about this and other things;

[url="http://dennishavlena.com/bassetup.htm"]http://dennishavlena.com/bassetup.htm[/url]

I've had good results from adjusting the bridge position and adjusting the length of tailpiece wire so that the strings on the afterlength resonate 2 octaves and a fifth above the equivalent open string. It made the bass sound better and louder; I also know it worked objectively because the bass became far more prone to feedback when amplified, a sure sign that the bass was working more efficiently.

Jennifer[/quote]

Thanks for that, I think I will leave it till I get some more time to have a go at the soundpost, thanks for all the info, I really should learn more about setups, oddly I used to do quite a bit of carpentry but get nervous with adjusting my bass, go figure

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