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Guitar identification - any ideas?


Bilbo
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As @KK Jale pointed out, it looks like the work of Carmelo Catania. Here's a Catania mandolin with the same distinctive 'harp' logo.

 

ccman.jpg.6f8cb31964297180ce402c6baf38ff66.jpg

 

This fella Gregg Miner seems to know his onions. Might be worth contacting him?

 

https://www.harpguitars.net/2013/04/14/carmelo-catania-from-iconography-to-reality/

 

https://www.harpguitars.net/

 

 

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Though it's obviously not a mandolin, there are a few people on the Mandolin Cafe forum who have some knowledge of the various Catania makers, so they might have some insights.

And regarding the inlay, apparently many of the inlay designs used on these instruments were stock items from an inlay supplier's trade catalogue, so the same inlay as another instrument might only indicate the same inlay supplier rather than the same luthier.

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Reply from GM - 'Very cool! Fetish Guitars is the place to go poking around. You’ll find that this harp guitar (which I read as S. Castorina) is a variation on their 1957 jazz “model 22 cello guitar.” I read his address as Via Biscari, 7, which it’s not Carmelo’s. I see that others built this same basic design (and there were DOZENS of Sicilians building, sharing & copying from each other). What’s unusual here is that is a super late harp guitar (I’d say late ‘50s). Though American harp guitars died out quickly through the 30s, Italians (in most locales) kept at it a good decade longer, but this is really an anachronism. An “old” harp guitar with a thoroughly modern body/design. Probably a custom order – would love to know the player’s story! 

 

Best, g Gregg Miner President, The Harp Guitar Foundation Board of Governors, American Musical Instrument Society

 

Have passed this on to the owner.

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23 hours ago, Bilbo said:

Reply from GM - 'Very cool! Fetish Guitars is the place to go poking around. You’ll find that this harp guitar (which I read as S. Castorina) is a variation on their 1957 jazz “model 22 cello guitar.” I read his address as Via Biscari, 7, which it’s not Carmelo’s. I see that others built this same basic design (and there were DOZENS of Sicilians building, sharing & copying from each other). What’s unusual here is that is a super late harp guitar (I’d say late ‘50s). Though American harp guitars died out quickly through the 30s, Italians (in most locales) kept at it a good decade longer, but this is really an anachronism. An “old” harp guitar with a thoroughly modern body/design. Probably a custom order – would love to know the player’s story! 

 

Best, g Gregg Miner President, The Harp Guitar Foundation Board of Governors, American Musical Instrument Society

 

Have passed this on to the owner.

Cool!!!! :)

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