Owen Posted August 29, 2022 Share Posted August 29, 2022 Before we begin, I know it is a sample. However, it is rubbery and squelchy and all sorts of things I like. What is going on in the processing? Any ideas? Quote Link to comment Share on other sites More sharing options...
chris_b Posted August 29, 2022 Share Posted August 29, 2022 There's a bass guitar line in there. Some sections are doubled up with keys/synth. 1 Quote Link to comment Share on other sites More sharing options...
Owen Posted August 29, 2022 Author Share Posted August 29, 2022 Yep, it is the section between 0:13 and 0:28 ish which is doing it for me. It seems to Mr NoFX here that there is quite a lot of saturation going amongst other things, and I fancy that sound. I acknowledge the articualtion and damping but there is more than that. Quote Link to comment Share on other sites More sharing options...
Reggaebass Posted August 29, 2022 Share Posted August 29, 2022 I saw this quite a while back, it’s a great cover 6 Quote Link to comment Share on other sites More sharing options...
lowdown Posted August 29, 2022 Share Posted August 29, 2022 That 'Bass Guitar' line is programmed. It's a Kontak VSTi by Native Instruments and it's called 'Scarbee MM-Bass'. I have it and to me. it does sound like the OP sound. 2 Quote Link to comment Share on other sites More sharing options...
Owen Posted August 29, 2022 Author Share Posted August 29, 2022 Aha! We have that at work, I shall go and look at it. Ta. 1 Quote Link to comment Share on other sites More sharing options...
drTStingray Posted August 29, 2022 Share Posted August 29, 2022 Before I saw that explanation I’d thought of it as a Bernard Edwards Stingray sound - it seems the sample is based on that sort of sound. Something similar on quite a few tracks in the last couple of years including the latest single from Calvin Harris plus various others including Pharell - also Justin Timberlake. That sound works well on dance orientated music. 1 Quote Link to comment Share on other sites More sharing options...
Crawford13 Posted August 29, 2022 Share Posted August 29, 2022 Yup no real bass on the recording at all. Still a super cool bass line. If anyone manages to put together a pedal signal chain sounding like that synth bass sound it goes to later in the song it would be awesome if they shared it. Quote Link to comment Share on other sites More sharing options...
MacDaddy Posted August 29, 2022 Share Posted August 29, 2022 4 hours ago, Owen said: Before we begin, I know it is a sample. However, it is rubbery and squelchy and all sorts of things I like. What is going on in the processing? Any ideas? I saw a review on the internet, of one of her songs. It said there was a really great bit towards the end, when she shut the feck up! 😖 1 Quote Link to comment Share on other sites More sharing options...
Bolo Posted August 29, 2022 Share Posted August 29, 2022 Try it live: 1 Quote Link to comment Share on other sites More sharing options...
YouMa Posted August 30, 2022 Share Posted August 30, 2022 It's a VCF a filter that gives it the squelch a bit like a roland tb303 filter the one that started acid house. I should imagine its a vst put on the sample signature chain although there are a multitude of different ones out there. Quote Link to comment Share on other sites More sharing options...
StickyDBRmf Posted August 30, 2022 Share Posted August 30, 2022 "No real instruments were harmed in the making of this recording." 2 Quote Link to comment Share on other sites More sharing options...
miles'tone Posted August 31, 2022 Share Posted August 31, 2022 On 29/08/2022 at 16:12, Reggaebass said: I saw this quite a while back, it’s a great cover Julia does indeed play Groove!👏 1 Quote Link to comment Share on other sites More sharing options...
Chaddy Posted September 2, 2022 Share Posted September 2, 2022 Hardly notice the bass when she is on screen 😛 Phoowwwaarrr Quote Link to comment Share on other sites More sharing options...
lowdown Posted September 2, 2022 Share Posted September 2, 2022 On 29/08/2022 at 16:07, Owen said: Yep, it is the section between 0:13 and 0:28 ish which is doing it for me. It seems to Mr NoFX here that there is quite a lot of saturation going amongst other things, and I fancy that sound. I acknowledge the articualtion and damping but there is more than that. I've just seen this Wiki page breakdown of the tune. If you read through, someone has gone into some very fine detail about the track. It looks like there were a couple of VSTi's for the Bass. Don't Start Now - Wikipedia 1 Quote Link to comment Share on other sites More sharing options...
YouMa Posted September 3, 2022 Share Posted September 3, 2022 (edited) if you want this sound live you need an LPF pedal. A lot of the impact of the track has to do with bass filter and a dry sound interspaced with effects on chorus lines etc. A sequencer would help as well as machines quantize better than humans. I would like to think there is some actual bass doubled here, if their isn't the guy who produced it had a very good knowledge/manipulation of ADSR . Breakbeat has a lot to do with this track. The production is very very good and was probably expensive unless you area naughty torrent user with lots of RAM and a Ferrari of a laptop its difficult to replicate. The reason i think we all like it is because its basically disco and some of the finest blokes we admire were in that era. People like Bernard Edwards could play like a machine before they were invented. There are a lot of flourishes with strings and stabs,lots of delay, reverb then back to dry filtered bass. A lot of the guys who produced and played disco also knew a lot of electronic and studio knowledge. This is why i have never shied away from electronic music. Edited September 3, 2022 by YouMa Quote Link to comment Share on other sites More sharing options...
SumOne Posted September 3, 2022 Share Posted September 3, 2022 Similar to Daft Punk 'Voyager' which was probably made digitally but they are trying to sound like 70s Disco with a bass guitar. I find that a Jazz bass with more of the bridge pickup, compressed, and a mid EQ boost gets pretty close with the right technique. Quote Link to comment Share on other sites More sharing options...
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