Tried listening to The Stranglers today....

[Baloney Balderdash]

20 hours ago, Velarian said:

Except that’s not a live recording, as evidenced by Jet stood up at the back not putting much effort into the drums. I’m pretty sure that’s the album recording. It’s still awesome though. 

Well, it might not be live, but it definitely doesn't sound like the album version either.

 

Edited Saturday at 15:16 by Baloney Balderdash

[Velarian]

9 minutes ago, Baloney Balderdash said:

Well, it might not be live, but it definitely doesn't sound like the album version either.

 

I did a quick A/B comparison between both versions and the phrasing and tone seemed to be the same to me. However, the YouTube version compared to a lossless version totally lacked both range and dynamics. Maybe YouTube’s processing rips the guts out of everything which may account for any perceived difference?

[Cosmo Valdemar]

16 minutes ago, Baloney Balderdash said:

Well, it might not be live, but it definitely doesn't sound like the album version either.

 

Sounds like typical TOTP, live vocal over the studio recording.

[Baloney Balderdash]

1 hour ago, Cosmo Valdemar said:

Sounds like typical TOTP, live vocal over the studio recording.

The bass doesn't sound like the album version either, it is much more raw sounding.

 

Try actually listening to the two side by side.

 

Edited Saturday at 17:11 by Baloney Balderdash

[Velarian]

1 minute ago, Cosmo Valdemar said:

Sounds like typical TOTP, live vocal over the studio recording.

Good point. Actually, thinking about it the YouTube version with its own processing on top of the BBC’s own emasculation of broadcast sound and probably a poor video copy to boot has a huge impact. I’ve often thought that the BBC tames rock music down too much. A good example of this is the theme tune to Have I Got News for You; no balls at all. 

[Baloney Balderdash]

Maybe I just like the sound of old VHS tape rips then.

 

You know that is actually a desirable effect nowadays, VHS quality.

 

Or was at least a few years back.

 

Edited Saturday at 15:38 by Baloney Balderdash

[PaulWarning]

didn't TOTP's make the artist do a recording of the song earlier to mime too? I know the stories about some managers swapped that tape for the actual studio recorded one, maybe the Stranglers didn't

[Leonard Smalls]

17 minutes ago, Velarian said:

the YouTube version compared to a lossless version totally lacked both range and dynamics

 With you tube being a streaming service, they tend to normalise all audio to a perceived loudness of -14 or -16 LUFS - i.e. it gets multiband audio and digital compression so it'll never sound as good as a lossless version. Though as most folks don't listen back on decent kit they'd never know the difference.

9 minutes ago, Velarian said:

the BBC’s own emasculation of broadcast sound

 

Not sure what this means! Back in the days of NICAM I used to take mixes home to check for rumble missed by the Rogers LS5/8 monitors they used to use... Nowadays all TV is delivered as part of a AS11 DPP file with the audio component being a 16bit wav at 48kHz, bandwidth 20-20kHz with a max true peak of -1dBTP, and max perceived loudness of -23LUFS so in theory pretty high quality, and they use Harbeth 40s which are far better. 

It was true that in the days of live TOTP'n'all that there was a breed of studio sound mixer (I was post production) who didn't believe in enhancing in any way, it was basically as it came, warts and all, not even reverb on vox - later trainee intakes emphasised creativity over engineering and scientific knowledge, so things have got better! However, with BBC training having disappeared largely all they have to go on is required tech specs.Radio ones here, but they're basically the same as for TV, https://www.readkong.com/page/audio-quality-information-standards-for-4418233

 

[Velarian]

11 minutes ago, Leonard Smalls said:

 With you tube being a streaming service, they tend to normalise all audio to a perceived loudness of -14 or -16 LUFS - i.e. it gets multiband audio and digital compression so it'll never sound as good as a lossless version. Though as most folks don't listen back on decent kit they'd never know the difference.

 

Not sure what this means! Back in the days of NICAM I used to take mixes home to check for rumble missed by the Rogers LS5/8 monitors they used to use... Nowadays all TV is delivered as part of a AS11 DPP file with the audio component being a 16bit wav at 48kHz, bandwidth 20-20kHz with a max true peak of -1dBTP, and max perceived loudness of -23LUFS so in theory pretty high quality, and they use Harbeth 40s which are far better. 

It was true that in the days of live TOTP'n'all that there was a breed of studio sound mixer (I was post production) who didn't believe in enhancing in any way, it was basically as it came, warts and all, not even reverb on vox - later trainee intakes emphasised creativity over engineering and scientific knowledge, so things have got better! However, with BBC training having disappeared largely all they have to go on is required tech specs.Radio ones here, but they're basically the same as for TV, https://www.readkong.com/page/audio-quality-information-standards-for-4418233

 

Interesting, thanks. I’ll have a proper read later. 
 

This could probably be a subject for its own thread so I won’t derail it any further. 

[Cosmo Valdemar]

32 minutes ago, PaulWarning said:

didn't TOTP's make the artist do a recording of the song earlier to mime too? I know the stories about some managers swapped that tape for the actual studio recorded one, maybe the Stranglers didn't

Them's were the rules, yes... they weren't strictly followed though 😆

[Cosmo Valdemar]

57 minutes ago, Baloney Balderdash said:

The bass doesn't sound like the album version either, it is much more raw sounding.

 

Tyr actually listening to the two side by side.

 

It sounds the same to me.

[Stub Mandrel]

Well, I'm inspired to wear this t-shirt fr tonight's gig.