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Posted
Just now, Frank Blank said:

 

You've been practicing with the Bill Tongs though.

 


You are a juicy old fruit aren't you.


Now don’t go making a hubba bubba out of it

  • Haha 1
Posted
13 minutes ago, Linus27 said:

 

Shocking technique, thumb coming over the fretboard, using 4 fingers to cover 3 frets rather than 1 finger per fret and look at the angle of his wrist, talk about fatigue central. Ban him, ban him now, he'll never make a career in music 😂😂😂

 

On a serious note, what a gorgeous bass, is it a Yamaha?

From interviews he has done I think it might be his custom Warwick. I might be wrong. He says he only uses about 3 basses including his signed one which goes on most of the records.

Posted
25 minutes ago, Linus27 said:

On a serious note, what a gorgeous bass, is it a Yamaha?

 

Looks like a TRB, don't quote me on that, but certainly a Yamaha.

  • Like 1
Posted
23 minutes ago, Bridgehouse said:


I don’t believe you. I challenge you to a chew off.

 

Don’t try and wrigleys out of it either.

Oh no not going back to the days of bubblegum music

Posted

I've been experimenting with techniques suggested here on a familiar song to try to work out what feels right and it seems to be thumb resting on either pickup or E string and just reaching across strings from there. 

Interestingly, elbow position seems to  be important for me. Letting it drop back and bending the wrist doesn't seem to work for me, keeping the wrist straight seems to help my hand move across the strings better. A long strap seems to help.

Posted

Ok….just came into this thread. I float my right thumb most of the time unless it’s muting. My left thumb starts on the back of the neck, but often wanders.

For fretless, I try to maintain better lh technique so intonation is better.

Posted
14 hours ago, Bridgehouse said:


I don’t believe you. I challenge you to a chew off.

 

Don’t try and wrigleys out of it either.

You forgot to add a random 'quote'!

  • Haha 2
Posted

I'm liking playing with my thumb these days, something I started doing when trying to emulate the feel of a double bass albeit on an electric. I find it slows me down, simplifies what I'm trying to do, makes me more attentive especially to the drummist, and at times produces a tone I can't get using any other method. Of course, this opens a whole new can of worms as to the correct placement of my fingers 👍

  • Like 3
Posted
14 minutes ago, Beedster said:

I'm liking playing with my thumb these days, something I started doing when trying to emulate the feel of a double bass albeit on an electric. I find it slows me down, simplifies what I'm trying to do, makes me more attentive especially to the drummist, and at times produces a tone I can't get using any other method. Of course, this opens a whole new can of worms as to the correct placement of my fingers 👍

Works for Pino too.

  • Like 1
Posted
16 hours ago, Linus27 said:

 

Shocking technique, thumb coming over the fretboard, using 4 fingers to cover 3 frets rather than 1 finger per fret and look at the angle of his wrist, talk about fatigue central. Ban him, ban him now, he'll never make a career in music 😂😂😂

 

On a serious note, what a gorgeous bass, is it a Yamaha?

It is a Yamaha TRB 4P from late '80s / early '90s. I think at the time he was working with the custom shop. There was an auction of some of his gear a couple of years ago, and it included a couple of TRBs, one fretted one fretless, either 4 or 5 strings, can't remember.

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  • Thanks 1
Posted
3 hours ago, cetera said:

You forgot to add a random 'quote'!

 

I blame my mother for my poor sex life. All she told me was 'the man goes on top and the woman underneath.' For three years my husband and I slept in bunk beds.

Joan Rivers

  • Haha 5
Posted

Engaging in this thread has had a deleterious effect on my bass playing (some might say I do not actually play the bass, however I will not digress further).  I started to think about my right hand technique and subsequently things that previously had automaticity have become challenging.   Sartre, although in a different epistemological context, provides a transferable existentialist insight on the matter of right (and left) hand technique  "No finite point has meaning without an infinite reference point".  A pragmatic simpler approach may be found by paraphrasing Sartre -  "Bass playing is a question of absorbing other people's techniques and adding some of your own experience".  Anyway, I have had a good lunch, it is time to take my medication and lie down.

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