Lozz196 Posted November 10, 2023 Share Posted November 10, 2023 I recall reading an interview with Glen Matlock (he of Sex Pistols fame) and he said that the integral piece of equipment for his sound wasn’t the bass or strings but his Fender amp. Now thinking about this I’d probably say a Tech21 pedal in one shape or another, be it BDDI, VTDI or Para Driver they all have the Tech21 sound and this has been pretty much a constant with me over the last 20 or so years. So, what’s the integral piece of equipment for your sound? 1 Quote Link to comment Share on other sites More sharing options...
MacDaddy Posted November 10, 2023 Share Posted November 10, 2023 All in the fingers innit! 2 2 Quote Link to comment Share on other sites More sharing options...
Ed_S Posted November 10, 2023 Share Posted November 10, 2023 (edited) At home, a Tech21 RBI or RPM straight into the mixer and out via a decent pair of cans is ‘me’. Live, though, it’s a Markbass head with the EQ flat (well.. all dials at noon) and the filters turned off that has become my thing. I’ve found LM2, LM3, F1, LM800, Nano300 and Nano2 all equally acceptable. Edited November 10, 2023 by Ed_S Quote Link to comment Share on other sites More sharing options...
mr4stringz Posted November 10, 2023 Share Posted November 10, 2023 These days it’s my rack preamp, a Hilbish Design Beta Pre. It’s the heart of my sound in my current band. There can’t be many of them over this side of the pond, and it was very much a right time, right place purchase. Quote Link to comment Share on other sites More sharing options...
BassAdder60 Posted November 10, 2023 Share Posted November 10, 2023 In the past it was this But now it’s this ! I seem to have a thing for heavy weight and valves !! 2 Quote Link to comment Share on other sites More sharing options...
lozkerr Posted November 10, 2023 Share Posted November 10, 2023 For me, it's this. Fender Jazz V Deluxe through an Eden Metro atop a 118 cab. This was taken a few days before lockdown - seems ages ago now! 3 Quote Link to comment Share on other sites More sharing options...
Downunderwonder Posted November 10, 2023 Share Posted November 10, 2023 So long as whatever I am plugged into will overdrive a little when I dig in I can do the rest with fingers most days. I would definitely like to be back doing effected improv before I die. Quote Link to comment Share on other sites More sharing options...
PatrickJ Posted November 10, 2023 Share Posted November 10, 2023 I’ve spent a fair amount of time crafting a ‘virtual’ rig with my Helix Stomp …. It’s become what I now consider to be my sound for the band I play for. Quote Link to comment Share on other sites More sharing options...
Dad3353 Posted November 10, 2023 Share Posted November 10, 2023 My fingers, in association with my ears. 3 Quote Link to comment Share on other sites More sharing options...
attackbass Posted November 10, 2023 Share Posted November 10, 2023 My hands and what I play and the way I hear music. 1 Quote Link to comment Share on other sites More sharing options...
chris_b Posted November 11, 2023 Share Posted November 11, 2023 It isn't one piece, it's the whole signal chain that creates your sound. From your fingers, and the way you use them, to the speaker cones, every link in that chain can make or break your sound. 3 Quote Link to comment Share on other sites More sharing options...
joeystrange Posted November 11, 2023 Share Posted November 11, 2023 I’m not sure. My sound has changed a fair bit over the years but it’s always loud and dirty. People often tell me they can always tell when I’ve played on something and the only constant over the whole time is a Precision and SansAmp BDDI, so that, I guess? Quote Link to comment Share on other sites More sharing options...
Burns-bass Posted November 11, 2023 Share Posted November 11, 2023 Flat wound strings! I just use the amp EQ and don’t bother with effects. Had no complaints in recent years as I play in retro bands. Makes setup simple too! Quote Link to comment Share on other sites More sharing options...
Gasman Posted November 11, 2023 Share Posted November 11, 2023 Quite often it’s out of my control - the acoustics of the venue, what the sound engineer’s been taking to get him through the event, whether there’s a big crowd or not, these factors all contribute. Quote Link to comment Share on other sites More sharing options...
Guest Posted November 11, 2023 Share Posted November 11, 2023 Fairly tense strings gently tickled by a very light touch. Quote Link to comment Share on other sites More sharing options...
Skybone Posted November 11, 2023 Share Posted November 11, 2023 Obviously a little bit of everything. Quote Link to comment Share on other sites More sharing options...
Leonard Smalls Posted November 11, 2023 Share Posted November 11, 2023 Today it's a touch of compressed Ampeg model in one Helix path, the other path with tube overdrive, plate reverb and Wah. Yesterday it was a Royal Blood sort of thing with bass in one path and autowah screaming guitar in the other. Before that with an actual pedalboard it was whatever craziness I could conjure from Qtron and bass-synth. Tomorrow, who knows? Quote Link to comment Share on other sites More sharing options...
Merton Posted November 11, 2023 Share Posted November 11, 2023 My sound is my fingers, bass and the preamp settings I choose. The amps and cabs I choose are there to enhance those other facets to my tone; I probably sound the same through the majority of amps etc but feel the Trace/BF rig allows me to focus on the playing more 1 Quote Link to comment Share on other sites More sharing options...
asingardenof Posted November 11, 2023 Share Posted November 11, 2023 Depends on what I'm playing at any given moment - my "sound" is very ephemeral. 1 Quote Link to comment Share on other sites More sharing options...
spongebob Posted November 11, 2023 Share Posted November 11, 2023 Definitely my attack, string choice, Markbass. Whether I gig with my 'Ray or Ricky, to me, I don't sound a million miles apart! Quote Link to comment Share on other sites More sharing options...
WinterMute Posted November 11, 2023 Share Posted November 11, 2023 Depends on what the song requires, via a Quad Cortex, I'll build a sound to suit the track from a few general presets. The constants are 5 strings and round wounds. I've used the same Boss Bass Chorus pedal for 40 years on my fretless. I have a sound for my originals projects, which is a bi-amped patch using an SVT 3 model into a 2x12 EV IR for the LF and a GK 800RB into a 4x10 TE IR for the HF, both with switchable distortion and chorus paths and an LA2 limiter model on the mixed output, which is suitable filthy when needed, but behaves itself in decent company. Quote Link to comment Share on other sites More sharing options...
Boodang Posted November 11, 2023 Share Posted November 11, 2023 Pickups.... I had some custom jazz single coil pups made, alnico2 for the bridge and alnico5 for the neck. Tone starts at the source and these really work for me, no eq needed. Quote Link to comment Share on other sites More sharing options...
Dan Dare Posted November 11, 2023 Share Posted November 11, 2023 I don't have a "sound". It changes depending on what the material calls for. 2 Quote Link to comment Share on other sites More sharing options...
msb Posted November 11, 2023 Share Posted November 11, 2023 Monique really changed things for me. 1 Quote Link to comment Share on other sites More sharing options...
BigRedX Posted November 12, 2023 Share Posted November 12, 2023 What I play in terms of note choices and phrasing, combined with an good multi-effects unit. Quote Link to comment Share on other sites More sharing options...
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