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Pairs


msb

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Looking over the stuff I’ve accumulated I realize that I seem to go for things in pairs. For years I just had one Pbass , and thought it was everything I needed. I was an idiot and passed on some unbelievably good deals on what is called vintage gear today. So now , if I see something I really like , I just might buy it. I love having different instruments. 

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72 Pbasses , bought the fretted one in the mid 70’s. It was pristine. 

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51 MIJ Reissue  US built P

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80 4001 , 76 4000

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Epi Flying V and Rumblekat

Edited by msb
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Posted (edited)

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Yamaha Samurai reissues 

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LP DC Jr and SG (two absolute favourites today)

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samurai and Unicorn 

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UniVox HiFlier and slightly modded Ibanez Talman

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Dano Longhorn and short scale DC

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Gretsch baritone and Squier Bass VI

Edited by msb
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The recents , I picked up the orange 5123 last December. They are no longer in production and getting hard to find. It’s been my primary bass since … some had suggested getting a 6128 too. Another out of production and not easy to find. So at the moment these two are my main players.

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Thanks dmccombe , I sold the fretless 72 Pbass , still have the rest. There’s a Dano 59 Dolphin Nose that isn’t pictured , that I plan to sell. And my old upright that I plan to keep. There’s a number I sold that are not pictured. I tend to just pick one or two up a year. I’ve been at it for a while and still manage a couple of gigs every week. So I like to think they pay for themselves. Usually play the mid sized rooms downtown , no big star ,  I don’t like to travel. I load the car , drive the stuff downtown , set it up , and later drive it home. It’s routine.
I seem to know quite a few that have acquired a bunch of classic stuff over the years , but are far from being real collectors and yet fairly nerdy about gear. 
 

I am a self confessed amp nerd.

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2 hours ago, msb said:

The recents , I picked up the orange 5123 last December. They are no longer in production and getting hard to find. It’s been my primary bass since … some had suggested getting a 6128 too. Another out of production and not easy to find. So at the moment these two are my main players.

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What’s the black one? Is it Short Scale or is the 5123 just massive?
 

Love this pair! 
 

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Three of these are no longer in my possession, but I still included them because I love these pictures so much - especially the glamour shot of the ATK's :D

 

Ibanez MC924: the left one is a 1983 model which I still own. The right one is a 1981 that I have since traded for an Atelier Z Baby Z-4J. I liked it a lot, but it was prohibitively heavy and had quite a chunky and wide neck so it got little playtime. The 1983 is from my year of birth (but just a month younger than me) and has sentimental value, but doesn't get played much either. I could never bring myself to sell that one though! 

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1996 Ibanez ATK300 and 1998 ATK305, both made in Japan. I don't own either of these anymore, I sold the 4-string many years ago and sold the 5-string two years ago. Lovely basses, solid workhorses, and very big and heavy. I kinda miss the 4-string, it was stellar. The 5-string sounded slightly harsher and not quite as warm and full-bodied, maybe due to the more rigid neck (because there was simply more wood). 

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2002 Warwick Streamer LX5 (nirvana black gloss) and 2001 Warwick Streamer LX (burgundy red gloss). The 5-string was my main bass for several years, until my headless Status S2 Classic 5-string replaced it. 

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My duo of Status S2 Classic bolt-ons. The 5-string is my main axe ever since its arrival. It looks all black in this picture, but it's actually more of an anthracite metallic finish. The 4-string is VERY white up close, which contrasts beautifully with the VERY black phenolic fingerboard and the (now aged white) epoxy Roman numerals.

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  • 2 weeks later...

A pair of 2003 Yamaha BB604 basses. If I’ve understood the serial numbers correctly they were made within the same month of each other at the same factory in Taiwan, but found themselves 20 years later together in my ownership. 
 

They are identical, apart from one having strap locks and a lot more wear and tear, while the newer one to me has had the machine heads swapped to Gotoh’s by a previous owner. 
 

They sound identical, play identically and weigh exactly the same amount. 
 

I’m putting them to good use don’t worry. 

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Here are a couple of lovely pairs:

Squiers

American Deluxe 

77 and 73 Precision 

78 Precisions 

 

And an older Pic from when they used to call me Two Jags

 

I'll try and pair some other stuff after the next couple of NBDs (a pair of rather tasty Jazzes inbound)

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Edited by basshead56
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  • 2 weeks later...
On 15/08/2024 at 12:11, basshead56 said:

Here are a couple of lovely pairs:

Squiers

American Deluxe 

77 and 73 Precision 

78 Precisions 

 

And an older Pic from when they used to call me Two Jags

 

I'll try and pair some other stuff after the next couple of NBDs (a pair of rather tasty Jazzes inbound)

Screenshot_20240815_120333_Gallery.jpg

Screenshot_20240815_120352_Gallery.jpg

Screenshot_20240815_120348_Gallery.jpg

Screenshot_20240815_120344_Gallery.jpg

Screenshot_20240815_120410_Gallery.jpg

 

 

Post NBD x2

Some high-end Fender twins:

2010 Victor Bailey Jazz and 2004 QMT American Deluxe Jazz in Amber

 

A pair of silver Jazzes

American Pro II Jazz in: Mercury and 60th Ann. RW Jazz in Firemist Silver 

 

 

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