Mykesbass Posted August 1 Share Posted August 1 I know we have the Funk and Soul thread, but thought this was a bit more specific. Had this on on the car yesterday - great, great album, but what really struck me was just how funky the first track, Use Me is. So I started listening to it a little more closely, and what fascinated me was "the one". It is there, but it is so subtle it is almost as if it is a ghost note, a suggestion, rather than an emphatic thump. Any other great examples? 2 Quote Link to comment Share on other sites More sharing options...
chris_b Posted August 1 Share Posted August 1 1 Quote Link to comment Share on other sites More sharing options...
tinyd Posted August 1 Share Posted August 1 This has a really strong "one" which contrasts really nicely with the syncopation on bars 3 & 4 2 Quote Link to comment Share on other sites More sharing options...
Leonard Smalls Posted August 1 Share Posted August 1 I like a good hard "one" 😁 Or not much out funks the One on this, when 'er gets going at 1'50. Bootsy Baby! In fact, no-one Out-Ones Bootsy! Whodathunk Silent Night was funky? But it it, 2'23 and on... Proper Christmas Carol! 3 Quote Link to comment Share on other sites More sharing options...
Mykesbass Posted August 1 Author Share Posted August 1 54 minutes ago, Leonard Smalls said: I like a good hard "one" 😁 You don't say 😯😎 Tom Browne is a classic example. Quote Link to comment Share on other sites More sharing options...
Mykesbass Posted August 1 Author Share Posted August 1 1 hour ago, tinyd said: This has a really strong "one" which contrasts really nicely with the syncopation on bars 3 & 4 The Meters really do make it seem effortless! Quote Link to comment Share on other sites More sharing options...
Old Man Riva Posted August 1 Share Posted August 1 … always thought this had an understated groove. Quote Link to comment Share on other sites More sharing options...
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