TRBboy Posted August 7, 2024 Posted August 7, 2024 Hey folks! š š Ā I'm currently plotting a project to build a 5 string P style bass, but with a single MM humbucker instead, positioned in between the traditional P and MM positions. Not sure yet whether I'm going to build from scratch again or buy a cheap bass to mod, to prove/disprove the concept. Ā I'm looking to wire it passively, with just volume, tone, and a 3-way series/split/parallel switch. What I'm not sure about is what pot and cap values would be recommended? What say the BC collective? I'm leaning towards 500k vol, 250k tone, and a .047 cap. Ā Thanks for your help! šš Quote
itu Posted August 7, 2024 Posted August 7, 2024 First of all, 3 pos is not necessary. Do trials and choose two sounds out of three: series is the other and parallel or single is the other. Those latter ones are very similar. Parallel gives slightly higher level, single a thinner and brighter sound. But the difference is small. Ā If you want brighter sound, put 500k or 1M pots. 1 Quote
TRBboy Posted August 7, 2024 Author Posted August 7, 2024 (edited) 44 minutes ago, itu said: First of all, 3 pos is not necessary. Do trials and choose two sounds out of three: series is the other and parallel or single is the other. Those latter ones are very similar. Parallel gives slightly higher level, single a thinner and brighter sound. But the difference is small. Ā If you want brighter sound, put 500k or 1M pots. Thanks Itu, I'm okay with the switching, I've done it before, and are there's not a huge difference. What value cap would you suggest? Ā Edit: I have also considered doing a G&L L1000 style switch, with parallel/single/OMG š Edited August 7, 2024 by TRBboy 1 Quote
Hellzero Posted August 7, 2024 Posted August 7, 2024 Here are the G&L 1000 and 2000 wiring diagrams. Ā Ā 1 Quote
itu Posted August 7, 2024 Posted August 7, 2024 4 hours ago, TRBboy said: What value cap would you suggest? This so subjective. I have two different caps behind a rotary switch (OFF/C1/C2/ON; thanks to @KiOgon) in one of my basses, and both sound good in their respective music styles. 1 Quote
bremen Posted August 9, 2024 Posted August 9, 2024 I can't comment on cap value, but I've done a 4 way switch and can confirm that series is way different from the others, but there is an appreciable difference between parallel and either of the singles (and a slight but definite difference between the two singles). I actually prefer the singles, though the humbucking effect of series or parallel is useful. 1 Quote
TRBboy Posted August 9, 2024 Author Posted August 9, 2024 Thanks for all the info guys, very helpful. Am I right in thinking the original Stingrays were wired parallel? I believe parallel is more 'open' sounding but lower output, and series is more ballsy with higher output? Is this correct? Been a long time since I played around with this switching š Quote
bremen Posted August 9, 2024 Posted August 9, 2024 Series is a huge level and pretty boomy. Parallel is scooped. Individual sounds most natural to me, more like a p. But writing about sound is like dancing about architecture so take that with a pinch of salt. 1 Quote
Hellzero Posted August 9, 2024 Posted August 9, 2024 2 hours ago, TRBboy said: Thanks for all the info guys, very helpful. Am I right in thinking the original Stingrays were wired parallel? I believe parallel is more 'open' sounding but lower output, and series is more ballsy with higher output? Is this correct? Been a long time since I played around with this switching š Yes to all questions. 1 Quote
drTStingray Posted August 9, 2024 Posted August 9, 2024 2 hours ago, TRBboy said: Thanks for all the info guys, very helpful. Am I right in thinking the original Stingrays were wired parallel? I believe parallel is more 'open' sounding but lower output, and series is more ballsy with higher output? Is this correct? Been a long time since I played around with this switching š As far as Stingrays are concerned the original 4 strings were wired in parallel. However Stingray 5s (single H) were wired in series, but with a parallel/single coil/series switch - bearing in mind they started with alnico, moved to ceramic (1992 ish-2008) and then back to alnico.Ā Ā The passive Stingray available these days (short scale) has the same system you describe, with a rotary switch for series, parallel, single coil and a tone control - the pick up is neodymium however. I have a long scale (Tim Commerford signature version) - the series is a fatter sound, the parallel a little more scooped and the single coil is a bit like a Jazz with the bridge pick up soloed. You can probably find a wiring diagram on the EBMM site.Ā 1 Quote
Hellzero Posted August 9, 2024 Posted August 9, 2024 You seem to have forgotten the Joe Dart models, and the Nate Mendel Sterling by Music Man model too @drTStingray... š 1 Quote
Jackopie1 Posted August 13, 2024 Posted August 13, 2024 Hi mate, I have done this recently, using a Warman humbucker in the traditional stingray spot. Ā I used 250k pots and it sounded fine. Ā I know someone here suggested differently, but I would strongly suggest having parallel and single coil options available- I didn't find series very useful in a passive setup. Ā I used the single coil closest to the neck most of all- one of the few times our band's usually dour sound engineer has complimented the sound of my bass was when using this! Ā Ā 2 1 Quote
ead Posted August 15, 2024 Posted August 15, 2024 On 09/08/2024 at 22:44, Hellzero said: You seem to have forgotten the Joe Dart models, and the Nate Mendel Sterling by Music Man model too @drTStingray... š Ā Do you not mean the Pete Wentz SBMM passive Stingray? Ā 1 1 Quote
Obrienp Posted August 15, 2024 Posted August 15, 2024 (edited) I did this recently too. I would stick with your series/parallel/single coil idea. There is plenty of tonal difference IMO to make it worth doing. My preference is for the front coil but itās all personal choice. I tried 500k pots first and it was a very loud bright and not particularly pleasant sound. I swapped out for 250k pots and in a moment of madness a 0.1uf oil in paper cap. That cap was probably a bit too dark and I changed it for .047 that rolled off enough top end without going too dark and muddy. The 250k plus .047 gave a much more pleasant, less brittle sound than the 500ks at the expense of a little volume but still plenty loud enough. I tired both a Kent Armstrong and a Warman pickup. Both were powerful enough to use in a passive circuit. The Kent Armstrong had more finesse to my ears and the added bonus of covered pole pieces, meaning you couldnāt inadvertently touch a pole piece and get that horrible buzz. Edited August 15, 2024 by Obrienp 1 Quote
Hellzero Posted August 16, 2024 Posted August 16, 2024 12 hours ago, ead said: Ā Do you not mean the Pete Wentz SBMM passive Stingray? Ā Isn't he the same guy? š¤Ŗš¤š¤¦š Ā I stand corrected. Ā Thanks. Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.