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"Solves a problem I don't have......."


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I was just chatting with Lawrie @Burns-bass and he mentioned selling some gear because it solves a problem he no longer has, and it consolidated a lot of my recent thinking around gear generally, that is far from getting rid of gear on that basis, I was often buying gear that solved a problem I don't have (most notably the Chadwick folding bass that while absolutely beautiful in design and engineering terms was an absolute PITA at gigs generally, leading me to decide that the best bet was simply to sell it and take better care at gigs of my non-foldable DBs).

 

But as with life generally, I suspect a lot of the gear we have is bought either explicitly or sometimes subcobscioulsy to solve similarly non-existent problems (by which I mean that we make choices based on a set of parameters that while current on web forums really do not solve any problems for us as an individual. 

 

Good examples for me

 

Chadwick folding bass: as I've said, beautifully designed and engineered, but.....

East P-Retro: again beautifully designed and engineered but having had three of them (!), I've always found Precisions just work better passive

Enfield Fusion/EBMM Reflex: both beautiful instruments and technologically wonderfully advanced, but while the idea of a 'take one and only one bass to every session/gig'/huge tonal palette appealed, the Fusion stayed in Precision mode 90% of the time, and the Reflex never really got off the ground

Badass bridges: I even bought one this week, what am I like. A difference yes, does it solve a problem, rarely if ever, but for some reason there's a part of my brain that drives me to try one on any Fender bass that's passed the 3-months at Beedster Towers test....... My therapist has put it on the list for our next session

Neck LEDs: No more in tune on a fretless that without them, but annoyed the guitarist immensely 'If you want to be in tune that badly that you have to walk on stage with traffick lights stuck to your neck, perhaps try playing a fretted bass'

Micro/lightweight heads: My biggest challenge with heads that fit into the pocket of a bass gig bag is my tendency to forget about them/lose them. Ironically the only time a head went down on stage and I needed the backup I'd taken the wrong (double) gig bag to the gig. i take two 19" heads to gigs now, because I have no problem with either size or weight.

Expensive DB strings: Don't get me started..........

 

Interested to hear what gear falls into the 'solves a problem I don't have/never did have' category for the BC crowd?  

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5 strings or any kind of extended scale. Love it when other people use them so I buy one, inevitably end up using it like a four string because that's what band leaders want, and then sell them on a few months later. I stick to synth or octave for the rare subby stuff I do these days. Same goes for active basses if I'm being honest with myself, but that quest continues in the hope I'll work out what to do with one. 

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It's so easy to do!

 

Pedals seem to creep into my life- even though gigging life almost never calls for more than a very occasional octaver/envelope filter for the stubby stuff, there are eqs, preamps, Chinese knock-offs and fuzzes hidden away in the practice room.

 

 

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Yes, Chris and I had this conversation. It’s based around the Czech Ease bass I own. I bought it as a lightweight and easy to carry bass for gigs when the metal one was too heavy. Now the metal one has been replaced with a wood one, I now longer need two.

 

Solves a problem I don’t have.

 

So that’ll be up for the cull after my holiday as it’s currently used as a cat bed.

 

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When I was around 18 I ’needed’ similar basses to what big names used - I was not a big name

 

When I was at uni I ‘needed’ a ‘pro’ level instrument - I was no pro

 

Now that I’m just a hobby bassist I finally have what I need to learn what I want; Sire V5 5 string, mex Fender P bass with flats, and a nice fretless 4 string. When I get a bit more cash I may buy to solves a problems I don’t have (other than the cure GAS) but for now I’m covered.

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Pedal tuner:

- eats a lot of pedal board space

- mutes the signal (a red Neutrik plug does it, too)

- I can tune between songs or sets (but I have basses that stay in tune, and I go away from the stage between sets)

That pedal tuner would be in its pedal board case when I need it at home while changing strings.

 

At home I have a Peterson SAM, and my mono bass cases carry Ibanez MU40 tuner/metronome units.

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Yep. I have

 

- a DB-friendly amp (GK MB150S) just in case I play DB live again ... I haven't played DB live in 6 years 😕

 

- a Markbass 121P combo in case I need a cleaner sound than my Orange TB based rig ... I not only do not need a clean sound in my current (goth) band but also every one of our gigs in the past year has had supplied back line so arguably I don't need an amp at all, let alone 3 ...

 

- a "rawk" bass (Rick 4000) in case I play, well, rawk ... I auditioned for an AC/DC covers band a year ago which never got off the ground as both the drummer and vocalist failed to turn up to the first two rehearsals ...

 

I should probably sell some of the above but my BC-addled brain would probably end up buying something else "just in case"

 

 

 

 

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I don't think i bought anything to solve a problem. That might be a problem. Certainly it's a problem having way too much stuff than i can justify given how much i play now, but find it very hard to get rid of it.

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I get all this and I'm not arguing, but my experience has been that a problem which needs solving with one band will invariably surface again later with another band.

 

I've sold and then had to re-buy just too bloody often. 🙄

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Neutrik muting jack plugs - I've never had a problem muting the amp before plugging/unplugging stuff and I still do so out of force of habit even when I am using the lead with muting jack plugs.

 

I simply wanted my last obbm cable to be the fanciest one it was possible to be.

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17 hours ago, Clarky said:

should probably sell some of the above but my BC-addled brain would probably end up buying something else "just in case"

Therefore you have solved a problem by hanging onto it all. Think of all the time saved in not shopping for more stuff to not play. Think of all the time you have saved your bass playing brothers by not listing it for sale for them to obsess over not buying until one caves in. You are doing everyone a favour.

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As much as I love this forum I definitely think it contributes to this.
 

I gigged for 5 years within an acoustic duo with 1 bass which was an Ortega KT Walker acoustic bass. 
 

I then rejoined Basschat after a long absence and within 6 months I’d decided I ‘needed’ to go back to electric bass so got a Fender Mustang. 

 

I then ‘needed’ a backup, even though I’d never ‘needed’ one before.
 

Now, I’m taking 2 basses to every gig and a mini pedalboard.

 

Granted, I do now ‘need’ that setup. But, the problem was never a problem until I decided I had a problem. 
 

 

Edited by AlexDelores
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Yes, guilty.

Recent ads on here and facebook have seen me get rid of tons of problem solving guitar pedals, a couple of bass amps I  bought in case of inevitable breakdowns I never had, a Jazz bass I bought because you need a Jazz bass because bands expect you to have a Jazz bass😉 All stuff I "needed" 

The £900 Mackie studio monitors I bought because I needed to hear totally unbiased and uncoloured recorded music are now the telly sound bar😂

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14 hours ago, neepheid said:

Neutrik muting jack plugs - I've never had a problem muting the amp before plugging/unplugging stuff and I still do so out of force of habit even when I am using the lead with muting jack plugs.

 

These are quite handy if you have several instruments and only one amp, for busking or monitoring.

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An electronic drum kit, bought several years ago so I could try and play drums a bit for recording purposes. It's packed up in a cupboard somewhere and Mrs Zero won't tell me where it is, and at the moment we don't have the room for me to put it up anyway.

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1 hour ago, tauzero said:

An electronic drum kit, bought several years ago so I could try and play drums a bit for recording purposes. It's packed up in a cupboard somewhere and Mrs Zero won't tell me where it is, and at the moment we don't have the room for me to put it up anyway.

Surely that gave you a problem you didn’t have?

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20 years ago I discovered Fender Precision Bass , always was a Yamaha BB1200 bass player ( bloody good bass’s  they are ) 

Enjoyed the first P bass , thought I’d better get a back up , I’m now up to number 7 ( or 8 ? ) 

The fender Jazz is unused ( we all need a Jazz Bass ? ) 

Dont get me started on amp / Cabs .

 

 

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5 minutes ago, JoeEvans said:

Surely all bass gear solves one of three key problems?

1. I haven't got one of those

2. I've only got one of those

3. My collection of those is unsatisfyingly small

 

I would say that 1 and 2 are subsets of 3.

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