stef030 Posted October 19 Share Posted October 19 so I have been wanting to buy a washburn status for a while, when did they become a thousand pound plus bass one chap had his up for 1500 pounds then realised its perhaps a bit pricey and dropped to a grand at these prices it makes them more expensive than a real status theres another couple at a grand really or perhaps its just me Quote Link to comment Share on other sites More sharing options...
White Cloud Posted October 19 Share Posted October 19 Crazy asking price. They're alright but nowhere near as good as a full-fat Status. 1 Quote Link to comment Share on other sites More sharing options...
Chris2112 Posted October 19 Share Posted October 19 I can't reconcile with them being anything other than £500 bass on a good day. I don't think they're worth any more than that, whatever you rose-tinted glasses might say. 4 Quote Link to comment Share on other sites More sharing options...
itu Posted October 19 Share Posted October 19 I liked the bass, although the neck was very flexible. Electronics were from Status (treble booster) as well as noiseless single coils. Nice looking bass, but anything over £400 today would sound like a joke. A mint unit would cost more, but £1000 sounds like... stealing? Washburn isn't that retro. I had a chance to buy a hand made bolt on carbon neck copy, which is far better that Washburn. It's an instant back to 80's bass! 1 Quote Link to comment Share on other sites More sharing options...
RAY AGAINST THE MACHINE Posted October 20 Share Posted October 20 (edited) Mmm....I nearly sold mine last year . Thankfully I changed my mind . I would say anything up to £600 due to rarity now, and that in the past I've seen ones in good condition go for around that . I have seen some in not so good condition shall we say, get purchased for around £450 . I don't think they got a good deal there . I love the little clicks when adjusting the volume , bass and treble knobs . Well I did , until I got mine modified . ( more below) The output is thunderous , and very powerful from the status active pickups ( 9v battery ) . The sound is very bright sounding, and could be too much for rock bands . ( again more below) . In bands I've been in , I have been asked to turn down . What they meant was cut off the treble . Also, you cannot hide mistakes ( if you're like me ) , due to the bright tone . As for the body , it is " rich American walnut " and quite heavy . A bass of quality in terms of looks and build . The jack is not the greatest quality . A lot of headless designs are made with basswood bodies . I would like to think of your opinions of those . The reason being , is that I have a Jack Daniels bass made with basswood . It sounds great , and fantastically light to play . However although I have gigged it in the past , I do wonder if basswood would be as resilient and tough as my Washburn status 🤔 is the sound as good ?🤔 Anyway , back to the modifications on my Washburn status and why : 1. I got carried away in a rehearsal with a blues band , and I thumped the bass in a Rudy Sarzo like manner .😬 Took it into Denmark street and had a switchcraft Jack replacing the broken one . There were still issues . 2. I kept getting radio signals ,and local taxi services going through the pickups . So, Graham Noden at Denmark street tested the strength of them . I didn't need to change them . What he did was take out the active circuitry . This meant unfortunately (?) that all I need to do is plug and play . No clicks on the tone knobs anymore . Job done ! No more batteries , plus the bands I'd been in since loved the tone of it . what Graham Noden pointed out was that so many manufacturers followed a trend in the '80s by putting active circuitry in basses as standard . Words to that effect anyway . I say get one ! Headless strings and normal strings are compatible . Look fantastic ! I have a dimarzio strap with straplocks which take the weight off of the bass when moving around . Edited October 20 by RAY AGAINST THE MACHINE 2 Quote Link to comment Share on other sites More sharing options...
prowla Posted October 20 Share Posted October 20 I bought one new back in the 80s, because I couldn't afford a real Status. I got a real one in the 90s and it was in a totally different league to the Washburn. I sold the Washburn. The (asking) prices of the copies now are ridiculous and £1k is double what would be a lot. I've still got the Status. (But Status prices have gone up a lot too.) 2 Quote Link to comment Share on other sites More sharing options...
RAY AGAINST THE MACHINE Posted October 20 Share Posted October 20 Same , except I haven't got a real status ...yet ! 1 Quote Link to comment Share on other sites More sharing options...
jezzaboy Posted October 20 Share Posted October 20 I was speaking to a guy in a Quo tribute band and he hates the blooming thing but as he can`t afford a Charger like Rhino`s he plays a Washburn. 2 Quote Link to comment Share on other sites More sharing options...
okusman Posted October 20 Share Posted October 20 (edited) It is absolute madness!!! 50+ year old men who hark back to Lessons in Love and have lost all sense of perspective. The shape design is the same was licensed from Status, it used a 100 series (?) preamp and a Status design bridge. Not a drop of “graphite” They are a decent bass. It’s £500 territory. Edited October 20 by okusman 2 Quote Link to comment Share on other sites More sharing options...
uk_lefty Posted October 21 Share Posted October 21 Generally with second hand gear, especially a little older, people chance their arm with the asking prices. I had one, great for my 80s band but when that folded I sold mine. Being left handed it's perhaps more rare and I got somewhere near £800 three years ago, but it was in excellent condition and a very rare left hander. 1 Quote Link to comment Share on other sites More sharing options...
prowla Posted October 21 Share Posted October 21 "Rare" doesn't necessarily mean valuable. 3 Quote Link to comment Share on other sites More sharing options...
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