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Flats are off


deepbass5

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Having bought this Custom shop  62 P bass relic about 5 years ago, I immediately order a set of La Bella flats to go on it. A bucket list bass.  Only used for jazz since i got it as it sits under the radar nicely in that situation.

 

However I fancied using it in the rock band i am in, Lets say heavy covers band. Many of you I know use Flats on your basses in similar bands, but wondered If you have also gone back to round wounds, for some extra bite and harmonic content.

These are also easier on the fingers with reference to tension as my pinky is playing up these days.

 

New strings are D'Addario Nickle 50,70,85,105        It sounds wonderful and having used it this week for jazz and rock I don't think i will go back now. any thoughts

 

 

 

 

 

CSPbass.thumb.jpg.ad8b6c97897170cb0ca1eac194684f36.jpg

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I say use whatever strings make you happy in the moment and not necessarily what internet forums think is right. 

 

Internet wisdom has told me several times that I must use flats on a P bass and rounds on a Stingray, but after much experimentation, I've found I like flats on my Ray and rounds on my P. And they're both short scale (which the internet says is only for children and people with small hands 😉

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I've tried all sort fo flats on my fretted and fretless jazz basses over a period of a couple of years, but went back to rounds for the extra top end bite - mostly for overdrive and slap tones. 

 

I've got a P bass at home with flats on, but that's more of an economical choice. I've only ever gigged with that bass once, and the others have had plenty of airings.

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2 hours ago, uk_lefty said:

You need two P basses. One for flats, one for rounds. 

 

Well...

 

1: Flats

2: Steel rounds

3: Nickel rounds

4: Nylons/Tape

5: Groundwounds / Pressure wounds

6: A set of those mad glow in the dark DR String Neons.

 

Same again for Jazz and rays.

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For me, the answer to the actual question being asked is, it depends on the band.

 

In a 4/5-piece covers band with either two guitars or guitar + keys I prefer to stay well away from that sonic territory. I use flats to supply the underpinning for the band.

 

In a 3-piece rock'n'roll outfit I need to be period-correct so it's flats all the way.

 

In a 3-piece covers band where there's a lot of sonic territory to be filled I find that flats just don't cut it, so I use a Rickenbacker 5-string with rounds.

 

I've heard plenty of bands over the years solve that last conundrum (sonic territory to be filled) by just cranking the amps up to 11 and/or adding loads of FX but I have no interest in being in that sort of band.

 

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3 hours ago, uk_lefty said:

You need two P basses. One for flats, one for rounds. 

Funny you say that,  as i have been looking out for a PJ with maple board i can have rounds on as an opposite and more versatile bass to the rosewood P with flats, but cant really justify it if i'm honest. I will run with this CS on rounds until GAS bites again, It really needs to be used more and i can easily EQ out the highs when required but can't bring them up if they were not there in the first place. cheers all -just sharing my new found joy 😁

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Just now, deepbass5 said:

 i can easily EQ out the highs when required but can't bring them up if they were not there in the first place. 

 

Which is why I never fit flats to my basses. I feel the sound of a worn in set of rounds can do a good impression of flats (maybe with foam under the bridge) but it doesn't work the other way around.

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6 minutes ago, gjones said:

rounds can do a good impression of flats (maybe with foam under the bridge)

 

A good point + I have a piece cut for the job but found it was a bit OTT with the flats but will try again with the rounds when needed.

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I’ve used lots over the years, but I’m currently on a flats tip.

 

Ernie Ball Cobalt, to be exact. They’re quite bright, with thump. 
 

However, as they’re on all my basses, I have considered putting rounds on something……and I have got a new set in the case…..😉

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Apart from those strings being slightly thicker and stiffer than mine (oo er missus!) I have the same ones and think they sound great for pretty much everything I want to play. EQ and tone controls tame most of the high end so they sound very flattish, but having the ability to get them clanky is also good.

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52 minutes ago, StingRayBoy42 said:


I use these on my Sterling for the heavy rock covers stuff - they're flats but they sound a *bit* like rounds.


I took your advice and put a set on my Precision. I like them. Brighter than I expected which is not an issue at all but I guess they’ll lose a bit over time? 
I’ll be taking the bass to the next rehearsal and see how it all sounds in the mix. 

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