kevin_lindsay Posted November 6 Share Posted November 6 It just occurred to me that I use various string brands on my basses. I have found that different strings provide varying tones on my instruments. Does anyone else here do this? Sire Z3 5 string - D'Addario 45-130 nickel wound McIntyre surf green fretless - Elixir strings White P-Bass - LaBella 1954 heavy gauge "Jamerson" flatwounds McIntyre 1956 style P-Bass - D'Addario 45-105 rounds Seafoam Green 50's P-Bass - Harley Benton strings (honestly!!) Black P-Bass - Ernie Ball Slinky White Jazz - D'Addario 45-45-105 rounds 1966 AVII Jazz Bass - Fender rounds 45-105 1 Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted November 6 Share Posted November 6 My only difference is nickel rounds on my Mustang basses, steel rounds on the Precision. Brand & gauge - Elixir 50-105s. 1 Quote Link to comment Share on other sites More sharing options...
Owen Posted November 6 Share Posted November 6 (edited) I have settled on Newtone round core nickels on most (33", 34", 35" and 36") but a set of TI Jazz Rounds sit very nicely on one of the 35" in a way they do not on some others. Edited November 6 by Owen because of the spelling. Always because of the spelling. 1 Quote Link to comment Share on other sites More sharing options...
meterman Posted November 6 Share Posted November 6 No way, that's crazy talk! Never mix cross-ply and radial, that's what the old 1970s tv ad said and I still stand by it. I might only have two basses but they're both sporting La Bella Deep Talking Flats. And I have D'Addario Chromes flats on all my electric guitars, always same gauge. And my acoustic has Hofner flats on it. (No, I haven't moved on since 1968) 😂 3 Quote Link to comment Share on other sites More sharing options...
KingPrawn Posted November 6 Share Posted November 6 (edited) What a collection. I tend to use the same strings across my basses as I like the continuity of the resistance I feel. The only caveat is labella flats on one of my P basses Edited November 10 by KingPrawn 1 Quote Link to comment Share on other sites More sharing options...
Mike Brooks Posted November 6 Share Posted November 6 Yep, certainly do! A subtle change of manufacturer/material/gauge/winding can make a bass sing, when it didn't before. 3 Quote Link to comment Share on other sites More sharing options...
bassbiscuits Posted November 6 Share Posted November 6 Yup. Old Precision Bass = La Bella flatwounds. Perfect for vintage thud and warmth. Active Yamaha BB basses x 2 - Daddario NYXLs to cover a lot more sonic territory in covers bands. In fairness for the first 10 years of playing bass I didn't even realise strings came in different materials or gauges - they tended to be whatever the small number of music shops in my hometown of Swansea had in stock at the time (no internet in them days obviously...). 1 Quote Link to comment Share on other sites More sharing options...
Beedster Posted November 6 Share Posted November 6 Yes, different basses respond differently, it would be odd to have the same strings on all instruments (DB players of course take it to extremes by mixing sets on the same instrument) 1 Quote Link to comment Share on other sites More sharing options...
Beedster Posted November 6 Share Posted November 6 23 minutes ago, bassbiscuits said: In fairness for the first 10 years of playing bass I didn't even realise strings came in different materials or gauges - they tended to be whatever the small number of music shops in my hometown of Swansea had in stock at the time (no internet in them days obviously...). Rotos or Slinkys then 1 Quote Link to comment Share on other sites More sharing options...
bassbiscuits Posted November 6 Share Posted November 6 13 minutes ago, Beedster said: Rotos or Slinkys then Rotos. 1 Quote Link to comment Share on other sites More sharing options...
NancyJohnson Posted November 7 Share Posted November 7 Generally favour Elixir Nanoweb strings; they last forever and are tonally consistent. It's just simpler to stick with one brand I'm happy with across everything rather than trying to keeping a spreadsheet going. This isn't to say there may be a rogue set of Dunlop or D'addario loitering in there. 1 Quote Link to comment Share on other sites More sharing options...
JohnH89 Posted November 7 Share Posted November 7 Roto 88s on the fretlesses and Jack Casady . TI jazz flats on the Sire P5R and just changed the BB734 from Labella LTFs to Roto 77s tuned BEAD . A lot of difference in feel and tension but they all work with the basses they are on . 1 Quote Link to comment Share on other sites More sharing options...
BigRedX Posted November 7 Share Posted November 7 Originally on account of my first four basses all having different scale lengths - 30", 32", 34", and 36" I had to have different strings on each one. It was also at this point that I discovered the manufacturers of the most common strings available in the shops in the 80s and early 90s (Rotosound) were incapable of making consistently usable string sets that weren't 4-string standard gauge 34" scale, which very few of the basses I have owned have been, I started looking at what else was available. As a result have discovered that works with one bass does not necessarily work with another. I suppose if all my basses had been similar I might have been able to find a set that suits all of them, but they haven't ever been so. After a fair bit of trial and error, four basses that I currently use are strung as follows: Gus G3 5-string passive - Warwick Black Label 45-135 Gus G3 5-string active - Warwick Black Label 40-130 Eastwood Hooky 6-string Bass - GHS Hooky 6-string bass Burn Barracuda - Newtone Axion Bass VI 1 Quote Link to comment Share on other sites More sharing options...
franzbassist Posted November 7 Share Posted November 7 Galli flats on the fretless, La Bella Super Polished groundwounds on my fretted basses. 1 Quote Link to comment Share on other sites More sharing options...
MichaelDean Posted November 7 Share Posted November 7 I've got a custom set of Newtone hex core nickels on my Dingwall for CGCFC tuning at the moment. They're perfectly fine. Not as amazing as I'd hoped. I might try the round core next time. It's certainly the best way of getting the guages I need for the tuning though, especially as Payson prices at Bass Direct have shot up. There's also D'Addario 50-105 EXL160M on my Mustang and a set of Addagio rounds on m Revelation PJ bass. The Revelation gets the cheapest strings because it's the least used. I am wondering about stringing it up with a set of Adagio flats though. I've not been that impressed with the rounds. They're a bit rough like stainless steel strings and have a bit of a copper hue in certain places. 1 Quote Link to comment Share on other sites More sharing options...
RichT Posted November 7 Share Posted November 7 (edited) Definitely, different basses have different voices which need certain strings to get the best out of them. I don't mind that at all, it's just a pain that the only way to find out which strings suit which bass is random trial and error. Currently have Ernie Ball Cobalt flats on my EBMM ss Stingray, Ibanez EHB 1505, Hofner HCT Club and one Vox Starstream. Got Elixir nanoweb nickels on Ibanez SR500e and the other Vox Starstream. Thomastik Jazz flats on fretless Ibanez Portamento (only ones I'm not sure about yet). And Ernie Ball roundwound slinkys on my Maruszczyk ss Jake (P bass pickup). On my guitars though it's D'Addario XS all the way. Edited November 7 by RichT spelling 1 Quote Link to comment Share on other sites More sharing options...
uk_lefty Posted November 7 Share Posted November 7 Though I usually prefer a set of Ernie Ball slinkies, whatever it is in the pink packet, I really believe in experimenting with different strings to make subtle differences to how you hear and feel the instrument and consequently what you play. I recently put some Rotosounds on my Jazz bass having steered clear of them for years but they sound great and they're very durable. Also some of the best strings I've used have been some of the cheapest top, Maruszczyk flats are excellent at least than £20 for a four string set, and Fender nylon wrap strings were dirty cheap but great on my old p bass. I really want to go back to flats on a jazz but I think that means a new bass.... 1 Quote Link to comment Share on other sites More sharing options...
Rodders Posted November 7 Share Posted November 7 La Bella Flats (760FM) - P bass & OLP Stingray DR Dragon Skin on my Dingwall Fender Nickel (Heavy) or D'addario Heavy on my other P basses. Rotosound Nickel (Heavy) or Tru Bass Tapes on my fretless basses. 1 Quote Link to comment Share on other sites More sharing options...
Jono Bolton Posted November 7 Share Posted November 7 I've got Dunlop flats on my JV Precision, Fender flats on my bitsa Precision, and D'Addario rounds on my Telecaster Bass. Flats didn't work with the humbucker on the Tele Bass for me, but the flats on both P Basses were just whatever I had to hand when putting them together. The Dunlops have been on the JV for about three years but had been on a couple of other basses prior to that, and the Fenders were on a bass I bought second hand and swapped them over. 1 Quote Link to comment Share on other sites More sharing options...
prowla Posted November 7 Share Posted November 7 My go-to strings are Rotosound Swing Bass 40-60-80-100, but I've got Fender flats on a couple of fretless basses, Status or TE double-ball ones on my headless basses, various ones on some, and wehatever they came with on others. 1 Quote Link to comment Share on other sites More sharing options...
Baceface Posted November 8 Share Posted November 8 In a word, yes. That said, my "collection" is a budget Yamaha and a mid-price Sandberg. Currently I have el cheapo Maruszczyk flats on the Yamaha and rounds on the Sandberg. Currently thinking the flats give me all the sound I need plus a great feel so tempting to put them on the Sandberg too. 1 Quote Link to comment Share on other sites More sharing options...
neepheid Posted November 8 Share Posted November 8 Nope, I put D'addario XL nickel rounds on everything. It's the strings I like. If the stock strings don't annoy me when I get a new bass, I'll leave 'em be until they wear out, then I'll put D'addarios on it. 2 Quote Link to comment Share on other sites More sharing options...
Ed_S Posted November 8 Share Posted November 8 I put D'Addario XL nickel rounds on almost everything. I like Dunlop Super Brights as well, so I use those on my Warwick out of choice and my miKro out of necessity; XLs don't fit. I've tried various sets of flats, but all they do is make me ignore the bass they're fitted to until I eventually sell it. 1 Quote Link to comment Share on other sites More sharing options...
Jean-Luc Pickguard Posted November 8 Share Posted November 8 Off the top of my head these are the ones I can remember: JMJ, Vintera & Classic Vibe Mustangs: Medium Scale D'addario Chromes Player Mustang: Short Scale Chromes Guild Starfire: Medium scale flatwound status hotwires (I'd probably also have these on my mustangs if they were still available) Epiphone Vintage Pro & Gibson Non-Reverse Thunderbirds: Ernie Ball 2815 Cobalt Flats Squier Vintage Modified Short Scale Jaguar: EB short scale cobalt flats Fretted & Fretless Precisions: Thomastic flats Danelectro longhorn: LaBella danelectro short scale deep talkin' flats Squier Bass VI: LaBella bass VI deep talkin' flats Kala U-bass: Gallo flatwound with synthetic core I'm happy with all of these after having tried various different sets on different basses. 1 Quote Link to comment Share on other sites More sharing options...
fergs40 Posted November 8 Share Posted November 8 I don’t think I’ve got the same strings on any two basses. I can’t claim any great science or skill to my choices, but I think it adds to the distinct character of each bass, though there’s no two of the same model either so maybe I’m kidding myself! It does also, however, provide an excellent additional argument when the ‘why do you have so many basses?’ discussion comes around… 1 Quote Link to comment Share on other sites More sharing options...
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