Jump to content
Why become a member? ×

What will a Jaguar Bass do for me.........?


Beedster

Recommended Posts

In my experience it will neck dive badly but other folks experience may be different. NB, I’ve only had the SS and 32” variants but I would have thought a full scale may be even more inclined to be neck heavy.

Link to comment
Share on other sites

39 minutes ago, Cosmo Valdemar said:

That said, if you're doing anything Who-related the Jag (or Jazz) isn't your friend. Precision all the way. 

On a related note, Shel Talmy, My Generation producer, died this weekend… Surely that was the ultimate bass solo?

Edited by Mickeyboro
  • Like 2
Link to comment
Share on other sites

2 minutes ago, Pea Turgh said:

That’s gert lush.  Imagine also roastie maple and lollipop tuners…. Ooh err.

The downside is that it’s not cheap, at its most basic, it’s a shade over £1400. A few extras (opaque colour, rosewood ‘board, better hardware, etc) and you’re getting up to £1800-£2000. Not bad for a custom instrument, but it would be good to have an off the peg option available.

  • Like 1
Link to comment
Share on other sites

1 hour ago, ezbass said:

The downside is that it’s not cheap, at its most basic, it’s a shade over £1400. A few extras (opaque colour, rosewood ‘board, better hardware, etc) and you’re getting up to £1800-£2000. Not bad for a custom instrument, but it would be good to have an off the peg option available.

There’s a couple of hours on the configurator well spent!  Marooshcheck have got your t-bird / jag desires covered!!!  Now to save £5k for the both of them 😭

 

 

IMG_9572.jpeg

Edited by Pea Turgh
  • Like 2
Link to comment
Share on other sites

1 hour ago, Cosmo Valdemar said:

Worth noting that the Limelight Slabs aren't going to have "that" Entwistle/Leeds sound unless it has a maple cap neck, which I don't think it does.

 

Wasn't there a now legendary blind P bass shoot-out at one of the (southern?) bass bashes where it turned out nobody could really identify which configuration was which and the one everyone favoured wasn't actually a Fender P?

Link to comment
Share on other sites

2 hours ago, Cosmo Valdemar said:

Worth noting that the Limelight Slabs aren't going to have "that" Entwistle/Leeds sound unless it has a maple cap neck, which I don't think it does.

Live at Leeds was the FrankenP (a Precision rebirthed from the wreckage of Precisions that Keith or Pete had had arguments with), I'm led to believe, no Gibson parts were used.

Link to comment
Share on other sites

14 minutes ago, bremen said:

Live at Leeds was the FrankenP (a Precision rebirthed from the wreckage of Precisions that Keith or Pete had had arguments with), I'm led to believe, no Gibson parts were used.

Indeed it was - but it used the neck from the Slab, hence the distinctive tone on that album.

Link to comment
Share on other sites

10 hours ago, Cosmo Valdemar said:

Indeed it was - but it used the neck from the Slab, hence the distinctive tone on that album.

JE believed there was mojo in the circuit from the slab bass. Truth will never be known, but it does demonstrate the (potential) virtue of swapping things around until you find a combination that speaks to you. I've spent most of the last 10-yars doing it 👍

Link to comment
Share on other sites

13 hours ago, Cosmo Valdemar said:

Worth noting that the Limelight Slabs aren't going to have "that" Entwistle/Leeds sound unless it has a maple cap neck, which I don't think it does.

JE's sound was 99% size and strength of fingers, plus training in instruments other than bass that gave him a less 'root-fifth mentality' plus having to compete with Mood and Townsend, plus being a naturally curious innovator. The other 1% was the bass.

 

There's a lovely interview somewhere in which JE says he had to be THAT loud to be hear above Townsend, who says he had to be THAT loud to be heard above JE. There is something really magical about the Live at Leeds tone, both bass and guitars, it's utterly visceral at times, a great listen even today 👍  

  • Like 1
Link to comment
Share on other sites

13 minutes ago, Beedster said:

JE's sound was 99% size and strength of fingers, plus training in instruments other than bass that gave him a less 'root-fifth mentality' plus having to compete with Mood and Townsend, plus being a naturally curious innovator. The other 1% was the bass.

 

There's a lovely interview somewhere in which JE says he had to be THAT loud to be hear above Townsend, who says he had to be THAT loud to be heard above JE. There is something really magical about the Live at Leeds tone, both bass and guitars, it's utterly visceral at times, a great listen even today 👍  

First album I ever bought (Who's Next shortly after) and by Timothy was it magical and visceral to an impressionable adolescent.

 

Link to comment
Share on other sites

36 minutes ago, Beedster said:

JE's sound was 99% size and strength of fingers, plus training in instruments other than bass that gave him a less 'root-fifth mentality' plus having to compete with Mood and Townsend, plus being a naturally curious innovator. The other 1% was the bass.

 

 

I respectfully disagree. His tone changed massively over the years, depending on his bass and amps. And he played at least 50% of the time with a pick in the 60s and early 70s.

 

His style and technique was entirely his own of course, but even that developed hugely.

 

But, this is going to lead us down the "tone is in the fingers" abyss and we really don't want to go down there do we? 😄

Link to comment
Share on other sites

47 minutes ago, Beedster said:

JE believed there was mojo in the circuit from the slab bass. Truth will never be known, but it does demonstrate the (potential) virtue of swapping things around until you find a combination that speaks to you. I've spent most of the last 10-yars doing it 👍

It's the maple cap neck. Aside from the slab body, that was the only difference. The pickup and circuit were standard. And as that tone was retained on Live At Leeds, where he was playing Frankenstein, logic points to the neck being responsible.

I used to own a replica built by @Rick's Fine '52. Maple cap neck from a Roger Waters sig, if I remember correctly. Steve Harris pickup. It had that definite extra snap and grit to the top end, so I'm content to believe the secret sauce was in the neck.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...