Beedster Posted 16 hours ago Author Share Posted 16 hours ago 1 minute ago, Cosmo Valdemar said: I respectfully disagree. His tone changed massively over the years, depending on his bass and amps. And he played at least 50% of the time with a pick in the 60s and early 70s. His style and technique was entirely his own of course, but even that developed hugely. But, this is going to lead us down the "tone is in the fingers" abyss and we really don't want to go down there do we? 😄 We agree then, fingers (you need them in the left hand as well) and amplification/volume. I think that’s what I said? But the tone was not in a slab body Quote Link to comment Share on other sites More sharing options...
Beedster Posted 16 hours ago Author Share Posted 16 hours ago Just now, Cosmo Valdemar said: It's the maple cap neck. Aside from the slab body, that was the only difference. The pickup and circuit were standard. And as that tone was retained on Live At Leeds, where he was playing Frankenstein, logic points to the neck being responsible. I used to own a replica built by @Rick's Fine '52. Maple cap neck from a Roger Waters sig, if I remember correctly. Steve Harris pickup. It had that definite extra snap and grit to the top end, so I'm content to believe the secret sauce was in the neck. Well JE said he was sure it was the circuit, I’m going with him 👍 Quote Link to comment Share on other sites More sharing options...
Beedster Posted 16 hours ago Author Share Posted 16 hours ago … but either way, if I played that bass I would never get that tone, he could play an Encore and would probably get close 👍 Quote Link to comment Share on other sites More sharing options...
Cosmo Valdemar Posted 15 hours ago Share Posted 15 hours ago 24 minutes ago, Beedster said: Well JE said he was sure it was the circuit, I’m going with him 👍 Slabs had ordinary pickups and circuits, honestly. JE was wrong on this one. Quote Link to comment Share on other sites More sharing options...
Beedster Posted 8 hours ago Author Share Posted 8 hours ago 7 hours ago, Cosmo Valdemar said: Slabs had ordinary pickups and circuits, honestly. JE was wrong on this one. I’ll see if I can dig out the interview, have to admit that if I were going to identify the active ingredient of tone in a Precision I’d have put the circuit quite low, but I suspect JE had a good feel for this stuff. When I first read the interview I remember thinking he might have found himself with an instrument with a mutant, even faulty, circuit, that just did the thing he wanted? Quote Link to comment Share on other sites More sharing options...
Cosmo Valdemar Posted 6 hours ago Share Posted 6 hours ago 1 hour ago, Beedster said: I’ll see if I can dig out the interview, have to admit that if I were going to identify the active ingredient of tone in a Precision I’d have put the circuit quite low, but I suspect JE had a good feel for this stuff. When I first read the interview I remember thinking he might have found himself with an instrument with a mutant, even faulty, circuit, that just did the thing he wanted? It's something I've seen him mention in a few interviews - I remember buying a copy of bassist magazine when I was 13 because he was on the cover - I didn't even own a bass yet 😄 Of course that sent me down a rabbit hole for many years trying to find out what was so special about the mythical Slab circuit 🤣 Quote Link to comment Share on other sites More sharing options...
Burns-bass Posted 6 hours ago Share Posted 6 hours ago 2 minutes ago, Cosmo Valdemar said: It's something I've seen him mention in a few interviews - I remember buying a copy of bassist magazine when I was 13 because he was on the cover - I didn't even own a bass yet 😄 Of course that sent me down a rabbit hole for many years trying to find out what was so special about the mythical Slab circuit 🤣 There is no magic. Quote Link to comment Share on other sites More sharing options...
OliverBlackman Posted 6 hours ago Share Posted 6 hours ago 43 minutes ago, Burns-bass said: There is no magic. Are you sure JE didn’t write Magic bus and they changed the lyrics? I don't care how much I pay (Too much, Magic bass) I wanna play my bass to my baby each day (Too much, Magic bass) 1 Quote Link to comment Share on other sites More sharing options...
bremen Posted 5 hours ago Share Posted 5 hours ago 7 minutes ago, OliverBlackman said: Are you sure JE didn’t write Magic bus and they changed the lyrics? I don't care how much I pay (Too much, Magic bass) I wanna play my bass to my baby each day (Too much, Magic bass) Beedster: I waant it, I waant it, I waant it All: Caaant havvit!!! 1 1 Quote Link to comment Share on other sites More sharing options...
Cosmo Valdemar Posted 5 hours ago Share Posted 5 hours ago 55 minutes ago, Burns-bass said: There is no magic. I know that now. The 13-year-old me was a lot more naive 😄 Quote Link to comment Share on other sites More sharing options...
bremen Posted 5 hours ago Share Posted 5 hours ago 56 minutes ago, Burns-bass said: There is no magic. You haven't heard Live at Leeds, have you? 😉 1 Quote Link to comment Share on other sites More sharing options...
Beedster Posted 5 hours ago Author Share Posted 5 hours ago There is no magic in a circuit, in a body, or in a neck. There is magic in the way the musician uses them, and perhaps makes them sing more than he would a different combination. Live at Leeds is magical 👍 2 Quote Link to comment Share on other sites More sharing options...
3below Posted 5 hours ago Share Posted 5 hours ago (edited) As per @Beedster Live at Leeds is magical, always wished I could play like JE and have that tone, never going to happen though. As for the magic, I want it, I want it, I want it, I want it You can have her for just one hundred pounds Edited 5 hours ago by 3below spelling typo Quote Link to comment Share on other sites More sharing options...
Cosmo Valdemar Posted 3 hours ago Share Posted 3 hours ago Too much! Quote Link to comment Share on other sites More sharing options...
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