joel406 Posted Thursday at 17:19 Share Posted Thursday at 17:19 When you're considering a new bass, what are you looking for in that, or any particular instrument? I have certain parameters I require just to consider the bass for the heard. Body style # of strings Color. Feel. For me, the first 3 of that list, have to be met. Then I go for feel. What are the things that the fine people of BassChat look for when considering a new (or used) instrument? Quote Link to comment Share on other sites More sharing options...
OliverBlackman Posted Thursday at 18:10 Share Posted Thursday at 18:10 First and foremost, what do I need or how can I improve on my current stable. Currently a 5 string 34” in the shape of a Ken Smith BT5 would fit the bill! Quote Link to comment Share on other sites More sharing options...
dudewheresmybass Posted Thursday at 18:47 Share Posted Thursday at 18:47 At the moment ( and for the previous few years), I've been on a tribute kick, meaning getting a hold of some of the instruments associated with those that inspired me to play. Look is important, as I often play with trib shows. Number of strings is largely irrelevant to me. 4's are king though Colour isn't particularly important either, but I have ended up with a lot of black instruments lol Feel is the most important things once I can my hands on the instrument. If it feels rough, or has issues I know can't be fixed, then I'm out Quote Link to comment Share on other sites More sharing options...
tauzero Posted Friday at 02:48 Share Posted Friday at 02:48 While it may seem shallow, looks are important. Especially something a little out of the ordinary (I have allowed two FSOs into the house, one Variax and one Sei). Part of this is that it should be a natural finish, I dislike paint, especially as I'd probably chip it. Number of strings - five (I have two wonderful 4-strings and more 6-strings than I'll ever use). Headless preferred but not absolutely essential, though the threshold of acceptance for a headed bass is higher than that for a headless, obviously. Once I've got that far, it's time to play it. Neck must be shallow. Not bothered about string spacing, anything from 16 to 19mm will do. Preferably two pickups and active, though I do have one passive and one single pickup bass. It should also make a reasonable sound. Quote Link to comment Share on other sites More sharing options...
andruca Posted Friday at 05:15 Share Posted Friday at 05:15 (edited) It's been a long time since I NEEDED a bass and was thus looking for something specific. All my latest acquisitions have been more like "I'd like a P bass, let's see what I can find...", or "wow!, that bass I had never heard of sounds spectacular, I want one", or "what is this bargain in the classifieds?" 🤣 Lately I can live with anything but the generic/dead "modern" lousy tone. I mostly stay away from bass humbuckers other than Leo's designs (P, MM). In that regard I have DARKtolinis and DEADlanos specifically blacklisted (after much dough stupidly dumped on them). I also stay away from the nasality of pickups positioned too close together (when there's more than 1). I find it a horrible design choice, sounds too bland and generic to me, every time, no matter how much the djent bass trend tries to make us believe that's how "virile" should sound. Those are the things I'm lately picky about. I can adapt to other circumstances if sound is fine. For instance, I was a skinny neck nazi some years back, now I can live with a thicker neck if I like a bass and its tone enough. Edited Friday at 05:17 by andruca Quote Link to comment Share on other sites More sharing options...
Ed_S Posted Friday at 09:02 Share Posted Friday at 09:02 (edited) I think I'm now at the point where I could pretty much spec a bass to be built for me. I did it 10ish years ago and now realise that I didn't have a clue what I actually wanted other than a unique and perfect thing made just for me by somebody that everyone heaps praise onto for the flawless nature of their work. It didn't turn out that way, and I take part of the blame as I gave far too many answers that sounded like "I don't really know.. whatever is 'normal'.. I'll trust your experience". The rest of the blame was in the workmanship, but though that's mostly irrelevant here, I do wonder whether they cared less about the build since it was almost certainly not going to be what I wanted - given that I clearly didn't know. Anyway... P-shaped 5 string 3.8kg absolute maximum (lighter the better) Passive V/T 34" scale 12" board radius 45mm nut (65.5mm at the 12th) 18mm string spacing I'm still no good at describing back-of-neck profiles but I could hand one to a builder and say exactly "like this" - it's a P neck that's neither the thinnest nor thickest you've ever handled. So, I found a cheapy with most of the specs and modded it the rest of the way! Edited Friday at 09:05 by Ed_S Hit enter and posted too early... 2 Quote Link to comment Share on other sites More sharing options...
BassAgent Posted Friday at 09:24 Share Posted Friday at 09:24 15 hours ago, OliverBlackman said: First and foremost, what do I need or how can I improve on my current stable. Currently a 5 string 34” in the shape of a Ken Smith BT5 would fit the bill! This exactly. Especially a sound for a particular band or style. Quote Link to comment Share on other sites More sharing options...
neepheid Posted Friday at 10:39 Share Posted Friday at 10:39 (edited) Absolutes: not a Jazz, not a short scale, 4 string, must weigh at least 8lbs I have a vague, negotiable list of secondary characteristics which are preferences rather than absolutes - prefer a >40mm nut, prefer humbuckers, prefer an odd number of pickups etc. Beyond that, it's looks and what my gut tells me. Edited Friday at 10:39 by neepheid Quote Link to comment Share on other sites More sharing options...
gjones Posted Friday at 10:54 Share Posted Friday at 10:54 I firstly go for looks (I know, I'm shallow), then I go for sound, then playability/feel. I really like the look and sound of Stingrays but I never liked the playability/feel of the neck of the USA built ones. I have a Sterling SUB Ray4 which has a Jazz type neck and I do like that. I now have a bit of a thing about the new sparkly black Sire Z3s. I love the look of them and the sound but, although the roasted neck look great, I don't know if I'd get on with it. If they came with Jazz style necks, I'd nab one in an instant. Quote Link to comment Share on other sites More sharing options...
bloke_zero Posted Friday at 10:56 Share Posted Friday at 10:56 When I play them some basses just talk to me and some don't, even if on paper they look perfect. Aside from that I am looking for specific tones I've heard on records (like thick mid P, or sharp grind on a stingray or super modern clarity) and it helps if the bass looks good. That last is awfully subjective, but boils down to "can you imagine yourself playing live with it". Like I love a pointy 80's bass but can't imagine myself playing one. Quote Link to comment Share on other sites More sharing options...
LeftyJ Posted Friday at 11:43 Share Posted Friday at 11:43 18 hours ago, joel406 said: When you're considering a new bass, what are you looking for in that, or any particular instrument? I have certain parameters I require just to consider the bass for the heard. Body style # of strings Color. Feel. For me, the first 3 of that list, have to be met. Then I go for feel. What are the things that the fine people of BassChat look for when considering a new (or used) instrument? Only once have I been in the position you're describing: really searching for that one perfect bass. It was when I wanted to upgrade from my old Condor Jazz Bass to my first proper 5-string. Being a lefty, I couldn't really be picky: what 5-strings within my budget are on the market, and is there a choice of colour at all? This was in or around 1999-2000 and most Dutch music retailers didn't have much of a webshop or a way to view their stock online, so I had to do it the old-fashioned way and took the train to Amsterdam to visit as many music stores as I could in one day. At the end of that day I had a list of 3: Cort Artisan B5L, Ibanez SR885L and Yamaha TRB5IIL. I went with the latter based on feel (very solid and with a smooth and chunky neck), tone (warm but tight, almost piano-like on the high strings, possibly due to the 35" scale) and playability (it had the widest string spacing of the 3, a regular 19 mm at the bridge which I liked a lot). They had a choice between trans blue and amberburst, and I chose the amberburst. Nowadays I just browse classified ads and once in a while one will grab my attention and call my name. Often I buy to try, and sell when I don't gel with an instrument. Looks are usually the first thing I go off on, and often the trying doesn't really start until the instrument is at home with me, has had a thorough cleaning, polishing and adjustments to my taste. There have been many examples of me buying instruments which were outside of my comfort zone, just because I wanted to give them a go and was unable to try one in a store. Quote Link to comment Share on other sites More sharing options...
itu Posted Friday at 15:58 Share Posted Friday at 15:58 As can be seen here, 18-19 mm string spacing is a must, as well as long scale (33.8-36"), and carbon (at least as an insert in the neck). Relatively flat necks are fine, whether thin or thick. I like some special shapes (Auerswald, Linc Luthier, Spalt...) because they look different. 6 strings are for g-word players, F-word basses (J,P) just aren't for me. Maple fretboards and light coloured basses look like the luthier left the work too early (Larry G's off-white Moon is an exception). Acoustic basses are mostly a joke, semi acoustics on the other hand... Quote Link to comment Share on other sites More sharing options...
fretmeister Posted Friday at 16:40 Share Posted Friday at 16:40 Weight Balance Comfort Playability. Colour / looks don't matter to me at all. Quote Link to comment Share on other sites More sharing options...
ped Posted Friday at 16:41 Share Posted Friday at 16:41 Mine used to be modern sounding, two pickups, super low action, probably carbon. Then I bought an ancient Mustang and it changed everything. 1 Quote Link to comment Share on other sites More sharing options...
crazycloud Posted Friday at 18:55 Share Posted Friday at 18:55 This. With a pivot plate/boomerang. Quote Link to comment Share on other sites More sharing options...
joel406 Posted Friday at 21:35 Author Share Posted Friday at 21:35 On 21/11/2024 at 13:10, OliverBlackman said: First and foremost, what do I need or how can I improve on my current stable. Currently a 5 string 34” in the shape of a Ken Smith BT5 would fit the bill! Well. We would be happy to help you with that sir. Please provide your credit card number and we'll get that right out to ya. 1 Quote Link to comment Share on other sites More sharing options...
Count Bassy Posted Friday at 22:28 Share Posted Friday at 22:28 32" Scale Five string. Flexible sound options After that it comes down to trying it out. Quote Link to comment Share on other sites More sharing options...
Jackroadkill Posted Saturday at 09:52 Share Posted Saturday at 09:52 Call me shallow, but I just like basses that make me feel cool when I play them. 1 Quote Link to comment Share on other sites More sharing options...
la bam Posted Saturday at 11:14 Share Posted Saturday at 11:14 Pick ups and pick up configuration. Colour. Quote Link to comment Share on other sites More sharing options...
OliverBlackman Posted Saturday at 11:44 Share Posted Saturday at 11:44 1 hour ago, Jackroadkill said: Call me shallow, but I just like basses that make me feel cool when I play them. Is the bass cool or the people playing them 😎 1 Quote Link to comment Share on other sites More sharing options...
Jackroadkill Posted Saturday at 14:58 Share Posted Saturday at 14:58 3 hours ago, OliverBlackman said: Is the bass cool or the people playing them 😎 I'd hope for the latter but suspect the former, in my case! 1 Quote Link to comment Share on other sites More sharing options...
police squad Posted Saturday at 15:00 Share Posted Saturday at 15:00 In March this year I picked up a 1964 Hofner violin bass at Auction. I've never played a German one but do have a contempory. It has a wonderful neck, slim, not too shallow and comfortable. I'll probably gig it at some point. I just got a bee in my bonnet about wanting one. Same with the Harlet Benton PB-50. It actually has a great neck, really great since I rolled the fingerboard edges, sounds amazing too. Gigged in my Police tribute For me basses have to look cool, not too flashy (by which I mean, loads of knobs and sitches) and have 4 strings Any colour, I have all colours including a neon pink Brian May guitar 1 Quote Link to comment Share on other sites More sharing options...
alittlebitrobot Posted Saturday at 19:40 Share Posted Saturday at 19:40 I'm just a bedroom noodler so I can't justify a collection in any way, so what I've decided is that a new bass would have to bring something new. I have a 34" fretted 6 string, which means I also own a 34" fretted 4 and 5 string in one instrument. I have a fretless 34" 4 string. I made a 30" 4 string bass because I think the short scale does bring something unique and now I'm planning a new build; a short scale 5 string fretless with piezo pickups. I think that is sufficiently different from my existing collection. Thereafter it's going to have to be a one-in-one-out policy. My short scale is fine and I enjoyed the challenge of making it because it's unusual in a few ways, but I would be willing to let it go for something like a Bronco or maybe one of those short scale Stingrays.. Quote Link to comment Share on other sites More sharing options...
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