DDR Posted 7 hours ago Share Posted 7 hours ago I used to be a 5 hater and now I'm a convert to the point that I'm wondering, outside of the "getting hired" issue (some bands/artists won't like the look of it) why limit your range to that of a 4 string? 1 Quote Link to comment Share on other sites More sharing options...
Dad3353 Posted 7 hours ago Share Posted 7 hours ago Just now, DDR said: I used to be a 5 hater and now I'm a convert to the point that I'm wondering, outside of the "getting hired" issue (some bands/artists won't like the look of it) why limit your range to that of a 4 string? Why not six, then..? 2 Quote Link to comment Share on other sites More sharing options...
tauzero Posted 6 hours ago Share Posted 6 hours ago Some people just don't get on with fives. Not sure why, but there's always a few in the marketplace being sold by people who tried a five and didn't like it. It's always possible they were just horrible to play and the sellers thought it was because they were fives, not simply because they were shit. Quote Link to comment Share on other sites More sharing options...
lozkerr Posted 6 hours ago Share Posted 6 hours ago 1 hour ago, Dad3353 said: Why not six, then..? Well for me, it's the neck width. I've played fives for quite a while now and can't see myself ever going back to a four, but I don't have hands the size of shovels and I'd struggle with a six. And yes, I have tried a few. 1 Quote Link to comment Share on other sites More sharing options...
BassTractor Posted 4 hours ago Share Posted 4 hours ago (edited) One point of a four might be that (if true) one never gets "that" low E timbre from a five. Just throwing this in: I have no idea myself, but this was said by a producer in a well-known studio. Me, I'd imagine that a wider neck's stiffness would indeed change the timbre, but you guys must know a lot more about this than I do. Edited 1 hour ago by BassTractor Quote Link to comment Share on other sites More sharing options...
police squad Posted 1 hour ago Share Posted 1 hour ago (edited) I did 5 string 25 years ago. Did it for a few years and went back to 4. Fretless and fretted, I easily adapted to 5. I sometimes played a 'd' on the low b. Didn't really like the sound below that Here's a picture of my custom made 5 string made by my friend Andy Crockett Edited 1 hour ago by police squad 1 Quote Link to comment Share on other sites More sharing options...
Steve Browning Posted 1 hour ago Share Posted 1 hour ago 5 hours ago, DDR said: I used to be a 5 hater and now I'm a convert to the point that I'm wondering, outside of the "getting hired" issue (some bands/artists won't like the look of it) why limit your range to that of a 4 string? In my case, because I want to. I don't like the sound of the B string. They never sound 'right' to me. An entirely personal view, but I will never own a 5 string. 2 Quote Link to comment Share on other sites More sharing options...
Burns-bass Posted 1 hour ago Share Posted 1 hour ago (edited) Scale length, weight, string spacing, design, aesthetics. And the fact that you’ll look like an 80s sideman. I’ve tried playing them and it’s just not needed (for me). 5-string basses are like Land Rovers in that 90% if users will never need the extra capabilities. Edited 1 hour ago by Burns-bass 2 Quote Link to comment Share on other sites More sharing options...
SumOne Posted 1 hour ago Share Posted 1 hour ago 'Simplicity is the ultimate sophistication' (Leonardo da Vinci) 1 Quote Link to comment Share on other sites More sharing options...
Reggaebass Posted 1 hour ago Share Posted 1 hour ago I played a 5 for about a year to see what it was all about and still do very occasionally if a certain Bassline has any lower notes ,but that’s rare, so 2 reasons for me, I can do everything I want on a 4 and I play vintage basses which only have 4 Quote Link to comment Share on other sites More sharing options...
uk_lefty Posted 1 hour ago Share Posted 1 hour ago A drop D tuner on my 4s works fine for me when I need it. I have owned the same fretless fiver for coming up to 23 years now but never made it stick on any other bass, though I have tried a few times. For the gigs I play a 4 is perfect, so a fiver just is not really needed. Quote Link to comment Share on other sites More sharing options...
odysseus Posted 1 hour ago Share Posted 1 hour ago I used a 5 in one band where it was warranted, but went back to a 4 after it finished because I didn't really need the extra depth. Another band I was in used D a lot so I just tuned down to D standard on a 4, which worked well in that context. It's also easier on the hands and forearms... for me, anyway. Quote Link to comment Share on other sites More sharing options...
OliverBlackman Posted 1 hour ago Share Posted 1 hour ago 6 hours ago, DDR said: I used to be a 5 hater and now I'm a convert to the point that I'm wondering, outside of the "getting hired" issue (some bands/artists won't like the look of it) why limit your range to that of a 4 string? I have both and 99% only need to play a 4 so I make it easier for myself by playing a lighter, thinner necked 4 string. I play my 5er more than 1% but only really so it’s not totally alien when I need the lower range or if I want that maple neck jazz bass sound. 1 Quote Link to comment Share on other sites More sharing options...
franzbassist Posted 53 minutes ago Share Posted 53 minutes ago (edited) I took a long time to adjust to 5s, but I pretty much play them all the time now. The main advantage I see with a 5 is it makes some patterns easier to play (i.e. you don't have to shift up and down the neck as you do on a 4, you just play across instead). Some 5s have a poor low B tone, which can certainly give a bad impression to a new user. I've tried a 6 multiple times, but it's just too much for me. If I slapped a lot I'd probably stay on a 4, but I like the increased versatility of a 5 overall and won't go back. Edited 52 minutes ago by franzbassist 1 Quote Link to comment Share on other sites More sharing options...
Burns-bass Posted 40 minutes ago Share Posted 40 minutes ago 12 minutes ago, franzbassist said: I took a long time to adjust to 5s, but I pretty much play them all the time now. The main advantage I see with a 5 is it makes some patterns easier to play (i.e. you don't have to shift up and down the neck as you do on a 4, you just play across instead). Some 5s have a poor low B tone, which can certainly give a bad impression to a new user. I've tried a 6 multiple times, but it's just too much for me. If I slapped a lot I'd probably stay on a 4, but I like the increased versatility of a 5 overall and won't go back. Solid advice. Play the instruments you like to make the music you love. 1 Quote Link to comment Share on other sites More sharing options...
stewblack Posted 13 minutes ago Share Posted 13 minutes ago 7 hours ago, DDR said: I used to be a 5 hater and now I'm a convert to the point that I'm wondering, outside of the "getting hired" issue (some bands/artists won't like the look of it) why limit your range to that of a 4 string? Interesting question. I played 5ers for a couple of years, way back when. It was in the spirit of adventure and discovery and a bit of a pose, as five string bassists were something of a novelty out in the sticks. I never particularly favoured five or four, but returned exclusively to four string basses ten years back. Now they just feel more comfortable, more natural to me. I displace the octave where I meet with a note below the E, and I enjoy finding creative ways to navigate the fretboard. Would I ever go back to a five string? Absolutely, anything is possible. Except slap bass. That is not for me. Quote Link to comment Share on other sites More sharing options...
itu Posted 7 minutes ago Share Posted 7 minutes ago That B requires lots of string changes, before it started to sound similar than the other strings. I use both, 4 and 5, and they are different animals. Quote Link to comment Share on other sites More sharing options...
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