NancyJohnson Posted December 1 Share Posted December 1 Wife got me a GSS Baby Sumo for my birthday. It's tiny! It's loud! Comes in a lovely little metal flight case. It's barely the size of two paperback books. Just gave it a brief test with my Hamer Cruisebass into a GED2112-DI. (We live in a detached house, neighbours away. Chortle!) Man alive, the clarity is incredible. I've jacked the Ged into a variety of amps and effects returns thereof over the years and it's never sounded like this... it's almost been a disappointment at times. It sounds like when I've just gone straight into a mixing desk. Lovely! 13 Quote Link to comment Share on other sites More sharing options...
NancyJohnson Posted December 4 Author Share Posted December 4 It's very obvious the power here is fairly transparent; there seems little or no colouration, which is what I've been after for a long, long time. I know as bassplayers we tweak things constantly in search for a perfect tone (cue angels singing), but realistically we need to realise that 99% of the listening audience care not about how we sound and anything we route our outboard gear through will change things, but this is near as dammit as close to stomp>desk>headphones. The amp's response to changes in bass/treble/mids don't result in these huge swings/spikes where everything starts shaking; it's just huge, delicious amplification of my choice of pre-stages. Honestly, I don't know how they've achieved this, but I'm genuinely stunned. 4 Quote Link to comment Share on other sites More sharing options...
BillyBass Posted December 13 Share Posted December 13 I've read, more than once, that users have found the output from the Baby Sumo when paired with pre amp pedals was lower than they expected and the amps would run out of steam earlier than you would expect with the stated power output. It would appear you haven't had this experience then? Quote Link to comment Share on other sites More sharing options...
three Posted December 14 Share Posted December 14 I’d concur with the OP. Very transparent but highly capable and solid - the best of the class D amps I’ve tried. I’ve paired with a Monique and Warwick Hellborg pre with no problems at all in terms of power and headroom. Quote Link to comment Share on other sites More sharing options...
NancyJohnson Posted December 14 Author Share Posted December 14 13 hours ago, BillyBass said: I've read, more than once, that users have found the output from the Baby Sumo when paired with pre amp pedals was lower than they expected and the amps would run out of steam earlier than you would expect with the stated power output. It would appear you haven't had this experience then? I'm not entirely certain whether the Sansamps are hotter than anything else (in all probability, no) or, for that matter, if my basses have a particularly high output. After years in the game, I know what I want tonally and I tend to know how to get the most out of my gear without the sound not turning to mush! 2 Quote Link to comment Share on other sites More sharing options...
RobD Posted Wednesday at 18:56 Share Posted Wednesday at 18:56 I've got the twin Sumo, which I believe is essentially two of these in one case that I use for a stereo setup. I agree, it's a lovely transparent and clear sound, I can't say I've ever struggled for volume with it when running preamp pedals into it, yes you have to turn the volume dial up quite a way, but it just gets louder and louder towards the end of the range, which I find a lot of other amps don't seem to do. The first time I used it for a theatre gig the guitarist in the pit was blown away by how massive the sound was into a pair of barefaced one10s. It's made transporting the rig so much easier and sounds massively better. 1 Quote Link to comment Share on other sites More sharing options...
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