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Are you a fan of the FANNED FRET BASS ?


Bass4real

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I remember picking one up for the first time and finding the overall adjustment time incredibly short - my review of that very bass on the very day is still on YouTube. It was, for me at least, an easy transition, but I will agree that for some things adjustments are necessary. Jonathan Herrera has recently made a video of his first experience with a Dingwall bass, in the shape of the John Taylor Signature. He noted the same example as me, playing Minor 7th chords around the 15th fret and higher difficult (R b7 b3 or even R 5 b7 b3 arrangement) - that's easier on parallel frets I think. Most other techniques seemed to transfer easily - I was actually surprised that fast tapping was not that much more difficult, I thought I'd miss frets, but again, a small adjustment - and practice got me there. I liken it to getting a new car, a new, different car. Everything is in a different place, the brakes are sharper, the biting point on the clutch may feel different, the gate on the gears is tighter, buttons and switches are in a different place - it's frustrating and sometimes annoying, but we get over it and muscle memory kicks in quite quickly. 

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I have one of the Ibby EHB sixes and I agree with the OP - I'd go back to normal frets or a less severe fan/offset so straight at the 12th fret (rather than around the 7th where it is currently.)

 

Many different ways to fan and each is a compromise - as are straight frets. Up high on the Ibby it's a little more difficult to play than a straight fret instrument.

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7 hours ago, Bass4real said:

I thought I would like the FANNED FRET BASS , I bought an

IBANEZ BtB805ms 5 string 

love everything about the Bass 

EXCEPT  

you guessed it 

The FANNED FRETs

 

20230420_011732.jpg

 

Lovely pic of yourself, any chance of one of the bass? 😉

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I had a Dingwall 5er for a while that was excellent. The only thing that was a bit difficult for me to get round was playing certain chords up the dusty end - the fingering was more problematic.

The only reason I sold it was that I didn't need a 5er any more.

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I have a Dingwall ABZ 4 and as @BigRedX says I took to it in 5 minutes, I find the frets fall under my hand better and obviously the optimum tension for each string and the clarity it gives is great, I still use my other basses but I find this really comfy with the thinner frets too.  

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I've owned a Dingwall Combustion, Ibanez EHB 1005 MS & Ibanez SRMS 805, so I guess I am a fan of the fans!

 

......but I think it is a bit like the 4 vs 5 thing, fan frets aren't better in every way (I currently just use a standard 4 string). I think two main drawbacks are: Lack of choice in Basses, lack of choice in strings (for the Dingwall), but I expect each of those might gradually be less of an issue.

 

I've had 4 string Basses with tension/tone across the strings sounding just as good as the Dingwall, but I've never had a standard 5 string sound as good on the B. So I'd probably recommend fanned frets for people that play a 4 BEAD, or play 5 strings. But then again, a good standard 5 isn't that different with a good setup/strings and playing through Amp/Cab and in the end it was the size and weight of the Combustion that put me off it, and the fact it just doesn't sound like a Passive Jazz. But as far as the technical playing of fanned frets - that wasn't an issue at all.

 

 

Edited by SumOne
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I bought an Ibanez SRMS625EX in the summer which had 5 strings and fanned frets.

 

I had never played a 5 string or fanned frets before. I got used to the fanned frets straight away but it had taken me longer to get used to the extra string, but now I have, I love the bass and the frets

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Only played a couple of them, and then for not very long, but despite my apprehension I was able to get used to it quite quickly. I don’t think it would be my choice but I’d be able to gig with one with a bit more concentration than usual.

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