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Posted

The birth of a new Brooks bass:
Ladies and Gentlemen I give you the Brooks 1.2.

It's a remake of the very first bass I built (now 14 years ago).
But with a few modifications.

- 30 1/2" scale
- Two piece mahogany body. Chambered
- Flamed maple top. Bookmatched
- Colour of the top: Wine red.
- Colour of the back and neck: Walnut
- Three piece mahogany neck
- Dual action Spokewheel truss rod
- Rosewood fretboard
- Cream colored binding
- Guyker two point bridge.
- String through body ferrules
- Hipshot tuners
- Bone nut
- Artec sidewinder humbuckers AlNiCo
- 6 way rotary switch
   1. Neck humbucker
   2. Outer coils as humbucker
   3. Both humbuckers
   4. Neck humbucker + inner Bridge coil out of phase
   5.  Inner coils as humbucker
  6. Bridge humbucker
- Volume pot CTS 500k
- Hidden Tone pot CTS 500k

 

 

brooks-1-2-front-full3-1500_orig.jpg


brooks-1-2-body-1500_orig.jpg


brooks-1-2-headstock3-1500_orig.jpg


brooks-1-2-head-back-1500_orig.jpg


brooks-1-2-back2-1500_orig.jpg


brooks-1-2-front-1500_orig.jpg


brooks-1-2-ferrules-1500_orig.jpg


brooks-1-2-volume-1500_orig.jpg


brooks-1-2-mudbuckers-1500_orig.jpg


brooks-1-2-tone-pot-1500_orig.jpg


brooks-1-2-back-detail-1500_orig.jpg

 


I'll post pics of the build process in several posts below.

  • Like 6
Posted

About one year ago I got an email from a gentleman from France who had found my website and he asked me to do a remake of the Brooks 1.

This is the very first bass I ever built. Based on my personal favorite: my 1969 Gibson Les Paul bass.

 

brooks-1-with-new-pickups1500_orig.jpg

 

Guillaume told me his new years resolution was to quit smoking. And as a reward for himself he wanted me to build this bass.
In June he was confident he had quit smoking for good. And he placed the order.
Since I was busy building two other bass guitars, I told him I would be able to start the build in the fall of this year.
It gave me time to order all the parts and the wood.
In october I started the actual build.

 

First off was the fretboard.

Made the ring inlay for the 12th position. I use an aluminum tube for this.
And for the inside of the ring I made a rosewood circle.

 

brooks-1-2-12th-ring-tube_orig.jpg

 

brooks-1-2-12th-rosewood-dot_orig.jpg

 

 

After that I drilled the holes for the regular dot inlays

 

brooks-1-2-fretboard-drilling-position-h

 

 

Glued the abalone dots  and the aluminum ring in and sanded everything to the desired radius(16")

 

brooks-1-2-inlays-ready_orig.jpg

 


At the FabLab I lasercut templates (the 15 year old templates were no longer usable)
I used plexiglass. Laser cutting works extremely well with this material. And laser cutting MDF is not allowed, because it emits toxic gas.

First thing I routed was the wiring channel which runs in a diagonal line across the body.

 

brooks-1-2-template1_orig.jpg


brooks-1-2-template-channel_orig.jpg

 

  • Like 3
Posted

After that first channel was routed I started to work on the weight reduction. I was going to route a large tone chamber in the upper bout of the body.
I first used Forstner bit to drill away most of the wood in that area. Then cleaned up the tone chamber with the router.

 

brooks-1-2-forstner-chamber_orig.jpg

 

brooks-1-2-template-chamber_orig.jpg

 

brooks-1-2-channel-and-chamber_orig.jpg

 

 

Routed the hole for the rotary switch on the upper horn. And chiseled the last part of the channel away by hand

 

brooks-1-2-chiseled-the-channel_orig.jpg


brooks-1-2-routings_orig.jpg

 

 

Roughly cut out the outline shape.
I weighed the body and came to the conclusion it was going to be too heavy.
So I decided to do some more weight relief.
Made sure i didn't drill where any structural parts would be mounted.

 

brooks-1-2-weight-reduction_orig.jpg

 

 

Next step was to glue the thick flamed maple top onto the body

 

brooks-1-2-glueing-the-top_orig.jpg

 

And then routed along the body outline template. Sorry, no pics of the actual routing.

 

brooks-1-2-body-outline-ready-before-thi

 

  • Like 3
Posted

Routed profile for the controls covers. 

 

brooks-1-2-toggle-cover-profile-template


brooks-1-2-controls-cover-profile-templa


brooks-1-2-controls-cover-profile_orig.j

 


Next I routed the channel for the binding. Note how thick the top was!

 

brooks-1-2-routing-binding-profile_orig.


brooks-1-2-binding-profile-routed_orig.j

 


Glued in the cream colored binding. Using acetone, because it leaves no glue residue that might affect the later staining.

 

brooks-1-2-binding-rubber-bands_orig.jpg
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brooks-1-2-binding-close-up_orig.jpg
brooks-1-2-binding-ready_orig.jpg

 

  • Like 4
Posted

Switched back to the fretboard again

Hammered in the frets.

brooks-1-2-fretting-fretboard_orig.jpg

 


And made the trussrod access slot. Plus (rosewood) cover.

brooks-1-2-trussrod-cover-loose_orig.jpg
brooks-1-2-trussrod-cover_orig.jpg

 


Routed the trussrod slot in the neck blank. And chiseled the part for the spokewheel by hand.

brooks-1-2-spokewheel-truss-rod_orig.jpg

 


Glued the fretboard on (sorry again, no pics)

And then made the side position markers

brooks-1-2-side-dot-holes_orig.jpg

 


Started the shaping of the neck. Using a Shinto raps, spokewheel plane and cabinet scraper.

brooks-1-2-shaping-neck-profile_orig.jpg

 

 

Routed the neck pocket

brooks-1-2-routing-neck-pocket_orig.jpg

 


And stated make the heel fit. Nowhere near yet in this pic 😉

brooks-1-2-neck-alignment_orig.jpg

 


Getting closer to the desire angle. Note how I have the bridge on a pice of brass to emulate the bridge stud thickness.

brooks-1-2-neck-angle_orig.jpg
brooks-1-2-neck-angle2_orig.jpg

 


Needed to create some extra height for this part of the binding

brooks-1-2-extra-tall-binding_orig.jpg

 

  • Like 3
Posted

Took the finger plane and got to work to create the contouring of the top.

brooks-1-2-contouring-the-top_orig.jpg
brooks-1-2-contouring-the-top2_orig.jpg

 


Routed the pickup cavities

brooks-1-2-routing-pickup-cavities_orig.
brooks-1-2-pickup-cavities-routed_orig.j
brooks-1-2-pickup-cavities-routed2_orig.
brooks-1-2-holes-drilled_orig.jpg

 


Drilled the holes for the rotary switch ans Volume pot

brooks-1-2-neckjoint-dry-fit2_orig.jpg

 


Dry fitted the neck. Started to look like proper bass already!

brooks-1-2-les-paul-shape_orig.jpg

 

 

Took the neck back out  to work on the headstock.
Glued the ebony faceplate on.

brooks-1-2-faceplate-glue-up_orig.jpg

 


Drilled the holes for the machine heads

brooks-1-2-headstock-outline-shape_orig.
brooks-1-2-drilling-tuner-holes_orig.jpg
brooks-1-2-drilling-tuner-holes2_orig.jp

 

 

I always drill from two sides. Making the holes on the back a slightly narrower diameter. The Hipshot Ultralite tuners have a very small footprint, and if you drill the hole as wide as the bushing on the front you will see gaps.

brooks-1-2-headstock_orig.jpg

 

 

Made some paste with rosewood dust and wood glue to fill up the gaps underneath the fret tangs.

brooks-1-2-filling-fret-gaps_orig.jpg

 

 

Then did the final profiling of the neck

brooks-1-2-headstock-shape_orig.jpg

 


While I test fitted the neck once again I noticed the string spacing of the bridge was not going to workout with the pickups.
So I decided to buy a different bridge. Instead of the wide travel Thunderbrid bridge that I had planned originally I chose to use a Guyker two point bridge. The latter has a narrower string spacing, which would work better with the Mudbuckers.

 

(Pic from another build)
brooks-pb-2-bridge-in-place_orig.jpeg

 

 

Then drilled the bridge stud holes. And string-through-body holes

brooks-1-2-all-holes-drilled_orig.jpg

 

  • Like 3
Posted

Before I set to work on the pore filling I decided to make the hole for the rotary switch a bit wider.
Not only for better access in the wiring process, but also because this was going to accommodate an Apple Air Tag.
I made a hidden compartment in the back controls cover.

brooks-1-2-closed-toggle-cover_orig.jpg

 


Then did the pore filling prior to the staining.


brooks-1-2-pore-filler_orig.jpg

 


Stained  the back, sides and neck in a dark mahogany color


brooks-1-2-dark-mahogany-and-black2_orig

 

Stained the top red


brooks-1-2-new-red-stain_orig.jpg

 


Sprayed several layers of clear


brooks-1-2-building-up-layers-of-clear-b
brooks-1-2-building-up-layers-of-clear-f
brooks-1-2-building-up-layers-of-clear-f

 


After several layers of clear it was time to aplly the decals

brooks-1-2-logo-decals_orig.jpg
brooks-1-2-sn-decals_orig.jpg

 


Just like the Brooks 1 that I built 14 years ago, this bass was ging to get a hidden tone knob.
Why hidden? I like the clean look on the top side of a bass. And I very rarely use a Tone pot anyway.

So I made a bracket from a sheet of aluminum

brooks-1-2-tone-pot-bracket_orig.jpg

 


And mounted it inside the controls cavity

brooks-1-2-stealth-tone-pot_orig.jpg

 


A little hole on the controls cover gives access to the tone pot.

brooks-1-2-tone-pot-1500_orig.jpg

 


My good friend Sjoerd made a wiring diagram to my specs.
And he took care of the soldering

brooks-1-2-rotary-switch-connections_ori

 

It's a clever switch!

1. Neck humbucker
2. Outer coils as humbucker
3. Both humbuckers
4. Neck humbucker + inner Bridge coil out of phase
5.  Inner coils as humbucker
6. Bridge humbucker

  • Like 4
Posted
12 hours ago, Basvarken said:

A little hole on the controls cover gives access to the tone pot.

 

I was going to ask about that, nice idea.

 

Lovely build.

  • Like 1

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