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Posted

I swapped a Gibson EB3 tobacco sunburst for a Ricky 4001 stereo and just didn’t get on with it so I sold/px it in for a Gibson Les Paul bass and then I had Dick Knight (RIP) replace the the neck to a long/34” scale neck with bass clef inlay at the 12th fret (was I the first to have that sort of inlay done?).

Posted (edited)

I think it's a fair and valid question. Hate just means "intense dislike". Yes I have a bass which I hate, because I dislike it and the intensity is subjective. 

 

I own very well manufactured expensive basses which I adore, but buying a cheap squier affinity p bass for kicks was just not worth it. Maybe I should hate myself for thinking it was a good idea, and not hate the bass. How it was made and passed QC was not its fault.

 

I won't make that mistake again...

Edited by russ.c
Grammar
  • Like 1
Posted
2 hours ago, russ.c said:

I think it's a fair and valid question. Hate just means "intense dislike". Yes I have a bass which I hate, because I dislike it and the intensity is subjective. 

 

I own very well manufactured expensive basses which I adore, but buying a cheap squier affinity p bass for kicks was just not worth it. Maybe I should hate myself for thinking it was a good idea, and not hate the bass. How it was made and passed QC was not it's fault.

 

I won't make that mistake again...

That's a shame because just before Christmas I bought a new Squier Affinity Active Jazz Bass V and can't believe how awesome it is. I tried 3 different ones believing it to be some sort of fluke but every one delivered. My other basses are German made Warwicks for reference. 

  • Like 1
Posted
26 minutes ago, Terry M. said:

I tried 3 different ones believing it to be some sort of fluke but every one delivered.

Please buy me a lottery ticket, I'll send you my address 😂

Posted
1 minute ago, russ.c said:

Please buy me a lottery ticket, I'll send you my address 😂

Ha ha. I think Squier have really upped their game with regards to the entry level models. Classic Vibes have always been amazing. 

Posted

I bought an overpriced piece of crap which I've attempted to make playable. Despite my non existent skills and patience. I figured it's worthless as is and I'm so cross - why not? What harm can it do?

Gave up.

Bunged it in a case and hid it in the corner.

Every now and then I remember it and think about getting it out but hate it too much.

Yesterday I weakened. Plugged it in and it didn't sound too bad. Then the jack socket stopped working. It's one of those awful barrel ones so now I need a new one of those.

 

Back into the corner. 

 

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  • Haha 1
Posted
22 minutes ago, stewblack said:

I bought an overpriced piece of crap which I've attempted to make playable. Despite my non existent skills and patience. I figured it's worthless as is and I'm so cross - why not? What harm can it do?

Gave up.

Bunged it in a case and hid it in the corner.

Every now and then I remember it and think about getting it out but hate it too much.

Yesterday I weakened. Plugged it in and it didn't sound too bad. Then the jack socket stopped working. It's one of those awful barrel ones so now I need a new one of those.

 

Back into the corner. 

 

What is it?

Posted

I've never bought something that I hated outright, but I have had basses that I've loved when playing them by myself, or in the shop, but then I got them into a band environment and they just didn't work in context. 

 

A bit of an expensive lesson, but every time this has happened, it was definitely a learning experience for what I look for in basses. I'm a lot better informed and better prepared these days. 

  • Like 1
Posted

That’s a good point, although I tend to scoop mids I generally buy instruments that have them in abundance, I’ve found I can get the sound I want by reducing what’s there but can’t by increasing what isn’t, if that makes sense. 

  • Like 1
Posted
12 minutes ago, Russ said:

…..but I have had basses that I've loved when playing them by myself, or in the shop, but then I got them into a band environment and they just didn't work in context.

Exactly this. I’ve bought stuff which seemed to tick the boxes in the shop or at home but onstage didn’t work for me at all.
 

I tend to find that kit which is right for me is right straightaway, while stuff I have to tinker and modify generally never hits the mark for me. 

Posted
2 hours ago, stewblack said:

I bought an overpriced piece of crap which I've attempted to make playable. Despite my non existent skills and patience. I figured it's worthless as is and I'm so cross - why not? What harm can it do?

Gave up.

Bunged it in a case and hid it in the corner.

Every now and then I remember it and think about getting it out but hate it too much.

Yesterday I weakened. Plugged it in and it didn't sound too bad. Then the jack socket stopped working. It's one of those awful barrel ones so now I need a new one of those.

 

Back into the corner. 

 

What @Terry M. said ! 

Posted
6 minutes ago, LukeFRC said:

What @Terry M. said ! 

Some bits of wood and metal balanced together precariously but just able to get home before revealing their true nature.

I just soldered in the new jack and now I hate how it hangs on the strap

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