BEADist Posted yesterday at 20:09 Posted yesterday at 20:09 (edited) 51 minutes ago, Russ said: Only thing it appears to be missing is an expression pedal, or even a connection for an external one. Not a dealbreaker though. The FX return can be used as an external expression in. Personally I would not want to give up the FX-loop for that though. I would buy a exp-to-midi converter for an expression pedal. link to the manual: https://www.darkglass.com/anagram-manual/#Rear_View ----------------------------------- Edit: On TB someone says you can use a splitter cable and connect a exp-pedal AND an audio return. The manual says: "Return (exp): A dual function ¼” jack supporting either a stereo return or an expression pedal input." I am not sure what to think of this... Edited yesterday at 20:28 by BEADist Quote
Russ Posted 23 hours ago Posted 23 hours ago 1 hour ago, BEADist said: The FX return can be used as an external expression in. Personally I would not want to give up the FX-loop for that though. I would buy a exp-to-midi converter for an expression pedal. link to the manual: https://www.darkglass.com/anagram-manual/#Rear_View ----------------------------------- Edit: On TB someone says you can use a splitter cable and connect a exp-pedal AND an audio return. The manual says: "Return (exp): A dual function ¼” jack supporting either a stereo return or an expression pedal input." I am not sure what to think of this... Well, there goes my only criticism then. I should have RTFM! Quote
Kev Posted 23 hours ago Author Posted 23 hours ago I don't feel like a single stereo jack is capable of running a mono signal and an expression pedal input. I get confused when there's more than one ring, but I feel it's not that simple and the manual may be being misinterpreted there... Quote
tayste_2000 Posted 23 hours ago Posted 23 hours ago 23 minutes ago, Kev said: I don't feel like a single stereo jack is capable of running a mono signal and an expression pedal input. I get confused when there's more than one ring, but I feel it's not that simple and the manual may be being misinterpreted there... Expression is on the send jack and fx loop is on the return using a trs cable. Quote
Kev Posted 23 hours ago Author Posted 23 hours ago It's interesting then that the manual doesn't advertise this use of the return in that case, good if it does work though! Quote
tayste_2000 Posted 22 hours ago Posted 22 hours ago Sorry I've got that the wrong way round. Expr on the return and a trs (insert cable) on the send. 1h 3m 38s But its controlled i believe by the fx loop block and you have 4 modes, one does this function Quote
BEADist Posted 22 hours ago Posted 22 hours ago 10 minutes ago, tayste_2000 said: Expr on the return and a trs (insert cable) on the send. Probably you can have a (mono) fx-loop/insert on the SEND jack and simultaneous use the RETURN jack as an AUX input for practice. That is actually a rather flexible use of those 2 jacks, although I would have much preferred one of the options being TWO mono fx-loops/inserts... : ) Quote
acidbass Posted 13 hours ago Posted 13 hours ago I don't like the form factor. It seems as if when you step on one of the footswitches, the whole unit will rock forward towards you? I don't know. I would be hesitant to take it on tour! Quote
Greg Edwards69 Posted 13 hours ago Posted 13 hours ago I wonder if the return can be used for another input like you can on the HX Stomp (and bigger Helix devices), say for two instruments, or basses with two outputs such as "Rick-o-Sound" or my Yamaha Attitude? Quote
neepheid Posted 12 hours ago Posted 12 hours ago It all just leaves me cold. All of these multifx units do. I don't want a single point of failure. I don't want a touchscreen. I don't want something which cost more than many of my basses did on the floor in front of me at the Dog and Duck. I don't want to have to go through menus to get to what I want. I want physical switches and knobs that don't change purpose depending on what mode you're in. I could go on, but you get the gist. Any time someone's shown me one of these devices, either in a video or in person I just think "why?" while giving my best "mmm, this is delicious" act so as not to offend. I'm just offering my personal opinion, not trying to yuck anyone's yum, if you're on board then more power to you. 2 Quote
ezbass Posted 12 hours ago Posted 12 hours ago 5 minutes ago, neepheid said: I don't want to have to go through menus to get to what I want. Always a major pain, with that type of device for me. 6 minutes ago, neepheid said: I want physical switches and knobs Child that I am, I sniggered inside when I saw ‘physical knob’. 1 Quote
joeabass Posted 12 hours ago Posted 12 hours ago Looks/sounds great. Nice to hear octaves/filters from a multi fx that sound good. May try this in place of the stomp 1 Quote
LukeFRC Posted 11 hours ago Posted 11 hours ago 1 hour ago, neepheid said: It all just leaves me cold. All of these multifx units do. I don't want a single point of failure. I don't want a touchscreen. I don't want something which cost more than many of my basses did on the floor in front of me at the Dog and Duck. I don't want to have to go through menus to get to what I want. I want physical switches and knobs that don't change purpose depending on what mode you're in. I could go on, but you get the gist. yeah I get that, I feel the same way about some things, and especially touch screens and needing to plug into my laptop to edit... But if you get something where the UI is good and simple enough it becomes a tool to let you do things that are either really hard or expensive to do with analogue pedals then who cares what tool is used, if it sounds good enough, it is good enough.... What I find more strange is that this will be the flavour of the month for a while and feature on 50% of the "post your pedalboard" threads on here and talk bass but in a years time be replaced by something new... it's the unsettling changing that somewhere I don't understand Quote
neepheid Posted 11 hours ago Posted 11 hours ago 4 minutes ago, LukeFRC said: yeah I get that, I feel the same way about some things, and especially touch screens and needing to plug into my laptop to edit... But if you get something where the UI is good and simple enough it becomes a tool to let you do things that are either really hard or expensive to do with analogue pedals then who cares what tool is used, if it sounds good enough, it is good enough.... What I find more strange is that this will be the flavour of the month for a while and feature on 50% of the "post your pedalboard" threads on here and talk bass but in a years time be replaced by something new... it's the unsettling changing that somewhere I don't understand I'm not a luddite - I'm on board with the likes of Toneprints - I've plugged my phone/computer into my TC pedals to edit Toneprints and tailored them to my requirements - tamed the make-up gain on the Spectracomp as I felt it was giving too much of a volume jump when engaged vs. disengaged, and got stuck into the Brainwaves to set the custom interval to be a single semitone - not available in the stock configuration. But these are one time adjustments, now it's done I just crack on with using the effect - by going straight to the pedal I want to adjust settings on and just doing so. Quote
Kev Posted 10 hours ago Author Posted 10 hours ago (edited) 12 hours ago, tayste_2000 said: Sorry I've got that the wrong way round. Expr on the return and a trs (insert cable) on the send. 1h 3m 38s But its controlled i believe by the fx loop block and you have 4 modes, one does this function Ohh I get it now, the EXP is on the send and the splitter is on the return. Feel they could have just squeezed an extra EXP socket on there, but that works. Edit* the manual says its the other way around than the video. Still much confused but either way, looks like it's possible. Edited 10 hours ago by Kev Quote
BEADist Posted 10 hours ago Posted 10 hours ago 18 minutes ago, LukeFRC said: .... What I find more strange is that this will be the flavour of the month for a while and feature on 50% of the "post your pedalboard" threads on here and talk bass but in a years time be replaced by something new... it's the unsettling changing that somewhere I don't understand Maybe not? The Line6 Stomp is comparable to this Anagram and it is a rather constant factor on many boards for many years. -------------------------------------------- I have a Boss GT 1000 Core (also a bit comparable) on my pedalboard for almost 5 years now. These devices can be the center of a hybrid pedalboard that would be much too large (for me, and my bicycle transportation) if it would be constructed of stompboxes only. Clearly I like Darkglass: But I already realized the Anagram cannot do what my Boss can. The Boss stays, but the pedals around it change (actually, it already changed a little since my 'Post Your Pedalboard' post from last week...). On the Boss (and on the Anagram also) you can configure the rotaries to give direct access to parameters you need most. On the Boss you can also make an effectblock global so it will behave just like a stompbox would (meaning changes will be made to all the presets containing that effect). And, although it is a multi-effect it does not mean you have to use presets and/or different modes for the device. If you look at my Boss you can see it has dedicated functions for the footswitches. I use only one preset, but the Boss replaces 10 stompboxes! I'm just offering my personal opinion and experience, if someone insists to use stompboxes only then more power to them, hehehe : ) (ps. and slightly off topic: I am curious though how long I will use my Boss Core... My laptop (for internet/banking/YT/BC) is a secondhand 20 years old Panasonic CF-19 with Linux. I do not use a PC to edit my Boss. The Boss can be updated without any extra software needed) 1 Quote
Greg Edwards69 Posted 9 hours ago Posted 9 hours ago 2 hours ago, neepheid said: It all just leaves me cold. All of these multifx units do. I don't want a single point of failure. I don't want a touchscreen. I don't want something which cost more than many of my basses did on the floor in front of me at the Dog and Duck. I don't want to have to go through menus to get to what I want. I want physical switches and knobs that don't change purpose depending on what mode you're in. I could go on, but you get the gist. Any time someone's shown me one of these devices, either in a video or in person I just think "why?" while giving my best "mmm, this is delicious" act so as not to offend. I'm just offering my personal opinion, not trying to yuck anyone's yum, if you're on board then more power to you. To play devil's advocate... There are plenty of people toting traditional stomp box pedal boards that are of similar value to a higher-end multi-fx. Heck, just a Cali 76 compressor is £299. One could easily assemble a small board of 5 pedals worth £1k. Pedal boards can fail, too. And potentially harder to diagnose during a gig - is it a power connector, PSU outlet, dodgy patch cable, or malfunctioning pedal? If you daisy chain pedals and/or power from something like a 1-spot, a bad connection can be incredibly frustrating. A switcher and multi-out PSU can help in case of failure, but it adds expense. Heck, my brother's GigRig G3 switcher cost more than my Helix. Regardless of whether you use a multi-FX or analogue pedal board, you would do well to have a backup solution so the audience doesn't have to wait for you to diagnose the problem. But I totally understand apathy to menu diving and multi-purpose physical user interfaces. It's not for everyone. One of my guitarists doesn't know how to edit presets on his Helix without a computer attached - and he's a mainframe IT engineer! But that said, once it's dialled in, you shouldn't have to tweak it at gigs. 1 Quote
Greg Edwards69 Posted 9 hours ago Posted 9 hours ago 16 minutes ago, BEADist said: On the Boss (and on the Anagram also) you can configure the rotaries to give direct access to parameters you need most. On the Boss you can also make an effectblock global so it will behave just like a stompbox would (meaning changes will be made to all the presets containing that effect). I really, really wish Line 6 would implement this on the Helix. It would be such a time saver. Quote
LukeFRC Posted 9 hours ago Posted 9 hours ago 36 minutes ago, BEADist said: Maybe not? The Line6 Stomp is comparable to this Anagram and it is a rather constant factor on many boards for many years. In my head that's the competition I compare this too - it's got great UI and is super simple to use and also been supported and added to for years. It's got its limitations but it's possibly one of the best pedals of this era. In 5 years time ppl will still be using them. Will they be using the Anagram? Quote
BEADist Posted 9 hours ago Posted 9 hours ago (edited) Well that would probably depend on the updates the Anagram gets? It already has a great UI and is super simple to use. But there is not even proper midi at the moment. If that will be implemented as soon as in 'Quad Cortex soon' and it is updated like the Element (almost not if I understand correctly) then no. Edited: if I understand correctly this is a Korg company device. I do not know about their update and support history. Edited 9 hours ago by BEADist Quote
krispn Posted 9 hours ago Posted 9 hours ago I’d love to try one of these out and hear what it can do. Powerful processing (and I was tempted by the Kaamos recently) but would struggle to really get the most out it playing the set my pub outfit current plays. But in context… Infinity Microtubes £459 Kaamos £389 That would cover (albeit) the DG drive catalogue and one of the better sounding octave units I’ve recently heard. It’s not going to replace my pedals but if I won one I’d love to get it out for a weekends gigging and run it into two channels on the desk. 1 Quote
visog Posted 4 hours ago Posted 4 hours ago 21 hours ago, MichaelDean said: I still can't get on with the Darkglass tone though. That fizzy top end and seemingly disconnected low just doesn't sound good to me. I quite like the tone BUT it's ubiquitous on YouTube. I like the less intense variants such as the 'Vintage' range. That said, it looks like the Anagram can do it all, and not just distortions. Quote
joel406 Posted 3 hours ago Posted 3 hours ago Wanna hear something funny. I just saw this. Like 30 minutes ago. Read like the first 3 post. Ordered it. It arrives tomorrow. So... pedal board number 6? 4 2 Quote
visog Posted 3 hours ago Posted 3 hours ago 26 minutes ago, joel406 said: Wanna hear something funny. I just saw this. Like 30 minutes ago. Read like the first 3 post. Ordered it. It arrives tomorrow. So... pedal board number 6? Oh great - hope it lives up to the hype. Would love to hear you reaction/review. Quote
Kev Posted 2 hours ago Author Posted 2 hours ago 28 minutes ago, joel406 said: Wanna hear something funny. I just saw this. Like 30 minutes ago. Read like the first 3 post. Ordered it. It arrives tomorrow. So... pedal board number 6? Looking forward to some unbiased thoughts! Still working through the deep dive video, mega impressed with the bloke doing it, probably the clearest explanation of a complex device i've heard in a while, thorough but easy to listen to. It's a really interesting device, on the face of it i probably would have bought it over the Quad Cortex, but it'll take a hell of a lot to make me want to bother changing. Still, if Neural keep ignoring bassists, its going to be tempting if its as good as it seems! 1 Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.