three Posted 6 hours ago Posted 6 hours ago Without wishing to open the can, I particularly enjoyed the marketing copy in this at Andertons: https://www.andertons.co.uk/bacci-guitars-amrita-woodworm-michael-league-signature-maple/?utm_source=google&utm_medium=organic&utm_campaign=surfaces&gad_source=1&gbraid=0AAAAADujoUqVDRQwkN1bWBZcEzip5ciCn&gclid=Cj0KCQjwzrzABhD8ARIsANlSWNOy6ZK_8WuK66VSG5h7Z3UTqmDDDEChjBNvC49jOeUAn4kUKGS7GKkaApxEEALw_wcB 1 1 Quote
bloke_zero Posted 5 hours ago Posted 5 hours ago | Each hole is meticulously cleaned and cleared for maximum acoustic impact. 🤯 4 Quote
three Posted 5 hours ago Author Posted 5 hours ago (edited) 5 minutes ago, bloke_zero said: | Each hole is meticulously cleaned and cleared for maximum acoustic impact. 🤯 Yes, they sort of missed a trick here 'organic micro-chambering' It could be a fabulous bass (I'd love to find out) and League is no slouch... but... Edited 5 hours ago by three spelling Quote
JoeEvans Posted 5 hours ago Posted 5 hours ago You can't help but suspect that the luthier had an otherwise nice batch of timber that had got ruined by woodworm, and decided to make the best of the situation... 2 Quote
HeadlessBassist Posted 5 hours ago Posted 5 hours ago (edited) Visually, it looks like a £400 bitsa. Sorry, but it does. Questions: Did they clear all the Woodworms out of their delicious home? (I've seen the resultant damage on plenty of 2-300 year old Cellos.) Why is Lee Anderton trying to hawk a £7k bass when he knows most professional musician's cars aren't worth that much? Edited 5 hours ago by HeadlessBassist 4 Quote
dclaassen Posted 4 hours ago Posted 4 hours ago 1 hour ago, HeadlessBassist said: Visually, it looks like a £400 bitsa. Sorry, but it does. Questions: Did they clear all the Woodworms out of their delicious home? (I've seen the resultant damage on plenty of 2-300 year old Cellos.) Why is Lee Anderton trying to hawk a £7k bass when he knows most professional musician's cars aren't worth that much? There have been many times in my life, including now, when the bass I’m carrying is worth more than the car it is in…having said that, can I charge more for dings, which are asynchronous unintended organic tone divots? 2 Quote
Beedster Posted 4 hours ago Posted 4 hours ago Well f*** me sideways, I think I've seen it all now 1 1 Quote
Lozz196 Posted 3 hours ago Posted 3 hours ago I’d like to reserve judgement until playing one, but given the price it’s highly unlikely. Anyway, it’s lunchtime and for some reason I fancy a bit of Edam cheese…….. 2 Quote
ped Posted 3 hours ago Posted 3 hours ago Always makes me wonder, when it says 'designed in collaboration with' - when it comes to a FSO, surely the input is 'this pickup, these knobs, that colour, make the pickguard extra ugly'. Hardly 'design', is it? 1 Quote
Cato Posted 2 hours ago Posted 2 hours ago Bacci make some genuinely interesting instruments. I really like the look and concept of these https://www.andertons.co.uk/bacci-guitars-leonardo-dual-outputddsatin-bosco-roasted-maple28-scale-celeste-radiance/ For the uninitiated it's a baritone guitar with a separate pickup for the lowest three strings which opens up various options like putting them through a bass amp or a synth pedal while the other pickups send the signal from all six strings into another amp. If nothing else, it's a bit different. The bass in the OP, on the other hand, is just a very expensive P bass. Quote
FugaziBomb Posted 2 hours ago Posted 2 hours ago Wow. I really hate it. That looks especially awful. I do love the FSO look with the big round overs on the edges, though. Imagine how nice that would look finished in candy ANYTHING without all the worm holes in it. Also, £7,300 is a crazy price for a P Bass. There's nothing you can do to a P Bass to justify that kind of price tag to me. 1 Quote
Jean-Luc Pickguard Posted 2 hours ago Posted 2 hours ago I wonder whether they are specially bred toneworms? 1 Quote
80Hz Posted 2 hours ago Posted 2 hours ago (edited) Hoo boy, toanworms.. get rid of the silly marketing copy and I can appreciate some of the aesthetic choices here - I'm reminded of knotty pine "barncasters". But I'm sure there's any number of luthiers could put together something like this with a distinctive piece of wood while leaving 6 grand in your pocket (edit: and leave out the worms!!) Edited 2 hours ago by 80Hz worms 1 Quote
Terry M. Posted 29 minutes ago Posted 29 minutes ago And there's me thinking the price of vintage Fenders was over the top. I'll see myself out... 1 Quote
neepheid Posted 17 minutes ago Posted 17 minutes ago If you stop contributing to the tonewood debate, it might go away? Wishful thinking, I know... 1 Quote
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