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a long time lurker emerges


toneknob
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Morning

I'm Tony, live in SW London, been playing bass for 20ish years. Big gig-goer in and around London: recently (in the last month or so) seen, off the top of my head, Springsteen, Dave Matthews Band, Zappa Plays Zappa, Chrome Hoof.

My main band at the moment is 60s-influenced all-originals The Invisible Lead Soup. Check us out at [url="http://www.myspace.com/theinvisibleleadsoup"]http://www.myspace.com/theinvisibleleadsoup[/url] and
[url="http://www.facebook.com/posted.php?id=93355858665#/pages/The-Invisible-Lead-Soup/13164197790"]http://www.facebook.com/posted.php?id=9335...oup/13164197790[/url] - we're gigging at the Buffalo Bar in Islington next week.

basses: '75 Rickenbacker Jetglo, Fender Geddy Lee Jazz, Shergold Custom double bass/12-string, Shergold Custom double 4- and 8-string, Stingray fretless, Aria MAB-40 (in purple glitter \m/), Marlin P copy (first bass)
amps: Trace Elliot combo, Roland Cube, Roland Jazz chorus
effects: Trace Elliot dual compressor (Analogman bi-comp on order), SansAmp BDDI, Dunlop Crybaby wah, Boss Octave, Chorus, Overdrive.

And a bad back :)

The "without whom" list: Tony Levin, Jaco, John Entwistle, Geddy Lee, John Paul Jones, Jack Bruce, Stanley Clarke
The "currently favourite" list: Mike Gordon, Stefan Lessard, Victor Wooten. Also getting into Umphrey's McGee and Blues Traveler, don't know who their bassists are right now.

Hello!

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[quote name='stevefletch59' post='528734' date='Jun 30 2009, 03:43 PM']Hi Tony

Welcome to the forum. Looks like you got some interesting gear there mate !

Have fun

Steve[/quote]

Thanks! It's taken a while but I've come a long way from that £70 P-bass copy!

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[quote name='RhysP' post='529443' date='Jul 1 2009, 11:32 AM']Lovely!! :)
Are they both Modulators?[/quote]

Nope - electronics on both are "permanent" - see the pic at [url="http://www.shergold.co.uk/gallery.html?item_id=63"]http://www.shergold.co.uk/gallery.html?item_id=63[/url] to see the more blocky Modulator units. The electronics on mine are mounted more tradionally on the scratchplate.

On the 12/4 there's a volume and tone per neck, as well as pickup selector neck/both/bridge per neck. Then there's on/off switches per neck as well - handily next to each other but I've had more than one occasion where I've ended up with both switched off mid-song. Eek! I've perfected a way of doing a neck switch in one fluid movement.

The 4/8 has only one pickup per neck, but still has two outputs as it's possible to send out two signals from the 8-string, one for E and A pairs, one for D and G.

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[quote name='OldGit' post='531243' date='Jul 2 2009, 11:35 PM']Welcome!
You'll be needing last month Bass Guitar Magazine then - the article on Alexander Technique:)[/quote]


Yes, I remember Jeremy Irons touting this back on Wogan back in the day. He was either on a bung or put up to it by triads.

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[quote name='Mr Fudge' post='531269' date='Jul 2 2009, 11:58 PM']Yes, I remember Jeremy Irons touting this back on Wogan back in the day. He was either on a bung or put up to it by triads.[/quote]
ha ha :)
Do actors play triads?

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[quote name='jonsmith' post='531647' date='Jul 3 2009, 01:26 PM']Hello Tony! Surprised you'd never posted here before...[/quote]

Hello Jon! I thought it was about time I started mucking in.

Anything I should know about this lot? See you sunday!

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