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Pick up cover on my Jazz yes or no?


waynepunkdude
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[quote name='Prosebass' post='590865' date='Sep 5 2009, 06:29 PM']It could look good with both pup and bridge covers..... :)[/quote]
+1, dont think it looks right alone, but would look cool with both, but fooked by the badass

Edited by Kev
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[quote name='waynepunkdude' post='590866' date='Sep 5 2009, 06:29 PM']Was it getting in the way of picking?[/quote]
I tend to pick exactly where the cover would be (due to it being the most friendly place for string tension IMHO) - I had to re-learn picking either side of it when I had the cover on. Then I thought "stuff it" and took it off

Edited by Clarky
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[quote name='bubinga5' post='590963' date='Sep 5 2009, 08:12 PM']can you play efficiently Wayne? i think they look lovely on but i havent got used to fingerstyle then switching to slap with it on..[/quote]


I only play with a pick live except for my Ska band but I use my Musicman for that, I think the bridge cover would help to rest my hand on without mutingthe strings, the problem is that this Jazz is "MY" bass and will always be so I don't want to screw it up so it's probably best I wait until I get my VMJ to try it on first.

I'm glad I started this thread it has made me think.

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[quote name='SteveO' post='590883' date='Sep 5 2009, 06:43 PM']I'd vote for off, purely coz I hate pup covers, I always think it makes the bass look cluncky and they *must* restrict your plucking hand (I've never played with them on, so this is pure speculation)
Anyway, that jazz looks sexy as hell without...[/quote]


She is a sexy bass that will NEVER be sold. :)

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It looks blummin' brilliant with it on, so I vote keep it.

My Precisions & my Highway 1 Jazz have one, plus the jazz has a badass. However I only play fingerstyle and have no interest in slapping, picking, hitting the bass with kippers, or any other righthand technique so it suits my 'jamerson-inspired' style to rest my hand on the cover. Saying that, my no1 live bass, a mustang would look odd with one so I have to make do without.

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