alanbass1 Posted September 26, 2009 Posted September 26, 2009 (edited) Used the Celinder at a gig last night and wound what I believe is the passive tone control fully anti-clockwise (hard to tell whether this is truly passive as it's directly coupled to the 'board) and got a wonderful old school sound - deep but with definition. Make me decide to keep her as she is a truly wonderful modern jazz and also, as I have just discovered, has a great old school tone as well. I know I should have tried earlier - but I never before wound passive tone controls fully anti clockwise as the loss of definition is something I can't live with and never thought to do so on this bass before. Obviously there is a little more going on in the circuit than just a straight capacitor sucking out the treble - wonder what it is. Edited September 28, 2009 by alanbass1
bubinga5 Posted September 26, 2009 Posted September 26, 2009 Alan not again, your killing me with this.
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