BottomEndian Posted October 31, 2009 Share Posted October 31, 2009 James Jamerson played [i]loads[/i] of open strings, using them as passing notes across pretty much any key. It's one of the things that defines his style in my eyes. I play shedloads of open strings in my stoner-doom bass role. Especially the drone side project. Quote Link to comment Share on other sites More sharing options...
Prosebass Posted October 31, 2009 Share Posted October 31, 2009 [quote name='BottomEndian' post='641650' date='Oct 31 2009, 06:51 AM']James Jamerson played [i]loads[/i] of open strings, using them as passing notes across pretty much any key. It's one of the things that defines his style in my eyes. I play shedloads of open strings in my stoner-doom bass role. Especially the drone side project. [/quote] Me too I play open strings as a Root with runs over the top of them, open string harmonics, chords with open strings, open strings with a slide up to the octave , or chord. The fact they may sound different is good, it gives you more tonal variations. Geez guys try something different than 'thump' 'thump' 'thump' Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted October 31, 2009 Share Posted October 31, 2009 [quote name='BottomEndian' post='641650' date='Oct 31 2009, 06:51 AM']James Jamerson played [i]loads[/i] of open strings, using them as passing notes across pretty much any key. It's one of the things that defines his style in my eyes. I play shedloads of open strings in my stoner-doom bass role. Especially the drone side project. [/quote] [quote name='Prosebass' post='641673' date='Oct 31 2009, 09:05 AM']Me too I play open strings as a Root with runs over the top of them, open string harmonics, chords with open strings, open strings with a slide up to the octave , or chord. The fact they may sound different is good, it gives you more tonal variations. Geez guys try something different than 'thump' 'thump' 'thump'[/quote] +1 on both of these. Besides which it surely is just standard technique to use open strings on both bass guitar and upright bass - why on earth would you ignore four (or five) notes that are available in every position on the fretboard/fingerboard? Quote Link to comment Share on other sites More sharing options...
Mr. Foxen Posted October 31, 2009 Share Posted October 31, 2009 I play open strings whenever I see an otherwise invisible mystical orb passing by that I need to grasp. Quote Link to comment Share on other sites More sharing options...
skankdelvar Posted October 31, 2009 Share Posted October 31, 2009 Y'know, I never imagined for an instant this would turn into a serious discussion. For one thing, [i]not[/i] playing open strings means your bass is effectively tuned F Bb Eb Ab*. And you never get to use the lowest note on the instrument. And scores of well-known riffs suddenly become a finger stretching nightmare. To suggest that the [i]general practice [/i]of using open or closed strings are alternative approaches seems beyond the bounds of sane debate. It's like asking if one uses both one's feet when walking. Now, if we're talking about the tonal variations encountered when playing [i]specific[/i] passages in [i]different[/i] positions or on [i]different[/i] strings- that's - er - different. [size=1]* Yes, I know a 5-string would be tuned C etc. But 5-s aren't proper basses.[/size] Quote Link to comment Share on other sites More sharing options...
Jean-Luc Pickguard Posted October 31, 2009 Share Posted October 31, 2009 [quote name='skankdelvar' post='641859' date='Oct 31 2009, 01:39 PM']...It's like asking if one uses both one's feet when walking.[/quote] I always like to hop as much as possible. Quote Link to comment Share on other sites More sharing options...
skankdelvar Posted October 31, 2009 Share Posted October 31, 2009 Me at a recent period hopping festival: Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted October 31, 2009 Share Posted October 31, 2009 [quote name='skankdelvar' post='641979' date='Oct 31 2009, 04:23 PM']Me at a recent period hopping festival: [/quote] Which one is you? Quote Link to comment Share on other sites More sharing options...
markdavid Posted October 31, 2009 Share Posted October 31, 2009 I rarely play open strings Quote Link to comment Share on other sites More sharing options...
stingrayfan Posted October 31, 2009 Share Posted October 31, 2009 Usually to free up a hand to adjust the mixer or press the button on the smoke machine. Oh the joy of being in a cover band... Quote Link to comment Share on other sites More sharing options...
Prosebass Posted October 31, 2009 Share Posted October 31, 2009 [quote name='skankdelvar' post='641859' date='Oct 31 2009, 01:39 PM']Y'know, I never imagined for an instant this would turn into a serious discussion.[/quote] Its not the first time..... I started one as a repost to a certain thread being closed after 3 posts and at last count it had over 40 replies Quote Link to comment Share on other sites More sharing options...
OutToPlayJazz Posted October 31, 2009 Share Posted October 31, 2009 Yes, of course I do. Too many people think the bass is a guitar and play it as such. Working across the strings, using open strings is the logical way of playing the instrument. The less leaping up and down the neck you do, the more efficient, fast and smooth you're going to be. Quote Link to comment Share on other sites More sharing options...
Happy Jack Posted October 31, 2009 Share Posted October 31, 2009 I'm not going to answer the OP's question until I've read the Wiki. Quote Link to comment Share on other sites More sharing options...
beerdragon Posted October 31, 2009 Share Posted October 31, 2009 Anyone use a zero fret? wondered if they can hear the difference. Quote Link to comment Share on other sites More sharing options...
leschirons Posted October 31, 2009 Share Posted October 31, 2009 I have, on one occaision, whilst playing "Let's work together" in A, been to the bogs and had a wee without stopping. Other than that it's the E and A strings only and the odd low B as the D and G strings are too toppy and thin. Quote Link to comment Share on other sites More sharing options...
Happy Jack Posted October 31, 2009 Share Posted October 31, 2009 [quote name='leschirons' post='642143' date='Oct 31 2009, 08:26 PM']I have, on one occaision, whilst playing "Let's work together" in A, been to the bogs and had a wee without stopping. Other than that it's the E and A strings only and the odd low B as the D and G strings are too toppy and thin.[/quote] Did you wash your hands afterwards? Quote Link to comment Share on other sites More sharing options...
skankdelvar Posted October 31, 2009 Share Posted October 31, 2009 [quote name='EssentialTension' post='641987' date='Oct 31 2009, 04:41 PM']Which one is you?[/quote] That's me, hammering out the Smoke On The Water riff on the Flemish pipes. They weren't Flemish until about 20 minutes in. Quote Link to comment Share on other sites More sharing options...
steve-soar Posted October 31, 2009 Share Posted October 31, 2009 [quote name='OutToPlayJazz' post='642110' date='Oct 31 2009, 07:30 PM']Yes, of course I do. Too many people think the bass is a guitar and play it as such. Working across the strings, using open strings is the logical way of playing the instrument. The less leaping up and down the neck you do, the more efficient, fast and smooth you're going to be.[/quote]Beautifully put our kid. Quote Link to comment Share on other sites More sharing options...
OutToPlayJazz Posted October 31, 2009 Share Posted October 31, 2009 [quote name='steve-soar' post='642198' date='Oct 31 2009, 10:05 PM']Beautifully put our kid.[/quote] Why thankyou, kind Sir! Quote Link to comment Share on other sites More sharing options...
leschirons Posted November 1, 2009 Share Posted November 1, 2009 [quote name='Happy Jack' post='642153' date='Oct 31 2009, 09:55 PM']Did you wash your hands afterwards? [/quote] Hands up, no I didn't, until the break between the sets. Quote Link to comment Share on other sites More sharing options...
Cat Burrito Posted November 1, 2009 Author Share Posted November 1, 2009 I love the way (genuinely) this thread has actually been taken seriously by the vast majority of you. I was going to go on to ask has anyone ever had difficulty with their pod? Quote Link to comment Share on other sites More sharing options...
martthebass Posted November 1, 2009 Share Posted November 1, 2009 Once had someone at a jam night criticise me for playing TL's 'Dancing in the Moonlight' with open strings. Just replied 'why not?' Quote Link to comment Share on other sites More sharing options...
Count Bassy Posted November 1, 2009 Share Posted November 1, 2009 I have tended to avoid open strings simply on the basis that if you need to change the key then the fingering pattern can often be unchanged. This is particularly true as I seem to be migrating towards 5 strings, playing bottom E on the B string rather than on the open E string. Having said that, there are times when open strings are great, especially if it happens to be the key note, so no hard and fast rules for me - do whatever works. Quote Link to comment Share on other sites More sharing options...
Apex Posted November 1, 2009 Share Posted November 1, 2009 [quote name='Count Bassy' post='642496' date='Nov 1 2009, 01:49 PM']I have tended to avoid open strings simply on the basis that if you need to change the key then the fingering pattern can often be unchanged. This is particularly true as I seem to be migrating towards 5 strings, playing bottom E on the B string rather than on the open E string. Having said that, there are times when open strings are great, especially if it happens to be the key note, so no hard and fast rules for me - do whatever works.[/quote] +1 Finished my migration a little while ago! Only use open strings if a good fingering pattern dictates that I should, but I'm poor at muting them (my bad technique probably!). Quote Link to comment Share on other sites More sharing options...
AM1 Posted November 1, 2009 Share Posted November 1, 2009 [quote name='Prosebass' post='641673' date='Oct 31 2009, 09:05 AM']Me too I play open strings as a Root with runs over the top of them, open string harmonics, chords with open strings, open strings with a slide up to the octave , or chord. The fact they may sound different is good, it gives you more tonal variations. Geez guys try something different than 'thump' 'thump' 'thump'[/quote] Totally agree! The use of open strings is a technique as much as any other, in terms of passing notes and pedal tones - Muse's Hysteria gives a great example of this, what an awesome bassline! Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.