bubinga5 Posted December 23, 2009 Share Posted December 23, 2009 Does anyone have a narrow string 5...If so how do you get on with slapping on it...do you find it a easy, have you taken time to practice and it has come....also do you find it easy going from a normal spacing 4 to a narrow 5 slap wise? any thoughts.. Quote Link to comment Share on other sites More sharing options...
Pete1967 Posted December 23, 2009 Share Posted December 23, 2009 (edited) [quote name='bubinga5' post='692352' date='Dec 23 2009, 02:28 PM']Does anyone have a narrow string 5...If so how do you get on with slapping on it...do you find it a easy, have you taken time to practice and it has come....also do you find it easy going from a normal spacing 4 to a narrow 5 slap wise? any thoughts..[/quote] I guess it depends what you mean by narrow spacing... My Shuker 5 is at 17.5mm spacings at the bridge and to be honest I prefer it to the 19mm spacings of my TRB5. At first I found that I was catching the other strings a bit, but I modified my technique to be more efficient - less flapping around and I suppose a bit less showy, but infintely more accurate - by tilting my right had downwards a fraction so that the side of the thumb is a little more in line with the string than across it. Sometimes I anchor my hand on the body a la Mark Knopfler. Now I'm used to it, and it didn't take long, I really prefer it because getting round the bass is easier all round. Edit... I found this pic to illustrate what I mean about the technique... I'm by no means saying it's perfect or the only way to do it... but it works for me. HTH. [attachment=38808:DSC_1426.JPG] Edited December 23, 2009 by Pete1967 Quote Link to comment Share on other sites More sharing options...
Bankai Posted December 23, 2009 Share Posted December 23, 2009 It can be done on a 5-string (and even on a 6-string) but it does take some practice as it's certainly not as easy to slap as it is on a 4-string. Quote Link to comment Share on other sites More sharing options...
Rayman Posted December 24, 2009 Share Posted December 24, 2009 Dave Perry's your man, he's a slapper and loves narrow spacings. I personally have been slapping a 17mm Kinal and a 16mm Fernandes for a few months with no problem. It takes a little more acuracy and practice than with a wider spacing, but you soon get uesd to it. The Fernandes is for sale by the way . Quote Link to comment Share on other sites More sharing options...
JTUK Posted December 24, 2009 Share Posted December 24, 2009 I tend to keep all my basses the same sapcing...just less hassle chopping around...but then I don't use 4's anymore. Bridge spacing at 19 works for me... P-Bass or J5 at the nut less of an issue as you aren't striking that end... I like to keep things constant re the right hand.. Quote Link to comment Share on other sites More sharing options...
J3ster Posted December 24, 2009 Share Posted December 24, 2009 It takes practice - I play with my thumb/hand closer to the strings on a 5 and tend to root it there rather than go for the full on arm swing yippee do slap. I much prefer slapping a 4 but then I'm a little anti 5 sometimes anyway. Quote Link to comment Share on other sites More sharing options...
Ballie Posted December 24, 2009 Share Posted December 24, 2009 Hi, I play a Ken Smith Burner 6 with 16mm spacing at the bridge. I slap using Mark King's right arm position. His forearm runs almost parallel to the strings and he wears his bass fairly high up as I do which makes a lot of things easier. I have seen people slapping on narrow 5's with their hands perpendicular to the strings. There's no right or wrong by any means. Just for me personally, I found it easier the way Mark King does it. He uses 16.5mm spacing btw. Hope this helps, and happy slapping! Quote Link to comment Share on other sites More sharing options...
Faithless Posted December 24, 2009 Share Posted December 24, 2009 My both 5string Ibbies have 16.5mm spacing (yep, I tend to keep my basses spacing the same..), and I don't find it hard to do a proper slap (in terms of sound clarity, and such - actually I'm not much of a slapper). Of course it takes practice, but, at the end, what [i]doesn't[/i] take practice, eh? Actually, I think, it's waaay easier to slap a four string, rather than 5string (B-G tuning), in terms of sound clarity. Problem (for me, as I feel it), when slapping a fiver, would be to properly [i]record [/i]it. In a live situation, 'outside' sounds are waay less noticeable. I've just watched Gouche video - and [i]somehow[/i], if you'd record his solo track, I don't think, that his slapping would be [i]crystal clear[/i].. I believe, it's very hard to properly [i]mute [/i]6string. Quote Link to comment Share on other sites More sharing options...
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