skywalker Posted October 19, 2007 Share Posted October 19, 2007 Hi All I have read everywhere that a blues scale has a flat 3,5 and 7, (a minor pentatonic with an added flat 5). Am I right in assuming therefore that all blues is done in a minor key??. I ask bcoz my blues tutor book has lines in major keys, which doesn't seem to fit the blues scale. I am not sure if I have misread something, or am just being a numpty. Please put me out of my confusion Thanks all Steve Quote Link to comment Share on other sites More sharing options...
Paul Cooke Posted October 19, 2007 Share Posted October 19, 2007 there is a "blues" scale... (minor pent with flatted 5th added) but not all blues uses it... Quote Link to comment Share on other sites More sharing options...
Guest Bald Eagle Posted October 19, 2007 Share Posted October 19, 2007 [quote name='skywalker' post='76330' date='Oct 19 2007, 08:42 AM']Hi All I have read everywhere that a blues scale has a flat 3,5 and 7, (a minor pentatonic with an added flat 5). Am I right in assuming therefore that all blues is done in a minor key??. I ask bcoz my blues tutor book has lines in major keys, which doesn't seem to fit the blues scale. I am not sure if I have misread something, or am just being a numpty. Please put me out of my confusion Thanks all Steve[/quote] You are indeed correct [i]the[/i] blues scale is the minor pentatonic with the addition of the 'blue note'. Your book maybe refering to 12 bar blues which is slightly different and played on the major scale. You will need to noodle them both to get the feel and sound, they are both correct though in their own situation, I think, but I don't play much blues these days! Quote Link to comment Share on other sites More sharing options...
skywalker Posted October 19, 2007 Author Share Posted October 19, 2007 I will go away and noodle and digest this - maybe it will start to make some sense. Thanks guys for your input - any more comments much appreciated to help me understand. (What me... a numpty????) - I think so sometimes Steve Quote Link to comment Share on other sites More sharing options...
john_the_bass Posted October 19, 2007 Share Posted October 19, 2007 I need to learn some theory! Quote Link to comment Share on other sites More sharing options...
Mikey D Posted October 22, 2007 Share Posted October 22, 2007 You can also get the 'major' blues scale by adding the b3rd to the major pentatonic. So in C: C D Eb E G A It is a lot brighter sounding. You just need to bit a bit more careful when using it as the natural 3rd (E) would sound out of place over the IV chord (ie F) in a normal blues. Also the 'blue notes' (b3, b5 b7) originally came from african work songs and were classified by musicologists and put in this even tempered scale through their common use. Try bending up to the notes and stopping just short for an even more blues sound. Quote Link to comment Share on other sites More sharing options...
skywalker Posted October 23, 2007 Author Share Posted October 23, 2007 [quote name='Mikey D' post='77812' date='Oct 22 2007, 06:34 PM']You can also get the 'major' blues scale by adding the b3rd to the major pentatonic. So in C: C D Eb E G A It is a lot brighter sounding. You just need to bit a bit more careful when using it as the natural 3rd (E) would sound out of place over the IV chord (ie F) in a normal blues. Also the 'blue notes' (b3, b5 b7) originally came from african work songs and were classified by musicologists and put in this even tempered scale through their common use. Try bending up to the notes and stopping just short for an even more blues sound.[/quote] Thanks Mikey, I'm working through all this and beginning to understand it. I wish I was young again and my brain could absord this at one go. Steve Quote Link to comment Share on other sites More sharing options...
funkysimon Posted October 23, 2007 Share Posted October 23, 2007 Some mileage can be had by playing the minor blues scale (or even the melodic minor) with the root a fifth away from the dominant 7th chord you're playing over (so if the chord is C7, you play Gm7 blues scale). I seem to recall that Wes Montgomery often worked the other way, so would play major blues scales a 4th away from the written minor 7 chord. Quote Link to comment Share on other sites More sharing options...
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