Hot Tub Posted March 17, 2010 Share Posted March 17, 2010 Figured this was the best place to post this - Mods, please move it if this is incorrect and accept my apologies. :blush: OK, question is, these (below) are the guitar chords for a song I'm trying to work out: Cadd9 G D A A5 C5 D5 C#5 E5 G5 G#5 The guitar tuning however is half a step down, so Eb, Ab, Db, Gb, etc. So, what should I be looking at for roots on bass? :wacko: Quote Link to comment Share on other sites More sharing options...
thepurpleblob Posted March 17, 2010 Share Posted March 17, 2010 (edited) [quote name='Hot Tub' post='777782' date='Mar 17 2010, 06:24 PM']Figured this was the best place to post this - Mods, please move it if this is incorrect and accept my apologies. :blush: OK, question is, these (below) are the guitar chords for a song I'm trying to work out: Cadd9 G D A A5 C5 D5 C#5 E5 G5 G#5 The guitar tuning however is half a step down, so Eb, Ab, Db, Gb, etc. So, what should I be looking at for roots on bass? :wacko:[/quote] Unless I'm missing something, the guitar tuning is irrelevant to you. A Cadd9 is still a Cadd9 (etc.). Geetards do that to make the chord fingering easier - you don't care about that. EDIT: *Unless* - you mean it is *written* as Cadd9 and then they have tuned down to transpose down without changing the fingering. In which case, Badd9, Gb, Db, Ab, Ab5..... etc Edited March 17, 2010 by thepurpleblob Quote Link to comment Share on other sites More sharing options...
Bloodaxe Posted March 17, 2010 Share Posted March 17, 2010 What's the tune? Quote Link to comment Share on other sites More sharing options...
Musicman69 Posted March 17, 2010 Share Posted March 17, 2010 (edited) Yea.. provided you're tuned to the same pitch as guitars its easy. The roots are C,G,D,A etc. (Ignoring the fact you're detuned) Good Luck with it! Edited March 17, 2010 by Musicman69 Quote Link to comment Share on other sites More sharing options...
Doddy Posted March 17, 2010 Share Posted March 17, 2010 If I was given those chords I would naturally start with the correct root notes regardless of the tuning. However I have noticed a tendency for,mostly dodgy, guitar players to detune to say Eb and still refer to it as an E which it is not anymore. So if I was detuned a semitone and was told to play an E,I would naturally play the first fret of the now Eb string. Quote Link to comment Share on other sites More sharing options...
Pete Academy Posted March 17, 2010 Share Posted March 17, 2010 [quote name='Doddy' post='777824' date='Mar 17 2010, 07:08 PM']If I was given those chords I would naturally start with the correct root notes regardless of the tuning. However I have noticed a tendency for,mostly dodgy, guitar players to detune to say Eb and still refer to it as an E which it is not anymore. So if I was detuned a semitone and was told to play an E,I would naturally play the first fret of the now Eb string.[/quote] Is there a B# in there by any chance. Quote Link to comment Share on other sites More sharing options...
Cat Burrito Posted March 17, 2010 Share Posted March 17, 2010 Pretty much nailed by Doddy here really. Some bands / tabs will list stuff as C, F & G when the tuning is tuned down half a step so you'll be playing B, E and F# when playing along with the recording. If you are then playing it with other musicians just check to see if they are playing those shapes in regular tunings or as per the record Quote Link to comment Share on other sites More sharing options...
thepurpleblob Posted March 17, 2010 Share Posted March 17, 2010 It's the same as sticking a capo on going the other way, of course. Quote Link to comment Share on other sites More sharing options...
Marvin Posted March 17, 2010 Share Posted March 17, 2010 [quote name='BurritoBass' post='777839' date='Mar 17 2010, 07:19 PM']Some bands / tabs will list stuff as C, F & G when the tuning is tuned down half a step so you'll be playing B, E and F# when playing along with the recording.[/quote] What arses these people are. I'm a theory numpty but it does take a genius to work out that if you detune you're playing different notes. Quote Link to comment Share on other sites More sharing options...
ThomBassmonkey Posted March 17, 2010 Share Posted March 17, 2010 If you're staying in standard and the guitarist is playing the flats of those chords (i.e. he's playing those chords shapes on a guitar in Eb) then you just need to play those notes 1 fret down. Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted March 17, 2010 Share Posted March 17, 2010 [quote name='thepurpleblob' post='777848' date='Mar 17 2010, 07:23 PM']It's the same as sticking a capo on going the other way, of course.[/quote] ... and taking account of whether the guitarist has put the capo at the correct fret for the agreed key. Quote Link to comment Share on other sites More sharing options...
thepurpleblob Posted March 17, 2010 Share Posted March 17, 2010 The upshot of all this is that you need to ask the guitarist what he is doing. Insufficient data Quote Link to comment Share on other sites More sharing options...
Doddy Posted March 18, 2010 Share Posted March 18, 2010 [quote name='Pete Academy' post='777834' date='Mar 17 2010, 07:14 PM']Is there a B# in there by any chance. [/quote] Not in this particular example there isn't....... Quote Link to comment Share on other sites More sharing options...
Hot Tub Posted March 18, 2010 Author Share Posted March 18, 2010 Thanks guys - gonna have a play this afternoon, see if I can figure it out. Again...!!! btw, the tune is Uncle Tom's Cabin by Warrant. Oh, and no B#! Or Fb for that matter! Quote Link to comment Share on other sites More sharing options...
Oscar South Posted March 20, 2010 Share Posted March 20, 2010 [quote name='Marvin' post='777888' date='Mar 17 2010, 07:45 PM']What arses these people are. I'm a theory numpty but it does take a genius to work out that if you detune you're playing different notes.[/quote] Why not treat a detuned or capo'd guitar which remains in standard tuning as a transposing instrument? Its no different from the way saxophones, brass, woodwind and many more transposing instruments are and have been treated for hundreds of years. Makes perfect sense in context and saves a ton of unnecessary hassle. Quote Link to comment Share on other sites More sharing options...
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