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Pedals you prefer the sound of to your 'basic' tone?


theosd
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Are there any pedals you use regularly that you actually prefer the tone to over your clean sound? I'm yet to discover another since selling my MXR M80 (rather foolishly) a couple years ago. I'm thinking things along the lines of compressors or EQ pedals will be common answers but how about a reverb pedal you just can't switch off??

Curious to know what is highly rated by individuals on here =] Any examples of them in use would be interesting too...

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[quote name='theosd' post='796532' date='Apr 5 2010, 01:40 PM']Are there any pedals you use regularly that you actually prefer the tone to over your clean sound? I'm yet to discover another since selling my MXR M80 (rather foolishly) a couple years ago. I'm thinking things along the lines of compressors or EQ pedals will be common answers but how about a reverb pedal you just can't switch off??

Curious to know what is highly rated by individuals on here =] Any examples of them in use would be interesting too...[/quote]

I've tried hordes of pedals over the years but still prefer the sound without. Apart from a tuner, that is. I've never found a compressor that doesn't squash the dynamics, despite what they claim.

Best pedal I ever used was an Akai Deep Impact. I regret getting rid because they're worth a fortune, but I have no need for one at the moment.

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Yeah my EHX Bass Micro Synth is hella fun but I don't have the inclination to spend hours fiddling with countless possibilities in pedals. Nowadays I'd want something to sound distinctive but be simple to use. Bassballs was good for that but I guess its applications were so limited that I really had no use for it.

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I can't think of a pedal on it's own. Probably a multi pedal, or a digital delay. I've been playing with the DD-20 a lot recently, that's pretty cool.

[quote name='Pete Academy' post='796543' date='Apr 5 2010, 01:56 PM']I've never found a compressor that doesn't squash the dynamics, despite what they claim.[/quote]

Who claims their compressor doesn't reduce dynamics?!?

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Two for me - both Behringers both with totally unmemorable names :)
The green limiter pedal maintains dynamics where you want them.
The brown acoustic preamp works as a DI & works very nicely to sweeten the tone of an acoustic bass, electric upright or ashbory as well as making my stratacousic sound like a much more expensive guitar.

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I've recently found that the Sansamp Para driver and MXR M80 in tandem are just fantastic. I've been messing about with them a lot recently - and have found that when I turn them off and have no EQ, no nothing, it all sounds a bit flat. So on they go again!

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comp - markbass compressore. really good compressor from subtle to squash.

envelope filter - 3-leaf audio - groove regulator. don't use it that often, but like the fact you can dial in as much or as little as required.

distortion/overdrive - the new source audio mwbd. as above..see my thread in the effects forum.

i also love the aphex bass x-citer as mentioned in a previous post, as it can work very well as a low/high boost/mid-scoop when required.

it all depends on whether the bass needs to 'stand out' or just back up the other instruments.

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BDDI is always on. Always makes my LM2 sound way better.

I only haave the blend at about 40% effect, 60% direct though, just to add a touch of excitement and drive, while retaining the Stingray sound and punch. All oher controls at "noon" except presence which is at around 10 o'clock. And it makes a great DI, superior to the LM2 one.

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Cheapo Behringer BDI21 thingy. Switched it on, fiddled with it a bit*, loved it, switched it off, didn't like what I heard, so now it's never off. It may as well be nailed to the amp with the switch removed. Reading over that last sentence, I realise I really should try a Sansamp BDDI, or the DHA VT version thingy, just for the better build quality and reliability. Or spend another £28 and have a complete spare for backup... :)


* I'm not a fiddler - five minutes max is all I ever give kit - if I can't get a sound I like in five, I give up. Perhaps that's why I didn't like the RH450, but love Markbass. Life's too short.

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I've never found a compressor that doesn't squash the dynamics, despite what they claim.


have you tried the telenordia Kopressor(thats how it spelt on the site). I have never found a compressor to match it. it is a level above anyting else on the market.

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[quote name='Pete Academy' post='796543' date='Apr 5 2010, 01:56 PM']I've tried hordes of pedals over the years but still prefer the sound without.[/quote]

Me too. And there's enough going on at gigs without all those extra variables to worry about, IMHO. Keep it simple!

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Surely the point of a compressor is to affect dynamics, although whether you can adjust it in a way that you like is often as much to do with the user as the effect.

I like the GLX limiter I bought from a forumite a few weeks back. As was suggested, I practice with it off, but prefer to have it on when playing with others. Fattens the sound out, stops the drain-darts effect of an un-limited slap and just makes the whole instrument feel more responsive.

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I don't have any pedals that I feel the need to keep on all pretty much all the time.Although
lately I really like using the TC Nova Repeater for solos.
I'm also digging the Emma DiscumBOBulator and the Boss OC-2.

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My MF-101 is on 95% of the time. I just like the extra depth that it gives to the lower frequencies & having it cutting a lot of the top + flatwounds = lovely subby sounds.
I don't use my Bass Murf enough tho. Rest of the band have trouble keeping in time with it, so it either gets used for it's sweepy flangy sounds or as a distortion for the most with solo parts on the arpeggio side.

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