HoweDy Posted April 11, 2010 Share Posted April 11, 2010 I know this may sound like an outrageous question to some of you but, does anyone know how much should a standard DI box costs? Because a Mark Bass DI costs around 70 quid, that seems a bit steep to me :s does anyone have a standard DI that they would like to sell? and if so how much? cheers Quote Link to comment Share on other sites More sharing options...
Hamster Posted April 12, 2010 Share Posted April 12, 2010 I've used these for a few years, pretty good, reliable and cheap - [url="http://www.google.co.uk/products?q=BEHRINGER+DI100+ULTRA-DI&um=1&ie=UTF-8&ei=12XCS4fjMIH20wTT0vSoBg&sa=X&oi=product_result_group&ct=title&resnum=3&ved=0CB0QrQQwAg"]http://www.google.co.uk/products?q=BEHRING...ved=0CB0QrQQwAg[/url] Quote Link to comment Share on other sites More sharing options...
AndyTravis Posted April 12, 2010 Share Posted April 12, 2010 Art X and Z direct boxes are fantastic, much better than most, and usually under £35. I'm buying an X direct soon - My old one went missing. Short of paying out £100+/- for a Radial, these are the best i've used. The Behrinkers are [i]OK[/i] Quote Link to comment Share on other sites More sharing options...
Doddy Posted April 12, 2010 Share Posted April 12, 2010 I've got a couple of EMO Systems DI's that I regularly use. They are really good-a lot of theatre's use them. They're also about £70. Quote Link to comment Share on other sites More sharing options...
citizenerased Posted April 12, 2010 Share Posted April 12, 2010 Nothing wrong with the Behringer and under £30 Quote Link to comment Share on other sites More sharing options...
HoweDy Posted April 12, 2010 Author Share Posted April 12, 2010 [quote name='Hamster' post='803297' date='Apr 12 2010, 01:15 AM']I've used these for a few years, pretty good, reliable and cheap - [url="http://www.google.co.uk/products?q=BEHRINGER+DI100+ULTRA-DI&um=1&ie=UTF-8&ei=12XCS4fjMIH20wTT0vSoBg&sa=X&oi=product_result_group&ct=title&resnum=3&ved=0CB0QrQQwAg"]http://www.google.co.uk/products?q=BEHRING...ved=0CB0QrQQwAg[/url][/quote] sweet cheers Quote Link to comment Share on other sites More sharing options...
paulbuzz Posted May 23, 2010 Share Posted May 23, 2010 Sorry; late to the party on this one, but I can't miss the the opportunity to wholeheartedly recommend the [url="http://www.orchid-electronics.co.uk/"]Orchid Electronics Classic DI Box[/url]. Handmade in Devon by a one-man operation, these cost barely more ( £34.50 ) than the Behringer ones, but utterly outclass them in every way. They work flawlessly and virtually never break. Some of mine are close to 20 years old and still going strong. John at Orchid also produces a compact, stripped down version, and a version with a muting footswitch; also builds custom electronics at extremely reasonable prices. Sorry to sound like an advert; I'm not getting paid for this, honest! Just expressing some customer loyalty and appreciation! Quote Link to comment Share on other sites More sharing options...
Huge Hands Posted May 24, 2010 Share Posted May 24, 2010 [quote name='Doddy' post='803304' date='Apr 12 2010, 01:31 AM']I've got a couple of EMO Systems DI's that I regularly use. They are really good-a lot of theatre's use them. They're also about £70.[/quote] I think Canford Audio still own these, so you'd probably only get them from their catalogue. Venues like them because they're passive (no batteries or phantom power required) and apart from the earth lift toggle switch which is an easy repair/replace, they're pretty bullet proof. These things have been going for years, and I think there has been a lot of manufacturers come on the market with equally good if not better options. But for a passive unit, they're pretty much the dogs danglies. Note: THIS IS MY PERSONAL OPINION - I wouldn't advise the MTC ones. I have one myself I use as I was given it for free and run it on an internal battery. However, when we bought a batch at the venue I used to work (to try and save money on the EMOs), IIRC we often popped them whilst switching phantom power in and out and they would fry the whole internal board, rather than just a single fuse or component - so became instant bin jobs. Of course, that was about 7 years ago, they may have improved the protection by now. My personal moral to this story: If you want this DI to be the be all and end all and give you amazing clarity in every environment, then perhaps look at the powered ones. If you want a sturdy reliable workhorse that will work with any desk at any venue an not be worried about the electronics frying, then perhaps something passive like the EMO would be better. Just my opinions of course! Quote Link to comment Share on other sites More sharing options...
BassBod Posted May 24, 2010 Share Posted May 24, 2010 Another unpaid "endorsement" for Orchid Electronics. If you want a simple active DI its a fantastic box for the low cost. And most importantly it sounds good...as long as your bass does! Quote Link to comment Share on other sites More sharing options...
BassPimp66 Posted May 29, 2010 Share Posted May 29, 2010 I own a RADIAL passive DI that I got for GBP 65. It's built like a tank and sounds very good for both live and recording. I recommend it. Quote Link to comment Share on other sites More sharing options...
Sibob Posted May 29, 2010 Share Posted May 29, 2010 There you go: [url="http://www.adesignsaudio.com/reddi.html"]http://www.adesignsaudio.com/reddi.html[/url] UK price is £640 or so I think! Si Quote Link to comment Share on other sites More sharing options...
acidbass Posted May 29, 2010 Share Posted May 29, 2010 Is there a big difference in using a top-class DI box (Radial, Avalon etc) as opposed to a Behringer or equivalent, apart from reliability and robustness? Quote Link to comment Share on other sites More sharing options...
BassPimp66 Posted May 30, 2010 Share Posted May 30, 2010 [quote name='acidbass' post='851285' date='May 29 2010, 05:59 PM']Is there a big difference in using a top-class DI box (Radial, Avalon etc) as opposed to a Behringer or equivalent, apart from reliability and robustness?[/quote] If the sound engineer is lame and kills your sound, then I guess there is no difference. If the sound engineer is good but the house PA is rubbish, then again, there won't be much difference. If sound engineer and house PA are great ... then it may be worth it ... but how many time does that happen ??? Quote Link to comment Share on other sites More sharing options...
algmusic Posted June 4, 2010 Share Posted June 4, 2010 If you're DI-ing alot try the Sansamp Bass driver. I bit more pricey but you will get a Tube esq sound which you can blend in plus drive, if you want. It's fun by a 9v, phantom power or the usual pedal mains adaptor. This will add warth to any rig, but will give the front of house a great sound. I usually DI out of that then go into my rig. On acoustic gigs I use this into the desk. My friend used one on a big rock gig, when instead of a bass amp as the amp on loan blew up.. its' awesome Quote Link to comment Share on other sites More sharing options...
BassBod Posted June 5, 2010 Share Posted June 5, 2010 There is a nice Radial passive going in the for sales....as long as you're after a passive DI you won't get much better? I run mine from the preamp output of SWR's and its very very good, with no complaints (to date) from engineers in many venues, in a few countries. Quote Link to comment Share on other sites More sharing options...
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