Bobby K Posted April 22, 2010 Share Posted April 22, 2010 Hello bass friends Just wanted to ask about a tuning issue. For future gigs I'm planning on having one of my two Precisions tuned up a whole step (in F# as it were) I'm normally using standard gauges (45-105) but am considering using a lighter gauge for the [i]tuned up[/i] bass, maybe 40's, or even 35's. What are the implications of tuning up a whole step, i[i]s it safe to do so[/i], with regard to the neck etc? I'm in a Smiths tribute. Andy Rourke was often tuned up a whole step on his bass, back in the heady days of The Smiths in the early/mid 80's. I've never bothered with this tuning before now but have discovered that it would make some of the lines a lot easier to play Any thoughts would be much appreciated.... Quote Link to comment Share on other sites More sharing options...
Conan Posted April 22, 2010 Share Posted April 22, 2010 I would have thought that if you use lighter strings, the tension will not change that much? So the pull on the neck should be about the same? Quote Link to comment Share on other sites More sharing options...
Paul_C Posted April 22, 2010 Share Posted April 22, 2010 [quote name='Bobby K' post='814950' date='Apr 22 2010, 01:29 PM']Hello bass friends Just wanted to ask about a tuning issue. For future gigs I'm planning on having one of my two Precisions tuned up a whole step (in F# as it were) I'm normally using standard gauges (45-105) but am considering using a lighter gauge for the [i]tuned up[/i] bass, maybe 40's, or even 35's. What are the implications of tuning up a whole step, i[i]s it safe to do so[/i], with regard to the neck etc? I'm in a Smiths tribute. Andy Rourke was often tuned up a whole step on his bass, back in the heady days of The Smiths in the early/mid 80's. I've never bothered with this tuning before now but have discovered that it would make some of the lines a lot easier to play Any thoughts would be much appreciated....[/quote] according to the D'Addario charts [url="http://www.daddario.com/upload/tension_chart_13934.pdf"]http://www.daddario.com/upload/tension_chart_13934.pdf[/url] with a std. set tuned E A D G, the tensions are : E 40.3 / A 48.4 / D 51.3 / G 42.8 with the tuning raised to F B E A the tensions for a 40-100 set are: F 41.7 / B 52.9 / E 54.1 / A 42.5 and a 35-95 set are : F 38.7 / B 47.8 / E 44.5 / A 32.4 those numbers wouldn't necessarily apply to another make of strings, but it gives you an idea of the differences Quote Link to comment Share on other sites More sharing options...
Paul_C Posted April 22, 2010 Share Posted April 22, 2010 [quote name='Paul_C' post='814971' date='Apr 22 2010, 01:49 PM']according to the D'Addario charts [url="http://www.daddario.com/upload/tension_chart_13934.pdf"]http://www.daddario.com/upload/tension_chart_13934.pdf[/url] with a std. set tuned E A D G, the tensions are : E 40.3 / A 48.4 / D 51.3 / G 42.8 with the tuning raised to F B E A the tensions for a 40-100 set are: F 41.7 / B 52.9 / E 54.1 / A 42.5 and a 35-95 set are : F 38.7 / B 47.8 / E 44.5 / A 32.4 those numbers wouldn't necessarily apply to another make of strings, but it gives you an idea of the differences[/quote] just noticed that they do a 40-95 set which would be the closest match to the original tensions Quote Link to comment Share on other sites More sharing options...
Bobby K Posted April 22, 2010 Author Share Posted April 22, 2010 (edited) [quote name='Paul_C' post='814971' date='Apr 22 2010, 01:49 PM']F 38.7 / B 47.8 / E 44.5 / A 32.4[/quote] When you say "F" do you mean F#? (I'll be tuning the E string to F# after all...) (Actually, just looked at their charts and there is no F#) Edited April 22, 2010 by Bobby K Quote Link to comment Share on other sites More sharing options...
Bobby K Posted April 22, 2010 Author Share Posted April 22, 2010 So the concensus seems to be lighter gauge is the way to go, to try and recreate the same amount of string tension as the standards. Cheers guys, i thought so Quote Link to comment Share on other sites More sharing options...
BottomEndian Posted April 22, 2010 Share Posted April 22, 2010 Spanner in the works here... what about a capo at the 2nd fret? Quote Link to comment Share on other sites More sharing options...
Bobby K Posted April 22, 2010 Author Share Posted April 22, 2010 [quote name='BottomEndian' post='815022' date='Apr 22 2010, 02:47 PM']Spanner in the works here... what about a capo at the 2nd fret?[/quote] I did consider it, but abandoned the idea It's interesting that Johnny Marr was capo'd on the 2nd fret on loads of Smiths songs - perhaps one of the reasons why Andy was tuned up a whole step. I wonder if he ever considered the capo... Quote Link to comment Share on other sites More sharing options...
BottomEndian Posted April 22, 2010 Share Posted April 22, 2010 The beauty of the capo is that, of course, you can take it off to quickly get back to standard tuning. No second bass needed! Quote Link to comment Share on other sites More sharing options...
Bobby K Posted April 22, 2010 Author Share Posted April 22, 2010 (edited) Yes, that was considered, but the beauty of having two basses there is that one of them can ultimately be a back-up anyway. Edited April 22, 2010 by Bobby K Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.