Jump to content
Why become a member? ×

Witless music theory question...


David Nimrod
 Share

Recommended Posts

It's a variation on a simple C sharp pentatonic starting on the F but missing out the A sharp until the second octave. Or a minor sixth arpeggio with an added 11th? It would read better as flats not sharps (i.e. D flat not C sharp) but I guess typing flats is harder!

Edited by bilbo230763
Link to comment
Share on other sites

A flat - it makes more sense as an A flat major scale than G sharp.

Simply put, if you think all seven note (octave) scales should have an A B C D E F G. A G sharp scale reads G sharp, A Sharp, C, C sharp, D sharp, E shap G, G sharp. So it has 2 cs and 2 Gs and would be a nightmare to read using conventional staff notation.

If you make it A flat you have and A flat, B flat, C, D flat, E flat, F, G A flat. Much better in my head and on paper!

Make sense?

So, its a D flat pentatonic (penta = five notes including the root (tonic), hence D flat, E flat, F (major 3rd so its a major pentatonic), A flat, B flat. 5 notes = pentatonic). In fact, most pentatonics work against more than one major scale and a D flat pentatonic is equally useful against both a D flat (C sharp) scale, a G flat (F sharp) scale and an A flat (G sharp) major scale. So we are all right!!

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

 Share

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...